Review: Blue Baron #2.1
By Patrick Wolf
‘Don’t judge a book by its cover’. We’ve all heard this advice and we’ve all rarely followed it. In fact, ignoring this counsel was exactly what I was doing when I picked up a copy of Blue Baron #2.1. What I initially deemed to be a mediocre indie read quickly flipped-around after reading the first few pages. Don’t let the cover fool you: Blue Baron may be the best action-comedy series of the summer.
Review: The War on Dental
By Dustin Cabeal
Having read creator Michael Aushenker’s Trolls and being pleasantly surprised, I was more than willing to check out his latest one-shot The War on Dental. They are vastly different in the end, but you can see Aushenker stretching his artistic and storytelling muscles as he moves from a character driven story to one with a sweeping narrative.
Review: Brain Shoodles
By Wes Jones
Brain Shoodles isn’t much of a comic book in the traditional sense. It doesn’t really have a plot or character arc. Instead, it's a collection of doodles called “shoodles,” a portmanteau of “shit doodles” originally used by creator Emily B. Owen as a way of coping with her depression and anxiety. Emily represents herself and others with extremely minimal black and white doodles that, to me, most resemble a baby Tamagotchi or probably more appropriately, the little meringue-shaped figure from old Zoloft commercials.
Review: Sacred Creatures #1
By Ben Snyder
With the enticing concept of Angels and Demons playing a shadow war using humans as their tools, Sacred Creatures #1 almost reeks of a Hellblazer rip off including a blonde man who seems to have all of the spiritual answers. However, Sacred Creatures does enough in its storytelling and aesthetics to set it apart from the other would be clones and inspire hope for the ongoing series.
Review: Samaritan Veritas #2
By Ashley Gibbs
Things are getting pretty complicated for Sam in Samaritan Veritas #2. She’s on a mission to take down the President of the United States and end his corruption, but she’s also a wanted criminal knee-deep in the dark and unspeakable parts of the internet. Not above breaking laws to complete her revenge plot she’s hacking, kidnapping and plotting her way to success. Or so she thinks. The government isn’t as stupid as she imagines and they’re hot on her tail. While Sam is willing to go down in a blaze of glory to complete her objective she can’t do so just yet, the game of cat-and-mouse continues.
Review: Rock Candy Mountain #4
By Daniel Vlasaty
I know what you’re thinking. Here’s me giving Kyle Starks a verbal blowjob in the form of another glowing review for a book I clearly love that is super fucking awesome and blah blah blah. Okay. Well here it is. I guess. I don’t know. But Rock Candy Mountain #4 is out and it’s the last issue in the first story arc. And, yes, I’ll just come out and say it. It’s great, like the rest of the issues. And here is my review of it.
Review: Injustice 2 #5
By Ashley Gibbs
The world is in shambles after Superman’s Regime took over by force only to be defeated by Batman, now Bruce is trying to rebuild things, but there are other forces working against him. Injustice 2 #5 serves as an introduction to Jaime Reyes as Blue Beetle but focuses more on his mentor and predecessor Ted Kord. It’s an interesting story and also a rather sad one, and while I’m not well-versed in either character, I felt this issue did a good job of presenting both of them to me, and I think fans of the characters will also enjoy the writing.
Review: Diablo House #1
By Ben Snyder
Welcome to Diablo House, where morality-themed knock-offs of Twilight Zone stories get told. Calling them knockoffs can sound negative, and while not all bad, Diablo House #1 doesn’t instill much hope for the future of this horror anthology series.
Review: Extremity #5
By Patrick Wolf
Ever wanted something so bad, you’ll do anything for it?—even if it means you’ll feel guilty as hell? I know this happens to me every week whenever I buy a bunch of overpriced Magic the Gathering cards. At first, I want them so bad; I’m like: “Who cares? They’re totally worth it man.” But then I buy them and realize they weren’t worth it. I’m just a moron. Well, something like this happens in this month’s installment of Extremity—just ten-times worse. How far would you go to get revenge? And is it worth the price of your soul?
Review: Mania #1 & 2
By Wes Jones
What if ADHD was the reason Quicksilver is so fast or dissociative identity disorder was the cause of Mystique’s shape-shifting abilities? MANIA presents us with a future where mentally ill tech mutants called ‘supermanics’ are the result of futuristic cybernetic tinkering. It’s 2052 in the completely automated city of New Renard, and all citizens are provided with a neural implant called the ARC. When the ARC is implanted into people with normal brain chemistry, it works as a sort of personal assistant with a HUD — think a fully-realized Microsoft HoloLens. Those with mental health issues, however, may cause the ARCs to malfunction and they end up with superpowers because comic books.
Review: Supernatural Agents #1
By Patrick Wolf
Have you ever seen one of those cheap, Chinese knockoffs? What’s interesting about these products is how they’re so similar and yet so different from the real thing. We can almost always identify a counterfeit Spiderman toy, and yet we can’t help but marvel at how similar it is to the genuine article. I think part of the reason for this phenomenon is that the Chinese knockoff isn’t a straightforward copy: it’s just so generic it feels like a duplicate. Jim Hachey’s Supernatural Agents #1 has a similar feel. While it’s not a direct rip-off, the artwork, story, and characters are so imitative; you’ll get that same feeling you experience whenever you see a counterfeit: it looks like the real thing, but it’s just too generic to be it.
Review: My Little Pony: The Movie Prequel #1
By Ashley Gibbs
As an adult, I am fully aware that I am not the target audience for My Little Pony but it’s something I grew up with as a child and find the current show interesting at times. I don’t know much about the upcoming movie so I decided to read My Little Pony: The Movie Prequel #1 to learn more about it. This issue focuses on the villain and sets up his motivations, we also see another character from the movie but only briefly. However, instead of making me more interested it worried me, while I don’t expect Oscar-worthy adventures from the cartoon horse movie, I’m hoping for an interesting plot but starting out by not liking the villain is not good.
Review: Clue #1
By Ashley Gibbs
Take one huge mansion, one odd host, a handful of guests and a dark and stormy night, mix it all together and somehow you end up with murder. Clue #1 is based on the classic board game and finds Mr. Boddy murdered after a dinner party with a house of suspects all with color-themed names. I’ve always enjoyed playing the game (outside of the US, you know this game as “Cluedo”) and loved the movie based on it as well so found myself eager to see how this comic re-imagined everything. Sadly, what we get is a lot of unlikeable characters and not much mystery so far. Yes, there is a murder and we may know who did it but this isn’t confirmed, and then there is another murder so while these are mysterious elements I don’t find myself drawn in to solve them quite yet.
Review: Chaosphere
By Wes Jones
The Running Man, Rollerball, Smash TV, Mad Max, and now Chaosphere. This self-published title follows in the footsteps of beloved dystopian, sci-fi, deathsport fiction. Oh right, I almost forgot about Deathsport. While the premise of a post-apocalyptic society controlled by corporations and enthralled by a deadly spectator sport isn’t anything new, Chaosphere presents itself as a unique entry in the genre.
Review: Batman/Elmer Fudd Special #1
By Shawn Warner
There have been some strange pairings or ‘Odd Couples’ since team-ups entered the collective consciousness, in fact DC Comics has mashed their top tier characters with those of Hanna Barbara’s storied past and now June has seen the publisher do the same with the Looney Tunes gang. Since DC and Looney Tunes are both properties of Warner Brothers it would make sense, at least commercially that, to paraphrase Spyder from Powerman 5000, these two worlds eventually would collide. Not too long ago the Looney Tunes characters graced the covers of the upper echelon of the New 52, at least variant covers, but now it’s time for actual crossover team up action between serious super heroes and largely large headed cartoon characters. Sure, it’s happened in the past; Scooby Doo meets Batman and Robin and the like but, again this is the big time and mostly not for laughs.
Review: Motro vol. 1
By Dustin Cabeal
There’s a lot of weird shit in Motro that I enjoyed. Things like raising vehicles like pets until they grow up and you can ride them or how old people revert to the size of babies, but still manage to walk around. Weird has never bothered me and usually is a huge draw for me.
Review: Justice League of America #9
By Jonathan Edwards
Would you believe me if I said that this book suddenly got better? No? Good, because it didn't. Justice League of America #9 is a laughably bad issue, a weak ending to a weak story, and it doesn't even feel like Steve Orlando's even trying anymore. Seriously, all of the conflict kind of just gives up halfway through this shit. I mean, I guess Makson does still try and fight the JLA for a page. But come on, he's not going to win. He's a wild man, and they're the fucking Justice League of America. Honestly, I don't even know how he gets in as many hits as he does. It's like Makson was supposed to have super strength for no reason, and then they forgot to ever mention it. Does it seem like I'm just diving right it? Yes? Good, because I am.
Review: Redneck #3
By Daniel Vlasaty
Donny Cates is legit everywhere right now. Dude’s on fire. Much like the wheelchair on the cover of Redneck #3. Much like most of this issue, everything explosive and basking in the glow of flames as the town burns the Bowman compound. Shit gets pretty intense pretty goddamn quickly in this issue. The violence is over the top and maybe a little excessive (which is something I’m all onboard with) but it’s never used to replace a lacking story. I think some writers try too hard to be like Hollywood blockbuster movies. Think about it, think about those movies for a second. Most of the time they have a pretty weak or generic or clichéd story and they make up for that with special effects and blood and explosions. In my opinion, having a ton of shit blow up and just balls-to-the-wall violence will never make up for a shitty story. What I mean is Cates knows what he’s doing here. He knows the story he’s telling and he’s using the violence as a tool, as a way to move the story forward, not just as violence for the sake of violence.
Review: Supergirl: Being Super #4
By Jonathan Edwards
As a reviewer, it's always interesting to reach the end of a series that you've been covering from the beginning. It doesn't matter how long or short the run was. There's just something kind of surreal about looking back and knowing that you were successful in committing to be there for every single issue. It's even crazier when the book sucked, and you had to muscle your way through and to the end. In this case, Supergirl: Being Super doesn't suck. It had a slow start, but it never sucked. And, this fourth and final installment serves as a fairly successful conclusion, wrapping up plot threads both in ways I did and way I didn't expect.
Review: Beautiful Canvas #1
By Benjamin Snyder
Wow, that’s really all I can say about the first issue of Beautiful Canvas. Beautiful Canvas #1 totally subverts any expectation for normalcy you may have for the book. What starts out as a seemingly traditional story turns into something much more interesting and clever, bound to offer a very entertaining story arch filled with plentiful twists and turns.
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