Review: Justice League #4

When I was in college, there was this one professor with a nightmare of a reputation when it came to grading. If you were lucky you might get a C. If you were blessed by God, you’d get a B. The people who got A’s though? They didn’t exist. It didn’t happen. The justification for this whole process was that he wasn’t grading you based on a rubric, no; he was grading you against yourself. In theory, this was to punish you for your bad habits in your essay writing, to put a stop at the points where you get lazy. In reality, however, it was putting a lot of undue stress on students that are only here because the philosophy class fits in their schedule.

If I was scoring Justice League #4 based on how it’s improved against itself, I’d be giving this issue a 5/5. That’s right, ladies, gentlemen and other, the Justice League is finally finding its footing.

When the run began with all its explosions and crumbling cities, the biggest question I wanted to know was: where’s the emotional context. Why does any of this global destruction actually matter to these characters?

Here we get it. Superman’s at the earth’s core trying to destroy these vague devices that’ll crack the planet in half. The heat’s too intense, he’s not strong enough to survive but he knows that if he fails, his wife and child die. These are people that mean the world to him and who he willingly abandoned his universe with in order to protect.  He can't fail. He won't let himself.

JUSTL_Cv4_dsAt the same time, his wife Lois chews out Batman as she watches him heartlessly assume her husband’s death and move on. She brings to question an emotional theme I wanted to see addressed since issue #2—just how far are the Justice League willing to trust this new Superman?

So we have an emotional core established and then the artistic team behind this book then finally starts answering the vague questions about the villains and their disjointed nature. From the start, there seemed to be two distinct threats. The red-dialog hivemind of humans and these strange space bugs crashing onto earth. Their presences were at the epicenter of the devastation yet their visual appearances were alien to each other. Well, that's because they're not the same threat. They're two independent forces at war with each other.

This was one of two plot turns in the issue that made sit up and say, “Wait what?” This story’s been so vague and loose with any plot context gives substance. A definition to the conflict gives story's their dramatic theme and maybe after all this time the Justice League can finally start becoming a genuine story.

I don’t think I’ve ever seen such a course correction in a comic before. This was almost like the writer took-in the feedback and reception and started addressing those complaints. As unlikely as it is, I’m seeing all these elements I wanted finally falling in place and it's making the book better.

That’s not to say all this I’ve written above isn’t delivered as clunky as possible. The Justice League are barely even side characters in a book titled Justice League as they pop in and out of the story at random points to see the things happen, drop a line of exposition and then bounce.

As much as I’ve praised the element of Superman and his family, it’s a snapshot of a few pages in the entirety of the issue and not even one that wholly makes sense. When Lois is rightfully yelling at Batman, he’s stone-faced and aloof—we don’t know his answer when we should. If this was Superman solo book, this would be fine—narratively even make sense. Only this is the Justice League. Batman should be a main character in the Justice League and together they should be actually exploring their current perceptions and tensions instead sending the concerns out and into the void.

The Justice League members still work like ciphers. They’re here to receive and output the information that the rest of the comic throws at them. They don't really matter as characters to the story. Any hero could be here and as long as they had the right super power, it'd go the same.

With Justice League #4 we’re finally getting emotional grounding, we’re getting information that gives us something as readers to hold on to but the biggest damnation I could give the issue is that it’s providing these things four issues into the current arc. Things that should have always been here are only showing up now and what they're providing feels almost wasted on the story being told as collected whole.

The villains and details are still vague and the stakes still cartoonishly high with a team that are each separated and so far flung that the fact they’re even in a team together barely matters. But the comic is getting better. Not great, maybe even barely good but it’s brought me back to where I was saying in the review for issue #1: that the next issue could build on these elements and make a good story.

Only this time it might actually happen.

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Justice League #4 Writer: Bryan Hitch Artist: Tony S. Daniel Colorist: Tomey Morey Publisher: DC Comics Price: $2.99 Format: Ongoing; Print/Digital

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Review: Justice League #3

Bryan Hitch’s current run on the Justice League is a story that’s been gradually getting better in ticks when it needs to be improving by bounds. The ominous red-dialogue mob has now stacked atop each other to make giants that now possibly threaten the world. If this run has done one visually interesting thing, it’s through how it’s constantly evolved the visual design of the villain, always building a different type of intrigue and doom with each iteration.  The brainwashed civilians collapse into each other to create colossi across the globe; each glows a specific color in the Lantern spectrum but why?

Yet the real mark of improvement comes to a stark direction towards the characters. Most of the Justice League is still forgotten, but with the introduction and recruitment of this new Superman from another world, there’s a glimpse into what this story could be about. Batman and the League need a Superman to go to the center of the Earth, and though he’s already accepted, Superman goes to his farmhouse in Kansas to tell Lois what he’s going to do.

JUSTL_Cv3_dsTheir relationship and this interaction are hands down the most engaging part of the story. Lois argues with him, tells him this plan is stupid and dangerous. She doesn’t want to lose her husband, and though Clark tries to ease her nerves and remind her of the other times he’s come back to life, they both know he still might die.

This was the first human moment—the first actual conversation in these entire three issues but unfortunately only takes up three pages. When Superman is teleported to the molten core, the art conveys how overwhelming and desperate the situation is. Superman is engulfed by the intense heat, blinded and struggling but as the issue closes here, I couldn’t stop wanting to go back to that conversation, to stay in it a bit longer.

Why couldn’t Superman get to say a real goodbye to his son? Why didn’t Lois chew out Batman and Cyborg? We don’t even get to see the conversation teased at the end of issue #2 where Batman tells this unfamiliar Superman their plan that could take his life.

The Justice League #3 falls into the same traps as the other issues of the series. There are glimpses—glimpses of themes, glimpses of character moments that you can just see ready to peek out and claim the story, but then they’re gone all too soon. Just as Lois White, Superman’s wife has a moment to react to that interminable silence that is the wait until her husband either comes home or dies an explosion happens.

Just as there’s a moment for Batman to acknowledge this extension of trust to someone who looks exactly like his dead friend, exposition drools out instead. Instead of a human and engaging story about these characters, these strange and contrasting personalities that find common ground, the pages so far have been an elaborate action sequence and all sound and fury signifying nothing.

Theming in a superhero story is almost always determined by the source of conflict, yet the villains here are kept so vague, so cloudy and indeterminate what their origins and interests are—that I can’t even tell you what this story is meant to be about.

There are earthquakes, I guess? Big glowing dudes are stomping around and maybe are doing something bad? There are strange bug monsters that are somehow related? I’ve read the first three issues of this story—now sixty pages of this story—and I feel like I have no better grasp on what’s going on than when I read the first five pages of issue one.

This might be harsh, but this story isn’t unsalvageable. It only needs to remember why readers come to see tent pole superheroes in the first place. It’s not because we’re interested in seeing an action sequence or their super power or the villain of the week—we’ve come for the characters we remember and love.

We want to see stories about them, not stories that they happen to inhabit.

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Justice League #3 Writer: Bryan Hitch Artist: Tony S. Daniel Colorist: Tomey Morey Publisher: DC Comics Price: $2.99 Format: Ongoing; Print/Digital

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Review: Justice League #2

When I reviewed the first issue of the new Justice League series, one of my biggest complaints was that it was a team book with all action and no actual team-ups. With Justice League #2, the team is finally back together but that doesn’t necessarily mean the book’s problems are solved. The DC world is still in crisis! Cities are flooding, weird bugs are attacking. Even the ominous red-dialog-bubbles are still ambling around and being ominous. But the Justice League is getting this under control—things are winding down and they finally regroup to catch each other up. Cyborg’s even determined the source of this activity when suddenly weird, giant bug missiles start dropping from outer space onto major cities.

This is a summary that screams “comic book” but ends up getting served in a completely underwhelming fashion. The action here feels sterile and the story beats and dialogue is either spent providing pure exposition or building up the villain that was already built up much better in the previous issue. If Justice League #1 felt like ten pages spread over twenty, this one took two out of those ten pages and spread it over twenty.

JUSTL_Cv2_dsHowever, there’s an absolute nugget of promise nestled at the end of this issue. The Justice League is in over their heads. They need a Superman. Only there’s a problem—their Superman is dead. That guy in the blue suit flying around the world, saving people from crumbling cities? He’s a Superman from another universe. An older Clark Kent who has been living in secret on their world and spying on every member of the league. Batman, with hesitation, finally reaches out to this new Superman.

This could have been the bedrock for a strong, emotional tension throughout this story arc—a Justice League in mourning is forced to accept their dead friend’s successor. Instead, however, the exchange is a page long and feels gagged. This relationship—this distrust and eventual acceptance of the new Superman could make for a great emotional core to this Justice League run but that’ll make two issues in a row of me saying, “Well maybe the next one will stick the landing.”

Emotional stakes feel like the most glaringly absent thing from this current Justice League run.  A super hero story can have the scariest villains, the biggest stakes and high-levels of destructions, but without emotional stakes, all those other things mean nothing. They’re super heroes in a comic book—we know they’ll never really get hurt or even ever at risk of dying. We come back to these characters because we’re invested in them, invested in their lives and seeing them struggle and succeed. Any story can have a scary villain but only a few will have Batman or Superman.

Those characters are here but for now they’re stopping disasters like it’s their job.  And not even a job they like but a really boring office job they’re just trudging through until five o’clock. This is a Justice League that’s all sternness and gloom without any emotional heart.

Superman, the Justice League needs you now more than ever.

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Justice League #2
Writer: Bryan Hitch
Artist: Tony S. Daniel
Colorist: Tomey Morey
Publisher: DC Comics
Price: $2.99
Format: Ongoing; Print/Digital

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Review: Justice League #1

Justice League #1 could have been a pretty good first eight pages of an issue. There are a lot of classic hallmarks here for a classic Justice League opening. The world is in crisis by global-wide natural disasters and each core member of the team is shown in splash page glory doing something heroic. The Green Lanterns are in China stopping a tsunami, Cyborg is halting run-away trains, the Flash is saving people from collapsing buildings and Wonder Woman is…fighting Russian soldiers. Okay, it’s at least mostly here.

JUSTL_Cv1_dsI want to say Bryan Hitch is making an attempt at showing a Justice League that’s not yet cohesive and is already being forced to spread itself too thin. The problems start, however, by splitting up a team book—in this case by literal continents—until what’s left is a bunch of disparate heroes dealing with disparate situations with a plot that feels less like a story and more like a series of montages.

There may not be much in way of characterizations or plot but there are plenty of heroic panels of characters pushing back vehicles and falling buildings. So while the art’s solid, it’s still stuck portraying something wholly familiar and without any added tension a story or character dynamics might bring. The comic medium has seen super heroes and especially these super heroes rescue innocent people and stop collapsing cities before and this fails to justify an entire issue dedicated to it.

Past the half-way point of the issue, the Justice League starts encountering the source of drama for the rest of this arc—this menacing, red-dialogue-bubbled hivemind taking over civilians and taking away super powers. The situation sounds promising. The Justice League having the people they’ve rescued turned against them at moments when they’re weakest is a solid concept. Only here it’s less of an interesting story development and more of a blatant “Tune in Next Time!” to the point where issue #1 feels like eight pages of story stretched to cover twenty-one.

A team book like the Justice League is allowed to be bombastic and large-scaled simply given the nature of their line-up but it can’t forget why we come to it in the first place—to see these heroes work together, interact and sometimes just plain hang-out.

Issue #2 of the Justice League could be a really interesting, exciting, and fun story. Issue #1 makes me want to see what might happen in Issue #2. It's unfortunate that Justice League #1 doesn't do a great job justifying me having to actually read Justice League #1.

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Justice League #1
Writer: Bryan Hitch
Artist: Tony S. Daniel
Colorist: Tomey Morey
Publisher: DC Comics
Price: $2.99
Format: Ongoing; Print/Digital

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CBMFP 242: He's Trying To Get Worthy

International Comic Con is coming and so we have a new titles and new deals to talk about starting with BOOM! Studios snagging the WWE comics license. After that we run through the two new iron people and the controversy surrounding that. Then it's on to Champions with Mark Waid, US Avengers and Squirrel Girl, The Great Lake Avengers returning again and The Unworthy Thor. That's not all though, there's a new Justice League animation possibly in the works, find out what the guys think about that.

Comics reviewed on this episode:

Previously on the CBMFP...

Group Review: Justice League: Rebirth #1

Welcome to our group review for Justice League: Rebirth #1. This is that one-shot setting the stage for the new series that will continue apparently where Bryan Hitch left off. [su_quote]Sysnopsis: Get ready for talking and Starro! But like the Ultimate version of Starro because Bryan Hitch. Also will old Superman join new JL? You won't get that question answered, but it'll get asked a lot.[/su_quote]

DUSTIN: 1/5

Remember when Bryan Hitch's art was something special? When it defined an entire line of books? What happened? This book mostly looks good. Hitch's citys and civilians are par for the course and his Starro redesign is actually pretty cool and modern. Though I prefer the goofy ass one, this one matches his style. The Justice League all look like asshats. Flash stretches his legs impossibly far, to the point that he's not really running or looking like he's running, but instead lunging strangely. Aquaman's head changes proportions a lot and only once did they fit his body... the one time Hitch forgot to illustrate facial hair. Batman's face is a trace of Christian Bale's Batman which is the worst possible movie Batman to trace. Don't get me started on Lois, not only did she fail to look the same way twice, but she never looked like any version of Lois Lane ever. Basically while the backgrounds, cities and villain of the book looked really good, the Justice League looked like a deformed versions of the Ultimates.

As for the writing... why the fuck is Bryan Hitch writing this? The story is beyond generic. The opening feels like its been lifted from a hundred other Justice League stories and not in a good way. Not in a "yeah you're capturing the magic of the series way", but in a "haven't I read this word for word somewhere else?" kind of way. The jokes are terrible and aside from the forced references to the events that have happened in the shared universe, this book feels like it's in a bubble of it's own. What's worse is that it feels terribly dated. Each character practically takes a turn telling Starro hive mind to get off Earth and don't ya come back ya hear. Then there's the most positive news reporter ever giving us a recap of what we read and praising the Justice League who happened to dump thousand of infected civilians in New Jersey... because I guess we're not in Metropolis or something.

This book doesn't resemble or feel like anything that DC has done with Rebirth. I have not liked or loved all of the Rebirth titles, but I will say that up until this point they have felt similar. They have like the same universe. This feels like they wanted a Bryan Hitch book and so they just let him shit the bed and smiled as he did it. I may not love everything that DC is doing, but I at least JUSTLREB_Cv1_dsliked they effort, I liked that they seemed like they cared about what they were doing rather than just trying to keep a popular artist that's clearly lost his knack for illustrating actual heroes and as a writer has no idea how to write for his own strengths. Simply put, Bryan Hitch isn't that fucking good anymore and shouldn't be allowed to run amok. Let him go back to writing his not movie Avengers/definitely the movie Avengers story at Image that no one liked. I will turn a blind eye to this series ever having happened and hope that it will be cancelled due to poor sales when readers open their fucking eyes to the mess that is this series.

CARL: 4/5

Amidst a massive insect attacking the Earth, the alternative dimension Superman debates with his wife Lois whether he should intervene.  Without a Superman, the Justice League can’t seem to beat the big beetle.  Even with the assistance of the Green Lantern twins, the League doesn’t seem to have the needed firepower.  Here’s where the opportunity for a critical reading comes in.  Empathize with this version of Superman.  In a different time and place, he fell to Doomsday.  Having found the simple life with his family, this Superman knows full well that the moment he commits to the Justice League, he pledges himself fully to the cause.  As the old adage states, you cannot put toothpaste back into the tube.  This Superman realizes that his participation means a decision that cannot be undone.  Put yourself into this character’s mindset and think about the risk.  That’s a great, cathartic moment.

In the end, we know what Superman would do.  The nature of his character has been so forged that there would be no fear of spoiling the ending of this comic.  However, I will say that Superman’s aid against the insect Reaper felt minimal and insignificant.  I did find that the way he saved the day could and should have been determined by another League member.  What his actions do, though, prove that the League needs a Superman.  Despite that one setback I feel that this Rebirth issue gives readers one of those moments that make the medium so rewarding.  Delving into a character as he debates a major decision gives one food for thought.  And that’s what good comics should do.

JUSTIN: 1/5

We still have Rebirth #1's coming out, and DC is shaking things up by making Aquaman the best new thing I've read from their line and Justice League the worst. What an exciting new direction! Never read anything written by superstar artist Bryan Hitch before and now feel like that was for the better. The characters are written like cardboard cutouts of themselves, the threat is comicly cliched and uninspired (as is the limp dick hyperbole thrown behind the threat), and not one word suggests a lick of insight into these characters developed from years of illustrating them.

When I was in my early twenties I swore by Bryan Hitch's art. The scale of The Ultimates 1 and 2 is still the pinnacle of theatrical blockbuster action art for me to this day and his largely forgotten run on Fantastic Four was a lesser but memorable joy. That said, something is definitely lacking in his art in Justice League, feeling weirdly rushed and small compared to his usual dominating hand of dazzling grandeur, especially considering the stature of the team. I will say I can't tell for sure if it's entirely just Hitch's line work or if it's obscured by the awful color job. Whatever flaws the art work itself has, they are intensified tenfold by the coloring, rushed looking and lacking subtly. In one panel, a straight line defines the edge between Clark Kent's hair and forehead, while the line art shows a completely different hairline above it. Throw some vague textures over certain surfaces and some mottled undefined shadows over your flats layer and you've got some unmistakably unacceptable color work for a book of this publishing level.

It looks bad, it drags the shittiest conflicts from other books into it as its dramatic fodder, and talks big while delivering nothing. I'd rather read anything else from DC right now. Or, you know, not even that.

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Writer/Artist: Bryan Hitch
Publisher: DC Comics Price: $2.99 Format: One-Shot; Print/Digital

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