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Valiant Makes Key Strategic Partnerships for Global Licensing Opportunities

Press Release

Valiant is proud to announce that it has partnered with several leading licensing agencies to expand its licensing program to the global stage and bring Valiant apparel, merchandise, and collectibles to several new, international territories for the first time ever. After establishing a wide-ranging international publishing program in over 30 countries, Valiant will expanded its merchandising presence throughout Asia, Europe, and South America with new licensing partnerships that will introduce the publisher’s internationally recognized roster of characters – including X-O Manowar, Bloodshot, Harbinger, Ninjak, and Faith – to new and in-demand global fanbases. Building off of Valiant’s robust domestic licensing program in the United States, look for Valiant’s presence to expand in the following territories with these newly announced licensing partners in the coming months:

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Black Cloud vol. 1 Coming in October

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Writers Ivan Brandon (DRIFTER, Wolverine) and Jason Latour (SOUTHERN BASTARDS, Spider-Gwen), artist Greg Hinkle (THE RATTLER, AIRBOY), and colorist Matt Wilson (THE WICKED + THE DIVINE, PAPER GIRLS) will release a trade paperback collection of the first arc in their darkly ethereal fantasy series BLACK CLOUD this October. 

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Preview: War Mother #1 from Valiant Comics

Press Release

Valiant is proud to present your first lettered look inside WAR MOTHER #1– the FIRST ISSUE of a RIVETING NEW SERIES pitting the breakout hero of 4001 A.D. against the war machines of tomorrow in her landmark full-length debut! On August 23rd, New York Times best-selling writer Fred Van Lente (ARCHER & ARMSTRONG) and explosive artist Stephen Segovia (NINJAK, Action Comics) forge a new myth of the near future as the defender of humanity’s last bastion of scientific expertise – Ana, designated War Mother of the walled city known as The Grove - undertakes a mission to rescue her people from extinction on a planet that has moved beyond mankind…

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The Wendy Project - Out Now

Press Release

THE WENDY PROJECT (Super Genius/Papercutz / 96 pages / color / on sale July 25, 2017 everywhere books are sold / $12.99 pbk) is a fresh, deeply moving and modern take on the world of J.M. Barrie’s Peter Pan and an extraordinary story about memory and magic, life and loss. Featuring stunning art by Veronica Fish (Archie, SLAM!), THE WENDY PROJECT is the graphic novel debut of actress, screenwriter and THE WENDY PROJECT creator Melissa Jane Osborne. Their collaboration is breathtaking and beautiful and a testament to the power of self-expression and storytelling in the wake of tragedy.

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Comic Reviews Patrick Wolf Comic Reviews Patrick Wolf

Review: The Dregs vol. 1

By Patrick Wolf

When people think of Vancouver, they tend to think of what they see on TV: the 2010 Olympics, the beautiful mountains, the set of Dead Pool, etc. What they don’t think of is its hidden horrors and poverty. I don’t tell a lot of people this, but I'm originally from Vancouver—specifically one of its worst parts, Surrey. Growing up in Surrey, I remember passing by drug dealers and prostitutes every day. In fact, I passed them so often I even got to know some of them. Unfortunately, I never got to know them that well because they’d always just mysteriously ‘vanish’. At the time, I didn’t think much of it. I just assumed what everyone else did: they either got clean or overdosed. Years later I discovered the truth: a serial killer named Robert Pickton was preying on them by the dozens.

What made the situation even worse, though, was that Pickton’s success was partly due to the apathy of people like me. Everyone assumed what I did: the missing either overdosed or got clean. Nobody cared, and so Pickton continued to have his way until his murder count reached the 100’s. In many ways, The Dregs is an allegory of this horror. It’s not afraid to show Vancouver’s darker side (specifically East Hastings Street), and it does so through the use of the brilliant, Swiftian metaphor: the cannibalistic café. So, you ask, is the story any good? My answer: It’s more than good. It’s a masterwork.

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Comic Reviews Dustin Cabeal Comic Reviews Dustin Cabeal

Review: Of Dust and Blood: A Story from the Fight at the Greasy Grass

By Dustin Cabeal

If I had known what this story was about before agreeing to review it, I probably wouldn’t have reviewed it. Which would be a shame and exactly the reason why I don’t read solicits for books. Historical Fiction isn’t a category that gets a lot of love in comics, mostly because it’s damn hard to make interesting and accurate.

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Manga Reviews, Comic Reviews Patrick Wolf Manga Reviews, Comic Reviews Patrick Wolf

Review: Robotech #1

By Patrick Wolf

Have you ever hung around a couple of your hipster friends and complained about the current state of alien-invasion movies? Have you ever grumbled about how the new ones suck and they’re nothing compared to the sci-fi greats of the 70’s and 80’s? Well gripe no more because one of the best sci-fi’s of the 80’s is back and it’s being spearheaded by none other than Brian Wood himself. It’s Robotech, ladies and gentlemen, and it’s just as cool, fresh, and spirited as the original.

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Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Plastic #4

By Jonathan Edwards

This is a bit of a different issue for the series. The first half is almost entirely dedicated to action, and though there is still time for some really nice character moments, none of them are as revelatory as in previous installments. That is to say, the characters and tone have all been properly set, and now we're just watching the events unfold. On the one hand, it does make for a technically less substantial read. But on the other, there's still plenty of good stuff in here, and it does still build off of what's come before. Plus, with the series conclusion right around the corner, the real purpose of this issue is to set up the big finale. And in that regard, Plastic #4 is hugely successful.    

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Manga Reviews Dustin Cabeal Manga Reviews Dustin Cabeal

Review: Mobile Suit Gundam: Thunderbolt vol. 4

By Dustin Cabeal

The other day I was in a pet store and was wearing a mecha shirt that was mistaken for Gundam like it often is, and the employee that was talking to me said he wished they still made Gundam. He was referring to Gundam Wing, which I felt like telling him had a perfect ending and shouldn’t have done Endless Waltz, but it showed me that people are kind of clueless about the current status of Gundam and that’s too bad. While Iron Blooded Orphans is the spiritual successor to Gundam Wing, Thunderbolt is the perfect continuation of the entire Gundam storyline. There is something magical about the way this story wraps everything into a tight package to enjoy. If you’re looking for more Gundam, this is it!

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Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Justice League of America #11

By Jonathan Edwards

What a piece of fucking garbage. As much as I've ragged on this series over these last few months, I'm honestly finding it a bit hard to believe just how bad this issue is. There's not a single redeeming factor present. It's an entirely worthless conclusion to a worthless two-part story, and Raymond Terrill is an idiotic dickbag of a character. If we didn't already know by now, this issue definitively shows just how self-righteous and hypocritical he is. He gets up on his soap box to scream about how moralistic he is for "giv[ing] people the chance to be good, instead of assuming they'll be their worst," and then he turns around and refuses to try and listen or empathize with the woman that raised him. Sure, she may have wished for a new family, but how does that hurt Ray? Nadine is right when she said Ray left, and he hadn't ever come back. The only reason he did this time was because the plot needed him to, and now we're supposed to feel bad because she moved on with her life? Fuck that. Ray has every right to have left the way he did. Because, it is true that the way Nadine was raising him was ultimately wrong. However, she also fully acknowledges that here, but that's still not good enough for Ray. No, to appease his narcissism, she needs to wallow in her past mistakes until the day she dies and never be happy again. Yeah, that's giving people the benefit of the doubt. That's justice. Go ahead, Steve Orlando, lecture us again about how paranoid and awful Batman is.

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