By Garrett Hanneken

An ominous warehouse filled with dread and those who go in do not come out the same if they come out at all. This appears to be the main focus for the series or what is to be expected, but writer Garth Ennis begins the issue with some social commentary that is much more prevalent now than ever.

By Thea Srinivasan

Sometimes, we get caught up in one perspective only to realize there is a lot more to consider beyond what we know. As a university student, this is the biggest challenge I have to face, and I end up comparing this story to my own life. While I still have a stubborn head on my shoulders, the main character in this story ended up proving she can do a lot more once she opens her eyes.

By Ben Snyder

Analog #1 does a lot of things well, but none exceptional. It has humor littered throughout its pages, uncanny contemporary social and technological commentary, and it even resembles classic noir films at specific points. However, it seems that at this point writer Gerry Duggan and artist David O’ Sullivan are missing an element to truly set them over the edge into greatness.

By Sam King

Isola #1 is a comic with majestic artwork, an interesting story, and lots of mysticism. The art reads highly of the classic art present in works by Hayao Miyazaki. It isn’t a Japanese anime art style, but it has a lot of the sophistication of color choice, particularly in the representation of animals. The story has a solid base to go from, and the artwork is truly something to behold. Even if the story were to be much less interesting, select panels of the art could be sold as individual prints and still be amazing on their own.

By Jonathan Edwards

Hungry Ghosts #2 showcases just how strange it is that this book is both a horror anthology as well as a four-issue limited series. The framing narrative is all but abandoned save for briefly showing the teller at the beginning of each story. It makes you wonder why Bourdain and Rose spent so much of the first issue establishing such specific circumstances. As for the two stories we get this time around, they’re an overall stronger pair. However, taken individually, neither is especially good and, despite its flaws, “The Pirates” from the last issue remains the single best story this book has offered so far.

By Cat Wyatt

After the crazy ending of issue #10, Motor Crush #11 starts out almost feeling calmer by comparison. The issue starts with Bea and Lo hanging out in one of the racing track bars (needless to say it probably is really weird for Lo, her not being out there helping out and all), while Yo-Yo is getting ready for her big race (apparently her stuff made it through just fine).

Press Release

Bassist-turned-junkie Jonny Wells is addicted to his past, but the only way to get there is through his music.

This June, Insight Comics is publishing Skip to the End, a riveting graphic novel created as an allegory to the history of the legendary band Nirvana.

Press Release

VIZ Media, LLC (VIZ Media), a premier company in the fields of publishing, animation distribution, and global entertainment licensing, expands its catalog for the K anime franchise with the acquisition of K: SEVEN STORIES.

Press Release

VIZ Media, LLC (VIZ Media), a premier company in the fields of publishing, animation distribution, and global entertainment licensing, announced newly acquired publishing titles during its official panel event held this past weekend at Anime Boston 2018.

Press Release

Fanbase Press is over-the-moon excited to announce the newest addition to its publishing slate with A Geek’s Guide to Cross-Stitch: Journeys in Space.  Created by Clarissa Thorne of Unexpected Hobby and formatted by Oceano Ransford (The Arcs, Eisner Award-nominated Rikki), Journeys in Space combines the art of cross-stitch with the science of space travel, providing a new outlet for geeky creativity for crafters of all experience levels.