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Inspired By A Real-Life Battle Against Washington Lobbyists, Black Masks Studios Publishes YOUNG TERRORISTS, The Incendiary First Ever Collaboration from the Co-Creators of CALEXIT

Press Release

This May, Black Mask Studios will publish in book form for the first time ever YOUNG TERRORISTS, the first, incendiary collaboration by the co-creators of the CALEXIT comic book series. Three years ago, writer Matteo Pizzolo and artist Amancay Nahuelpan began a comic book series that portrayed a dark world of speculative fiction: a strange near-future where celebrities and CEOs run the U.S. government, internet conspiracy theorists provide counsel to political elites, and populist anger rages on all sides. The series was inspired by Pizzolo’s own battle with K-Street Lobbyists ten years ago.

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Comic Reviews Garrett Hanneken Comic Reviews Garrett Hanneken

Review: Come Into Me #1

By Garrett Hanneken

We are at a time where human beings are obsessed with sharing their personal lives which is why Come Into Me’s concept may seem bizarre but, more importantly, realistic.

In this comic, you will get a feel for what it would be like if someone shared their consciousness with another. After a failed presentation with the transfer of one mind into another’s, the founder of this scientific advancement becomes desperate. He decides to continue with his practice experiments on others and then ultimately on himself. However, something goes terribly wrong.

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Black Mask Studios Kicks Off 2018 With Two New BLACK Titles

Press Release

Having taken the publishing industry by storm with a widely popular Kickstarter campaign for their acclaimed comic book, co-creators Kwanza Osajyefo and Tim Smith 3 are publishing two new titles set in the world of BLACK, their controversial comic that asks “in a world that already fears and hates them, what if only Black people had superpowers?” The progressive, Los Angeles-based indie publisher Black Mask Studios will publish both of these new projects in early 2018, the first of several planned BLACK spinoff titles.

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Black Mask Studios Announces BILLIONAIRE KILLERS Comic Book Series and the Highly Anticipated Return of the Acclaimed CALEXIT Series

Press Release

What if the children of the .0001% rejected their family legacies of global brutality and tore down the billionaire patriarchy? That's the concept behind BILLIONAIRE KILLERS, a new comic book series created by writer Matteo Pizzolo and artist Soo Lee about corruption, conspiracy, and what happens when the next generation vows to burn it all down. On sale this March, BILLIONAIRE KILLERS is the latest comic book series from Black Mask Studios, the progressive, Los Angeles-based indie publisher of acclaimed titles including BLACK, THE DREGS, KIM & KIM and 4 KIDS WALK INTO A BANK.

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Comic Reviews Daniel Vlasaty Comic Reviews Daniel Vlasaty

Review: Gravetrancers #1

By Daniel Vlasaty

In the afterword at the end of this issue, M.L. Miller says that Gravetrancers was inspired by a real-life story of a cemetery dumping bodies into a pit at the back of their lot and re-selling plots over and over again. I remember this in the news some years ago. It was at Burr Oak Cemetery, I believe, which is not that far from where I live. It was a crazy, fucked up story. Listing this as inspiration for a story should tell you just what kind of book Gravetrancers is going to be. Pretty crazy and fucked up on its own, right?

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Comic Reviews Benjamin Snyder Comic Reviews Benjamin Snyder

Review: 4 Kids Walk Into a Bank

There a very few books right now that are just flat out fun and enjoyable; forgoing major political or social commentary and the necessity of setting up an expanded universe. 4 Kids Walk Into a Bank is one of these instances and it is an absolute and total success. While extremely funny, what truly allows this book to work is the heartfelt characters, specifically Paige. Paige is an incredibly well designed and written character, and propels the story to a satisfying if not inevitable conclusion.

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Comic Reviews Benjamin Snyder Comic Reviews Benjamin Snyder

Review: Beautiful Canvas #4

And just like that Beautiful Canvas is finished with a spectacular fourth and final installment. Ryan K. Lindsay has crafted a thrilling and personal story placed in the center of a chaotic universe, and leaves us with just as many questions as when we started. As the series has continued, in all my reviews I asked for some answers to the numerous questions Lindsay brought up in each issue; and now that the series is over, I feel relieved he chose not to answer most of them.

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Comic Reviews Benjamin Snyder Comic Reviews Benjamin Snyder

Review: Beautiful Canvas #3

By Ben Snyder

As Beautiful Canvas continually unfurls, the chaotic super powered world and the people who inhabit are revealed as well. Once again we are left with little definitive answers regarding any major characters, but inexplicably Beautiful Canvas #3 does a better job than the prior issue in handling the chaos.

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Comic Reviews Patrick Wolf Comic Reviews Patrick Wolf

Review: The Dregs vol. 1

By Patrick Wolf

When people think of Vancouver, they tend to think of what they see on TV: the 2010 Olympics, the beautiful mountains, the set of Dead Pool, etc. What they don’t think of is its hidden horrors and poverty. I don’t tell a lot of people this, but I'm originally from Vancouver—specifically one of its worst parts, Surrey. Growing up in Surrey, I remember passing by drug dealers and prostitutes every day. In fact, I passed them so often I even got to know some of them. Unfortunately, I never got to know them that well because they’d always just mysteriously ‘vanish’. At the time, I didn’t think much of it. I just assumed what everyone else did: they either got clean or overdosed. Years later I discovered the truth: a serial killer named Robert Pickton was preying on them by the dozens.

What made the situation even worse, though, was that Pickton’s success was partly due to the apathy of people like me. Everyone assumed what I did: the missing either overdosed or got clean. Nobody cared, and so Pickton continued to have his way until his murder count reached the 100’s. In many ways, The Dregs is an allegory of this horror. It’s not afraid to show Vancouver’s darker side (specifically East Hastings Street), and it does so through the use of the brilliant, Swiftian metaphor: the cannibalistic café. So, you ask, is the story any good? My answer: It’s more than good. It’s a masterwork.

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