
Review: DC/Young Animal: Milk Wars
By Jonathan Edwards
DC/Young Animal: Milk Wars is a weird kind of crossover. I know, big surprise from the story about the extradimensional corporation Retonn weaponizing milk to “homogenize” the DCU. But, what I mean is, it’s not a dedicated five-issue miniseries, nor is it a five-part story taking place in single issues of the various books involved. Instead, it’s five separate one-shots, each pairing DC and Young Animal characters. Now, Grant Morrison did something similar with The Multiversity, but there, it directly ties into the narrative. Whereas, with Milk Wars, it’s a stylistic choice more than anything else. But, what makes it truly strange is the fact that two of the one-shots, Mother Panic/Batman Special #1and Shade the Changing Girl/Wonder Woman Special #1 have little to no impact on the plot. You could remove both of those issues and their respective characters, and the story literally wouldn’t change at all.

Review: Doom Patrol/Justice League of America #1
By Kelly Gaines
As suddenly as it began, DC’s Milk Wars has ended. For a relatively short event, Milk Wars is loaded with references, ideologies, and narratives that need intense dissection to piece together completely. I wouldn’t say that I’m disappointed, just a little frustrated with the amount of work the average reader will have to do to follow and understand what they’re reading. If you have a sturdy background in Grant Morrison’s Multiversity, the complete history of the Doom Patrol, the Justice League, and all of the Young Animal titles, you have nothing to worry about here. If you haven’t read much of the Young Animals, aren’t up to date with Doom Patrol, and haven’t delved into the history of DC’s multiverse, you’re going to need a lot of breadcrumbs to find your way through this story. Milk Wars is clever, hilarious, and fully embraces the “meta-narrative” trend that’s been taking over more and more in pop culture. However, Young Animals was created as a way to bring new readers into the DC universe without having to feel lost or behind. Milk Wars effectively alienates any new readers of not only DC but comics as a whole. I’ve been a DC girl since about eight years old, and even I had to put reading on hold to look up back issues and google characters to piece everything together. Milk Wars is a smart read for an avid comic fan, but likely a let down to readers hoping to use the Young Animal titles as gateway comics.

Review: Cave Carson Has A Cybernetic Eye - Swamp Thing #1
By Kelly Gaines
I used to think I was incredibly lucky in terms of friendship. I’ve always believed myself to be one of those fortunate few who have an infallible support system of loving companions who tough out the bad times and make the good times shine brighter. Turns out, I don’t know shit about friendship. Real friends risk life and limb to fight for your cause. Real friends warn you when alien psychos are about to force you to wear khakis. Real friends live in your stomach until the time comes for you to vomit them up so together you can save the world. Swamp Thing is a real friend. Swamp Thing should do a TED Talk.

Review: Cave Carson has a Cybernetic Eye #9
By Shawn Warner
Cave Carson has a Cybernetic Eye is possibly the best comic book on the racks today, the only problem is that it is most likely one of the most consistently overlooked offerings from DC. Now to be fair it is part of their Young Animal group of more eclectic books, however unlike the Vertigo titles that came before them and dominated the 90’s pre-hipster comic book era with such series as the legendary Sandman by Neil Gaimen, The Preacher by Garth Ennis and countless mind-blowing mini-series by the great Grant Morrison, Young Animal and its leader the uber-cool Gerard Way seem to be stumbling in the dark to find its target audience. In fact, the flagship title, Doom Patrol also penned by Way has just recently been all but officially cancelled. Things seem bleak indeed for Way and his Young Animal cohorts, but that’s the ironic thing here, these books are darn good reads, all of them. However, we are here to speak of Cave Carson so, shall we begin?

Review: Hadrian's Wall #3 & Cave Carson Has a Cybernetic Eye #2
By Patrick Larose
There’s a particular type of dissonance between being a consumer and a critic. As a consumer, there’s really only ever one question—is the product any good?

Review: Cave Carson Has a Cybernetic Eye #1
By Patrick Larose
Cave Carson was never meant to be a superhero.
When he was created in 1960 for DC Comics, he was molded to fit a pulp fiction archetype that didn’t fight crime and didn’t have super powers. Cave Carson was an adventurer.
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