Right up until the end Simon Spurrier has little nuggets of truth and wisdom for you. This story had many layers, but the one it leaves you on with this issue is that the Gods in this story were never just religious Gods, but instead the things that people worship, celebrities, comics, movies, phones, hell relationships. It’s Spurrier holding up the mirror and saying, “This is how we act, but maybe we can do better.”
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After the last issue, I was left with the impression that this story could go on forever. After this issue, it’s pretty clear that the storyline is ending in the next issue. There’s a lot of surprises and twists in this issue that in hindsight you could sorta see coming if you dissected everything from beginning to end.
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There are quite a few things I enjoy about this issue of Godshaper, but there’s this nagging feeling that the big reveal should have been hinted at better before this issue. We’ve got to know Ennay and Bob pretty well over the last two issues, but like all relationships, there are new things to learn and discover about each other and sure, there’s the occasional bombshell to be dropped.
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Locke is a homicide detective that doesn’t know when to quit. Spencer is his partner. Spencer’s the voice of reason in this partnership, and that is not a good thing. For one, Spencer can’t seem to keep Locke “locked” down, and also because Spencer is not real. He’s an imaginary friend. He’s a stuffed panther. And he also gets car sick. But whatever, because the boys are hot on the trail of Sophie’s murderer and this is a case that’s bigger than what it appears to be. Nothing is as it seems and this is one case that keeps pulling Locke back into his rough and checked past.
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Not the beginning I expected when last, we left Godshaper. Usually, when you leave in the middle of a fight, you find a way to continue that fight in the next issue. If it were a Marvel title, it would backtrack and take the story from another perspective or flashforward and rewind its way back to the fight again. These are the easiest way to do things which are perhaps what make Simon Spurrier’s choice interesting and a whole hell of a lot more entertaining. Because easy is boring as fuck in comics.
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When I was younger I loved Calvin and Hobbes. I remember buying the collected books out of a mail-order catalogue through my school’s book fair when I was maybe in second or third or fourth grade. I am pretty sure Calvin and Hobbes was the first book I picked out and bought for myself. I’m not sure what it was that I liked about it back then, because I definitely didn’t “get” it. I don’t know. I still have the books and I still love them today. So, when Spencer & Locke was announced I was instantly super excited. I mean, it’s a freaking gritty, hard-boiled noir grown up Calvin and Hobbes story!!! Perfect, right? Read on and find out.
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It’s not hyperbole to say that Godshaper is one of the most unique comics I’ve ever read. Whereas a lot of Simon Spurrier’s work at BOOM! has been fringe sci-fi stories, this one is much more grounded. The reason it works though is that the artist is so fucking talented. This story lives or dies by Jonas Goonface’s artwork.
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Beast Wagon has been a hell of a ride. A story set in a zoo in which all the animals talk like people in their thirties but then filled with so many political, social and cultural comments that it’s hard to digest everything in one reading.
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