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Review: Redneck #13
By Hunter T. Patrick
New Start. Redneck seems to take drastic turns in between each arc, or so it has between the first and second, and now the second and the third. The very appropriate title, Redneck, about, well, redneck vampires continues with some dramatic turns. Perry is in trouble after the events of the last issue, so we see some vampire reunions after being separated, from the original family to a brand-new introduction of another family being introduced. The issue serves as set up, beginning with a flashback between a past love of Bartlett’s to a cliffhanger no one saw coming, well sarcastically. This issue does not serve as being strong for twists, but for being strong for set up to start Redneck's third arc.
Review: Relay #1
By Garrett Hanneken
There is definitely a big deal of mystery that goes with Relay. The sense of enigma mixed with a technologically advanced environment results in a sci-fi story that is both familiar and unique.
Review: Babyteeth #10
By Garrett Hanneken
With the child’s ability to summon a portal to another dimension, who knew that giving birth to the Antichrist would be so difficult? Things just got much more chaotic for the characters but much more interesting for the readers.
Review: Atomahawk #0
By Daniel Vlasaty
I've never really been a fan of marauding barbarians as characters. That whole genre has never really done anything for me. I think it's because it's a genre where a lot of the stories are essentially the same. There's only so much that can be done with the genre, in my opinion. Like, I get it – there's a group of totally ripped and brutal barbarians, and they're also totally fucking badass. Or whatever. I don’t know. There's probably a little more to the genre than this. Usually, when one of these books ends up on the review list, I just scroll on past. So, why am I talking about this here? Two reasons, really. The first is because Atomahawk is – in a way – one of these stories, and the second reason is that I didn’t know how else to start this review.
The Ghost Fleet Also Moves To Image Comics
Press Release
All eight issues of the critically acclaimed miniseries THE GHOST FLEET—from writer Donny Cates (GOD COUNTRY, REDNECK) with artists Daniel Warren Johnson (EXTREMITY), Lauren Affe, and John J. Hill—will be collected for the first time into a deluxe, over-the-top volume and available this November from Image Comics.
Review: Redneck #3
By Daniel Vlasaty
Donny Cates is legit everywhere right now. Dude’s on fire. Much like the wheelchair on the cover of Redneck #3. Much like most of this issue, everything explosive and basking in the glow of flames as the town burns the Bowman compound. Shit gets pretty intense pretty goddamn quickly in this issue. The violence is over the top and maybe a little excessive (which is something I’m all onboard with) but it’s never used to replace a lacking story. I think some writers try too hard to be like Hollywood blockbuster movies. Think about it, think about those movies for a second. Most of the time they have a pretty weak or generic or clichéd story and they make up for that with special effects and blood and explosions. In my opinion, having a ton of shit blow up and just balls-to-the-wall violence will never make up for a shitty story. What I mean is Cates knows what he’s doing here. He knows the story he’s telling and he’s using the violence as a tool, as a way to move the story forward, not just as violence for the sake of violence.
Review: Redneck #2
By Daniel Vlasaty
I know I said this in my review of Redneck #1, but I wanted to put it out there again: I generally don’t like vampires. I think it’s probably because there’s already an oversaturation of vampires in movies and books and comics and TV shows and, shit, probably even weird sex subcultures that I don’t even know about. Basically, vampires are freaking everywhere. They’ve been done before. We get it with the vampires already. They live forever and they’re attractive and moody and blah blah blah. So how does this hillbilly vampire story set deep in the heart of Texas hold up in a world already overrun by fucking vampires? Here’s my review of Redneck #1, written by Donny Cates, drawn by Lisandro Estherren, and colored by Dee Cunniffe.
Review: Redneck #1
By Daniel Vlasaty
I don’t like vampires. Not really sure what it is about them but I’ve just never liked them. Maybe it’s because they’re usually portrayed as this smart and savvy and sophisticated things. Rich and high class and full of old world charm. I don’t know. I think vampires should be more like junkies. Ravenous and rabid. Strong and determined but driven by more of an animal instinct, by their hunger, than anything else. I think if vampires existed, they would have a hard time controlling their hunger and their lifestyle. Again: like a junkie. Where their bloodlust and their need to feed overpowers every other aspect of their lives. And the next thing they know they’re on the corner selling their bodies for even the smallest hit of some fresh, fresh blood. (An exaggeration, maybe, but you get the point). So, how does Redneck compare to this?
Review: God Country #3
By Levi Remington
The Quinlan family has been coming to terms with Grandpa's new sword. You see, Emmett Quinlan has Alzheimer's, or at least he had Alzheimer's, but ever since a space demon rode into West Texas on a magical tornado, Emmett has received something else: Valofax, the multi-talented sword analog to Thor's Mjölnir. This God of Blades can slay demons, rebuild houses, and temporarily cure Alzheimer's with a flick of the wrist, but there's one small caveat: The God of War wants it back.
New AfterShock Series From Cates and Brown - "Baby Teeth"
I'm not going to lie... that's a weird title. It's also by Donny Cates who's writing I enjoy. Garry Brown's never done me wrong either so this definitely seems like something I'll check out. I'm not a big Buffy fan though so that raises my eyebrow a little. We'll see.
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On December 2nd, we unleash LANCER #1, a brutal near-future action thriller. LANCER is ALIENS meets the gig economy: military veterans use an app to hunt dangerous species for cash, until one job beneath New York City hunts them back.