There is only one problem with this final volume of Goodnight Punpun, and it’s the white fucking cover. I instantly got the cover dirty from flipping the pages inside because there’s a lot of ink on those pages. Probably because of the hyper-realistic art from Inio Asano, but it fucked up the cover which saddened me. It didn’t sadden me as much as this book though.
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I have looked at this volume sitting on my desk for a few weeks now. Originally, I wanted to jump right into it like I do when I received a new volume of Prison School (which is tied with Punpun for the best manga currently in the market). The difference being that I knew I was in for a heavy trip once I started this volume for Goodnight Punpun has become increasingly dark as the series reaches its conclusion.
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ONE OF THE BEST MANGA EVER!
VIZ Media announces digital manga updates for June highlighted by several notable new series.
Readers will not want to miss June’s selection of new titles that includes MANGA IN THEORY AND PRACTICE: THE CRAFT OF CREATING MANGA by the famed creator of JOJO’S BIZARRE ADVENTURE, as well as the first volume of the coming-of-age urban drama, AFTER HOURS. The historical action-packed adventure series, GOLDEN KAMUY, and an endearing tale about a high school girl and her pet penguin in THE EMPEROR AND I also debut this month.
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Oh Goodnight Punpun, how I’ve missed you. The only thing that’s disappointing about reading Goodnight Punpun is that I can’t find anything else like it to read. Hell, I don’t even necessarily think I want to read anything like it, but it would be nice if there were an option. At the very least, someone could provide an artistic style similar to Inio Asano for all of us to enjoy, but I guess that’s what makes him original.
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I’m pretty sure that my theory about each volume of Goodnight Punpun matching the reading level of Punpun is a bust. It was an interesting thought, but this volume put the kibosh on with a decision Punpun makes in this volume.
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Find out why Viz Media’s Goodnight Pun Pun made our “Best of 2016” list.
Read MoreAt this point, I don’t even know if I can do Goodnight Punpun justice. I attempted to on this week’s episode of the CBMFP, but even then it still felt as if the words summoned failed to do it any real justice. To fix that, I will be providing spoilers because this material is just too complicated to continue dodging around events in the story or giving you general ideas. The main reason being that this very mature book doesn’t just fall into the “slice of life” category. In a lot of ways, it reminds me of independent films or even French films in which sex is a large aspect of the story, but not the defining feature. Punpun has always been thinking about sex from the very beginning of the first volume, but the opening of this volume changes everything. Punpun is essentially raped. He goes along with it, but his reaction and the damage done to him by having a woman older than him commit the act has messed him up terrible. The story tackles this in a very subtle way because this was Punpun’s first experience and so essentially the norm for him. So much so that it is and isn’t a surprise when he meets a girl and later tries to force himself upon her only then realizing that it’s not who he is or what he wants to do. It does take her firm rejection for him to snap out of it, though.
Punpun is a mess, but he’s not the only mess we deal with. Aside from his rape from someone who he trusted, he’s also on the major “outs” with his mother and just moved from his childhood home into a shitty apartment. With the second volume, the focus was split as it followed Punpun’s Uncle along with Punpun. With the third volume, we focus on Punpun’s mother who is a real mess herself.
At one point she ends up back in the hospital and befriends a teenage boy the same age as Punpun. The differences in the relationships just goes to show how messy family can be. That is what this volume is indicating to the reader as Mother and Son can’t connect on an emotional level. It’s difficult to say whose fault that is, but after reading it all you have to point to the mother/parents. After years of neglect she wants Punpun to love her and praise her, but she doesn’t see the damage she’s done. She doesn’t realize how far she’s pushed her son away. To the point that he goes out on his date while she goes under the knife.
As I said on the podcast, this volume took me the longest to read. There was simply more to read, and it wasn’t info dumps or anything like that. What I believe that creator Inio Asano is doing, is matching the reading level of the comic to Punpun’s age. The first volume set in elementary school was a quick read, but still a little complex. The second volume was at the middle school level, but maintained the maturity the series has always contained. This third volume is definitely at the high school level and shows the growth and development of the series. Point in case that we learn what actually happened between Punpun’s mom and dad way back in volume one. Which is brilliant because it’s also a statement of how we see our youth and that maturity brings about new info that we couldn’t see for ourselves.
I’ve always said that Punpun and family’s “ghost bird” design was intentional for two reasons. One, it’s funny and the second, because it allows you to see yourself and your family within the story. The simplicity prevents you from telling yourself this is someone else’s family. This isn’t mine, and this isn’t happening to me. It prevents that so that you are involved more. You are present. It's why you never see Punpun talk, but you read what he says. You. Read. What. He. Says. Asano makes you an active participant in the story, and that’s genius. I can only think of a tiny handful of books that have done this to me while reading them, but never so smart or consistent.
There is one catch to the intentionally vague illustrations of Punpun and peeps. During the sexual scenes or when hands directly interact with other characters, Asano adds human details. During Punpun’s rape scene we see him in pants and a shirt like he was any other kid. At first, this was off-putting, but again intentional. Asano needed it to be clear that what was happening was serious and not a playful or joking scene. He does keep it censored for the most part but in his own style.
Otherwise, the art continues to be incredibly detailed and some of the best I’ve ever seen come from a manga. After Goodnight Punpun, Inio Asano has made me a fan for life. Asano’s style defies the manga norms, while also just being incredibly detailed and enjoyable.
Even after 840 words or so I still don’t know if this review has given you enough insight. My goal has been to get your interest in this series and not as a manga reader, but as a comic reader or more importantly a reader of stories. At the end of the day, people who read comics and read a lot of them are just looking for great stories. Stories with visuals that they can’t get anywhere else and the origin of the created work doesn’t matter. If you give me a manga or a French comic book I won’t turn it away because it’s not from America. Rather, I’m more curious. Hopefully, you’re curious about Goodnight Punpun. You can’t start the series here, but if you’re willing to invest in the first two volumes, you’re in for one hell of an experience. One that I’ve never come across in all my reading.
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Goodnight Punpun vol. 3 Creator: Inio Asano Publisher: Viz/Viz Signature Price: $24.99 Format: TPB; Print/Digital
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We reached 250! Whip your dicks out, you veens out, whatever you got down there and give it a tug or a flick in celebration for the CBMFP reaching 250! Now if you're done being gross, we have comics to talk about. Stan Lee finally tells us who he thought was a terrible, horrible, no good casting for one of his characters, followed by Squirrel Girl getting her own TV show called New Warriors. Not to be outdone, DC announced a Black Lighting TV show in the works! Marvel also announces a bunch of fucking monster books that are sure to sell well in October and is the direct market for comics broken and in need of some blowing up? Oh and we talk about The Tick again... because fuck you 250! We do what we want! Books reviewed on this episode:
The first volume of Goodnight Punpun was unlike any manga I have ever read. It was dark, strange, humorous and strangely full of heart. The second volume is similar, but creator Inio Asano has jumped the story forward in time to place Punpun in middle school. It is this leap forward on the timeline that makes this volume different from the first because it gives Asano a bevy of new emotions and events to work with this time around. There is another pretty significant change as Punpun’s Uncle is the focus of most of the volume. His life has taken some strange turns, to say the least. Boiled down to its simplest form his story is an intensely personal look at a time in his life in which he felt temptation by beauty and ended up losing his way in life. On Punpun’s side of the story, he is still pining for his first love. The girl he never got to run away with because of his mother and father. Things get even more complicated when he discovers that she has a boyfriend, and he knows him from the badminton team.
This world is dark and lacking hope. That is not a negative aspect of the story either; that is the difference that sets it apart from any other manga I have read. Punpun and his family’s life are not extraordinary. They are common and relatable because even though this takes place in Japan, it is a story that is likely happening all over the world. There is a twisted family that can’t find happiness or sabotages their life with self-destructive habits anywhere on the planet. Asano clearly understands that and while his message is not “give up,” he also doesn’t pretend to have the answers to why you should not.
This story is just full of sadness. I almost said emotions, but in thinking about it, it is really sadness and depression. Everyone is sad, but love is the cause of the sadness which any moody teenager or person in their early twenties can relate to. Love is great, but losing love is terrible and destructive, and that is something that Asano shows quite well.
Asano’s artwork is some of the best I have ever seen in a manga. Don’t let Punpun and his family fool you with their simple designs; this book is gorgeous and photorealistic through and through. Speaking of the designs, I feel that it is intentional that they look like that. The reason being that their plainness allows for the reader to more easily paint themselves on the canvas that is Punpun’s family. Add the fact that a dialog bubble is never attached to Punpun and you also become his voice. There was clearly a lot of thought put in by Asano on how readers would experience the story. In fact, that is precisely what he has done with the art and panels, created an experience.
There was as much humor in this volume. What is here is pretty dark so if you do laugh a lot… well, you may have some unresolved issues to work out. It is however incredibly difficult to put down once you start reading. I had the same problem with the first volume, so I was glad to see that Asano’s magic was still present. If you are the type of comic reader that doesn’t read manga because of the formulaic writing and story structures, the house styles and dozens of other stock answers, then I implore you to read Goodnight Punpun. You can even start with this volume because you do not need to know anything about the previous volume to appreciate the story here. Do yourself that favor though because this is probably what you are hoping to find when you try a new manga one after the other. I assure you, there’s nothing else in the world of manga or comics that’s like Goodnight Punpun.
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Goodnight Punpun vol. 2 Creator: Inio Asano Publisher: Viz Media Price: $24.99 Format: TPB; Print/Digital
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