By Dustin Cabeal

After Huck, I came back into the fold on Mark Millar. Before that, I had read and dropped off a lot of Millar titles after the first or second issue. I’ve learned that you have to give him two issues before you heap praise on him, with Huck being the exception.Reborn is vintage Millar. It’s high concept and easy, to sum up. The afterlife is real, but we’re all reborn in different bodies and fighting some fantasy adventure world of good and evil. Like I said, high concept. The charm of the issue comes from the methodical build up that leads to the reveal I just mentioned. We follow a woman’s life as it’s approaching its end and Millar carefully reveals to us each of the characters she’s lost and will once again be united with. It works because Millar is a talented writer and if he would just get over his need to have some kind of ultraviolence, then this issue would have been damn good. His dialogue, in particular, is the closest to the masterful work he did on Huck. I know I’ve brought up Huck way too much, but it is his masterpiece.