
Review: The Dead Hand #3
By Ben Snyder
Slowly the iron curtain is starting to be pulled back ever so slightly in The Dead Hand #3. In the third chapter we are introduced to the smooth-talking counterpart of Carter Carlson, who is simply known as Ellis (people sound much cooler when they only go by one name). Kyle Higgins, Stephen Mooney, and Jordie Bellaire continue their triumphant run with another stellar entry into the fledging series. While the other two entries relied on superb endings (this one does too), the third chapter succeeds more so for it’s subtlety as it introduces new characters and agendas, while hinting that it may not be as it seems.

Review: The Dead Hand #2
By Ben Snyder
Once again I find myself hooked by another twist so cleverly placed at the end of The Dead Hand #2. Each chapter, I feel as if I understand the world of Mountain View and am fairly knowledgeable of its rules only for the end to upheave me. Writer Kyle Higgins, artist Stephen Mooney, and Colorist Jordie Bellaire continue to contort tropes and subvert expectations in the latest issue of The Dead Hand resulting in another standout chapter for the fledgling series.

Review: The Dead Hand #1
By Ben Snyder
While initially skeptical of its heavy use of narration, story, and characters the last few pages of The Dead Hand #1 throw everything prior in a new light creating fascinating new dynamics on typical cliché tropes. Writer Kyle Higgins, artist Stephen Mooney, and colorist Jordie Bellaire piece together an incredibly suspenseful and thought-provoking tale that holds immense promise for future issues.

Review: Nightwing: The New Order #2
By Dustin Cabeal
Listen, listen… this is the best thing DC’s ever done with Nightwing. Kyle Higgins is doing exactly what DC should do more of, and that’s just creating fun side stories that have nothing to do with the rest of the DCU. This exists in a bubble, and because of that, he can add consequences to his story that other DC comics can’t. It’s a lot like Injustice in that way, at least before Injustice became too big of a brand and needed to continue making money.

Review: Nightwing: The New Order #1
By Dustin Cabeal
If DC had a slogan right now, it would be DC: Bold As Fuck. Seriously, they’re just trying whatever which sounds like a dreadful thing, but it’s not. It’s what the industry has always done, but at some point, the big two were like, Nah, continuity, it’s all about what’s happening in the world. Screw that; I want what ifs and alternate timelines in which Nightwing is a total dick, pun intended. And I don’t need it to be part of the multiverse, just fun comics starring familiar characters for a few months is nice and refreshing.

Review: Mighty Morphin Power Rangers 2017 Annual
By Jonathan Edwards
I believe it was after I reviewed the 2nd, or maybe 3rd, issue of Justice League/Power Rangers that I started to wonder what BOOM!'s actual Power Rangers books were like. They couldn't possibly be as simplistic and shit as the crossover book is, I thought (granted, everything I've read from Bryan Hitch's current run on Justice League has been straight garbage). My curiosity would be piqued every time I saw a Power Rangers title pop up on the spreadsheet, but I was never motivated enough to actually check any of them out. Until I saw this annual, that is. I figured it'd be the perfect microcosmic jumping on point to determine the general quality of BOOM!'s actual Power Rangers material. And I'm happy to report, not only was I right about that, it's also pretty good too.

Review: Hadrian's Wall #5
By Daniel Vlasaty
Hadrian’s Wall is a lot of things blended together to make a decidedly dark and interesting read. It’s a science fiction story. It’s a murder mystery. It’s a drama. It’s a story of addiction and withdrawal. It’s a lot of things and the best part is that each of these things would be good on their own, but when they’re all blended together it becomes something even better. Something great maybe.

Hadrian's Wall #4 and the Art of Breaking Up
By Patrick Larose
The first time you see Simon and Annabelle together--they’re smiling. This is the future so they’re in a hover car but still they’re driving along the coastline at sunset, dumbly grinning and badly singing Tom Petty’s “American Girl.” A warm orange glow wraps around them and when they kiss, cartoon hearts fill the spaces between them.
This is not a happy memory. This is a cruel reminder.

Review: Hadrian's Wall #3 & Cave Carson Has a Cybernetic Eye #2
By Patrick Larose
There’s a particular type of dissonance between being a consumer and a critic. As a consumer, there’s really only ever one question—is the product any good?

Review: Hadrian's Wall #2
By Patrick Larose
Sometimes there’s nothing wrong with being a good one of those.
Hadrian’s Wall is a murder mystery, or rather, a locked-room detective story set in space. One where a would-be detective investigates a mysterious death aboard a space station only the victim here isn't some random astronaut but instead the investigator’s former best friend and his ex-wife’s current husband. Out here in the quiet dark of space, everyone's a suspect and everyone has something to hide.
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