
Worst Comic Books of 2017 - #4
Welcome to the Comic Bastards end of the year list. Similar to our group reviews, each of the participating writers will be giving their picks for their best and also worst comics of 2017. Without further ado, here are our #4 picks for Worst of 2017.

Review: Mighty Mouse #5
By Jonathan Edwards
Well what do you know, this is the last issue of this crappy little series. I was honestly expecting it to go to at least to a sixth installment, but thank God that’s not happening. Mighty Mouse has been a consistently subpar book, and it’s only gotten worse over the last few issues, including this one. No joke, it takes all of one panel for it to dive headfirst into shoddy plot convenience masquerading as metahumor. “You can only shoot a cartoon cannon twice if it’s funny!” Joey declares. Now, the sentiment there is clear, but if you actually stop to think about it for, I don’t know, a second, it becomes clear how much of an oversimplification of old school cartoon slapstick humor that is. Furthermore, the story’s internal logic isn’t even consistent enough to take that at face value if you wanted to. Later on, Joey creates a black hole by drawing it (more on that later, trust me) and says it will “suck up everything from the cartoon universe that doesn’t belong in our world.” Someone offpanel notes that’s not how black holes work and Joey simply replies, “mine does.” So, Joey, if you can ascribe characteristics to the shit you draw, then why can’t YOUR cartoon cannon shoot more than once without any prerequisites?

Review: Mighty Mouse #4
By Jonathan Edwards
Okay, maybe I need to stop letting morbid curiosity get the better of me after already deciding I don't like a book. Because, I may have hated last issue for its boring, surface level nonsense, but this one pissed me off almost immediately. The crux of the story is meant to be the juxtaposition between the cartoon world and the "real" world, but here the latter relies at least as much on clichés and plot convenience as the former does, so the only real distinction between the two is the difference in art style. And really, given the current political climate, how tone deaf do you have to be to have a character describe an cartoon alien cat invasion as "the worst terrorist incident in years"?

Review: Mighty Mouse #3
By Jonathan Edwards
I wasn't originally going to write this review. Neither of the previous issues did enough to make me want to keep reading, nor did they provide much to talk about while reviewing them. I really didn't have a reason to do anything but skip this one. However, I didn't. I couldn't tell you why, but instead I decided I'd read the issue first at let that be the judge. Turns out, Mighty #3 is pretty bad. I don't know if this is the point when the creative team stopped caring or just the proof that they never cared, but it's honestly kind of amazing to me how much of this issue feels like a blatant cop-out. The characters are entirely one-dimensional, and I don't think a single thing that happened felt like anything more than outright plot convenience.

Review: Mighty Mouse #2
By Jonathan Edwards
I was not impressed by the first issue of Mighty Mouse. It was an entirely by-the-book endeavor that failed to justify a version of 2017 where a grade-schooler loves Mighty Mouse almost as much as it failed to justify a new Mighty Mouse comic in our version of 2017. I still gave it a decent rating. Because, I could still see someone reading and enjoying it for some quick and cheap fun. All that being said, I did find one way this book could redeem itself, and that is the explanation of how the hell Mighty Mouse was transported between worlds. Unfortunately, we don't get that in this issue either, but we do get a couple other interesting ideas, or at least executions, instead.

Review: Mighty Mouse #1
By Jonathan Edwards
When I was fairly young, I owned a VHS or two compiling a large number of older cartoons. The first thing I recall from watching them was me fast forwarding through in hopes that I'd eventually run into some Looney Tunes. I didn't, but that was the first time I ever remember seeing Mighty Mouse. Now, that was a long time ago, so I really couldn't tell you anything that happened in those cartoons anymore (although, those cassettes are still likely lying around somewhere). The next prominent encounter with Mighty Mouse I can remember was when I was probably twelve or thirteen and taking an acting for the camera class. One of my practice scenes involved a discussion about the rodent superhero (I think it was from Donnie Darko, but I kind of hate that movie, so I'm not all that bothered to go and double-check that). Finally, at some point in probably my late teens, I decide to watch the first episode of Saturday Night Live, and I saw the relatively famous clip of comedian Andy Kaufman lip-synching the theme song to the old Mighty Mouse cartoon (it's possible I'd happened to have seen it prior, but I don't think it was until then that is stuck). These are probably the only three significant connections I have to Mighty Mouse, if you want to even go as far as calling them "significant." Yet for some reason, when I saw the first ads for this book, something drew me in and made me want to read it. So, I did.

Dynamite Announces Mighty Mouse Comic
Terrytoons' animated superhero Mighty Mouse has delighted fans the world over since his first appearance in 1942. Now, Dynamite Entertainment announces his triumphant return to comic books for the first time in nearly 30 years, with a series written by Sholly Fisch, illustrated by Igor Lima, and featuring variant cover artwork for the first issue by industry legends Alex Ross and Neal Adams.
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