I really enjoyed the first issue of this series. I thought it felt like a fresh and exciting entry into a genre of comic books that’s – for lack of a better phrase – bloated with a lot of crap. Wes Craig is telling an interesting and exciting story. And, while yes it kind of sucks that Craig’s not doing the art on top of the writing, Toby Cypress’s art is great and unique and really adds to the story. So how does issue #2 stack up compared to the first?
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Ghost and zombies and vampires – and all kinds of shit like that – have been done so many times in comics (and all other forms of media) that it kind of gets to a point where it’s like what’s the point of even trying? You got to think that everything you’re trying to do, someone else has already done, and probably better, too. You’ve got to know that anything you do make is going to be compared to the countless things that have come before it. You’ve got to know that any idea you’ve got, someone’s already had that same idea. This is the mentality I usually have before I go into a new horror book (or movie or blah blah blah).
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If you’re at all familiar with my reviews then you know my usual reading leans more toward the crime fiction side of comics. So, when I saw The Last Contract come up on the review list, you know I had to jump on that thing. I remember seeing this book on the shelves when it was originally coming out, but for some reason I never started reading it. And because of this, I guess, I didn’t know anything about the book at all. I went in blind, essentially, only going off the title and the cover. There’s a car parked near a lake or a river, a body visible in the trunk. The city skyline off in the distance. There are two people standing in front of the car, at the water’s edge. One on his knees, one standing behind him. You can’t see it but you just know he’s holding a gun to the guy on the ground. It’s all dark, colored in blacks and blues. This is all I had going into the book. And I had to know more.
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