By Jonathan Edwards

The last thing I read from Rich Tommaso was his book She Wolf, and I really wanted to like it. The story was a surreal one and greatly aided by his unique art style. Unfortunately, it failed to amount to anything more than a superficial monster book with a penchant for focusing on sexuality and young women. When I saw the initial announcement for Spy Seal, I questioned whether or not I should give it a shot. Eventually, I figured his writing might benefit from the change in genre, plus I knew I'd still enjoy the artwork. And in the end, I think that bit of faith was somewhat rewarded.