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Review: DC/Young Animal: Milk Wars
By Jonathan Edwards
DC/Young Animal: Milk Wars is a weird kind of crossover. I know, big surprise from the story about the extradimensional corporation Retonn weaponizing milk to “homogenize” the DCU. But, what I mean is, it’s not a dedicated five-issue miniseries, nor is it a five-part story taking place in single issues of the various books involved. Instead, it’s five separate one-shots, each pairing DC and Young Animal characters. Now, Grant Morrison did something similar with The Multiversity, but there, it directly ties into the narrative. Whereas, with Milk Wars, it’s a stylistic choice more than anything else. But, what makes it truly strange is the fact that two of the one-shots, Mother Panic/Batman Special #1and Shade the Changing Girl/Wonder Woman Special #1 have little to no impact on the plot. You could remove both of those issues and their respective characters, and the story literally wouldn’t change at all.
Review: The Unexpected #1
By Dustin Cabeal
The only good thing that’s come from Dark Night Metal is that there’s a slew of new characters flooding the DC Universe. There’s not much of a chance that all of these new characters will stick around, but I like when DC attempts character creations like this because we might see them later down the road, re-invented and more interesting. After the big “you better own that character” boom of the mid-2000’s creators seemed to stop creating new characters for the big two which left this void of potentially dumb, but awesome characters.
Review: Crude #2
By Dustin Cabeal
There’s just something not quite there with this series yet. While the first issue was generally enjoyable, this second issue feels like it’s treading water with the same pacing and slow build up. If this was the board game of Life, we’d still be in the circle for college waiting to get our career… meaning we’ve wasted two turns with shitty spins.
Review: Action Comics Special #1
By Jonathan Edwards
I love Superman. Plain and simple. When I was a kid, I only really liked him because, well, I was a kid, and he was a superhero. The superhero. And, for a few teenage years, I didn’t like him for all of the easy, low hanging fruit reasons to dislike him. He’s too strong. He’s boring. His one weakness is too readily available. Blah blah blah. But, when I finally sat down and actually read books like Superman: Birthright, Superman: Secret Identity, Kingdom Come, and All-Star Superman, I quickly came to love him for everything he truly embodies. So, you better believe I was hyped when I found out that, among other things, Rebirth meant the original Superman was returning to the limelight. Now, just a couple of weeks ago Action Comics #1000 came out and paid thorough homage to the legacy of the Man of Steel. Admittedly, I stopped reading Action Comics after a couple of months, mainly because I found the other Clark Kent (when that was still a thing) to be insufferable. However, I absolutely picked up that issue, and it was fantastic. So, I am kind of surprised to see Action Comics Special #1 come out this week. Maybe it’s just me, but it seems a bit strange, maybe even pointless, to release a special right after the infinitely more special 1000th issue.
Review: Justice League of America #29
By Jonathan Edwards
As singer and songwriter Adele once wrote and sang, “this is the end.” In this case, it’s the end of a long, at times bleak, trek of a comic titled Justice League of America. I remember being really excited when first hearing about the book, its interesting cast of characters, and all of the possibilities that came with them. And, the first four Rebirth one-shots, focusing on The Atom, Vixen, The Ray, and Killer Frost, respectively, were all promising prequel tie-ins that each built up more and more hype for the main book. Then, Justice League of America: Rebirth #1 came out, and it was different. Everything suddenly felt less thought-out and put together and more superficial and contrived. However, this wasn’t an isolated incident. Justice League of America issues #1 through #4 followed the trend with a weak and irritating first story arc, and things only went further downhill as the series continued. Slightly over a year later and here we are with Justice League of America #29. And, long story short, the conclusion to “Dawn of Time” sucks, but the series finale afterward is marginally better.
Review: Justice League of America #28
By Jonathan Edwards
After reading and reviewing the absolute hot mess that was Justice League of America #27, I found a question prodding me from the back of my mind: had the introduction of Ahl, God of Superheroes, really been as out of nowhere and slipshod as I’d thought while writing that review? It seemed too poorly thought out for even Orlando, so I did some quick research and discovered that it might’ve very well tied into the recent Milk Wars crossover event between JLA and pretty much every book from DC’s Young Animal imprint. As such, I opted to verify those claims for myself. This led me not just to read the entirety of Milk Wars but also reread the first four issues of Doom Patrol, read issues #6 through #10 for the first time, reread parts of JLA #27 and #22, and, of course, read Justice League of America #28. It could perhaps be considered an excessive amount of reading, as Ahl is only relative to five of those eighteen issues. What’s more, only two of those appearances were in series other than JLA proper, and not even those make his presence here any less problematic.
Review: Justice League of America #27
By Jonathan Edwards
Well, here we are at the beginning of the end for Steve Orlando’s Justice League of America, and holy shit is this issue terrible. I mean, Jesus, this book’s been bad in the past, even awful, but this takes the cake. From the utterly laughable premise to the entirely clumsy execution, everything about Justice League of America #27 reads like Orlando isn’t even trying anymore and is instead phoning it in as much as possible. Maybe this is his way of being petty and getting back at DC for canceling his crappy book, or maybe he somehow thinks this is a quality idea. But, it really, really isn’t, and it kind of has to be seen (or at least heard) to be believed.
Review: Justice League of America #26
By Jonathan Edwards
As it turns out, “New Life and Death” isn’t just the same type of story “Deadly Fable” was. No, as Orlando shows us with Justice League of America #26, “New Life and Death” is also a retread of “Panic in the Microverse.” Except, this time, it ends exactly how I said “Panic in the Multiverse” should have ended in my review of Justice League of America #17, with the villain willingly sacrificing themselves to save their home. The problem is, in the context of “New Life or Death,” that ending makes no sense. Especially since here it doesn’t matter who sacrifices themselves. But, I’m getting a bit ahead of myself.
Review: Crude #1
By Dustin Cabeal
When I see Steve Orlando’s name and a Russian theme I’m never terribly surprised. I did an interview with Orlando a few years back during his first Image title and remembered discussing how he’d found his artist and that he had real-world experience working in Russia (in 2018 I’m sure some people just gasped, but four years ago not so much). In that regard, I wasn’t surprised by the setting for Crude.
Review: Justice League of America #25
By Jonathan Edwards
Simply put, Justice League of America #25 is a boring issue. And, I don’t mean just low-key. Low-key is to be expected from the issue following a story arc’s conclusion. Some writers monopolize on that phenomenon by writing the issue as an epilogue or character-focused one-shot. Orlando has attempted that at times throughout his JLA run, and it would’ve worked if those issues had been better. However, after finishing the arc he’d spent almost twenty issues building up to, he’s opted to start right in on the next one. Granted, that is perhaps more a symptom of him learning his run will soon end than his discretion as a writer. Regardless, the problem isn’t actually that he rolls right into another big (well, as “big” as two issues can be) arc. In fact, at first, it seems like this might actually be a great jumping on point if, for some reason, you wanted to jump on the book right at the end of its lifespan. But, what makes “New Life and Death” ultimately not work is the fact that it’s basically a less interesting, less relevant, and somehow clumsier, retread of “Deadly Fable” that also tries way too hard to tie into the events of Dark Nights: Metal.
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On December 2nd, we unleash LANCER #1, a brutal near-future action thriller. LANCER is ALIENS meets the gig economy: military veterans use an app to hunt dangerous species for cash, until one job beneath New York City hunts them back.