By Wilson Taylor

I've actually been kind of dreading this review. Out of nowhere the Croak #1 review became my most viewed review on Comic Bastards and perhaps technically my most well-known piece of super-obscure writing. The moment I realized it was getting attention, I began internally begging writer Corey Sousa to knock the rest of the issues out of the park because what I had praised in Croak #1 was its promise of intrigue and I had specifically noted that it was building a particularly fragile house of cards. So how does #2 stand up?