Review: Servamp E.01

Going into this show I already knew it wouldn’t be for me, but curiosity gets the best of me when a new anime season premieres. I’ve found that by just trying everything you may find something you never thought you’d like. Didn’t happen this time unfortunately. The premise is geared towards a female audience and that’s definitely something to be appreciated. There certainly could be more animations geared towards different walks of life in the U.S. market, but that’s a different rant. Basically cute high school boy who hates indecision picks up what he thinks is a cat, which obviously isn’t a cat, only to have it turn into a cute vampire boy. When sunlight hits the vamp he turns back into a cat.

mainvisual_0520The odd ball pairing comes from their personality types. The normal boy does everything for everyone else because it’s a bother to have indecision, whereas the vamp doesn’t like to be bothered or excessively explain everything. In a way they’re the same, but at the opposite end of the spectrum.

They of course end up contracted together. At first temporarily when the normal kid says the vamp’s name after a half ass attempt of telling him not to. Then they become contracted when the normal kid gives the vamp his blood. They fight another vamp that attacks the kid’s friend and blah, blah it doesn’t make much sense because the vamp doesn’t know why people are attacking him and the other vamp’s master wants to kill everyone who doesn’t know him… which is logical… if you’re an anime.

The art is actually really good. For a bunch of pretty boys, the designs weren’t annoying and actually pretty iconic. The action was really good and easy to follow. There was decent blood, but it wasn’t too gory to cause it to be censored. Even the comedy was well handed. We’ll see if that becomes a distraction to the story, but it was amusing to see the vamp in cat size, but intentionally animated normally. Basically think of a super deformed version of the vamp.

The show isn’t terrible, but the setup is really forced. The characters are just lazy and so they end up together. Then when the second vampire shows up and causes mayhem and gives his reason why it’s a real head scratcher. Like it’s just incredibly dumb and really just there to force the two main characters together. The only good thing that might come from this is that with the setup out-of-the-way they can get on with some kind of story, but even that is half-heartedly. At times it feels more like the story is asking the audience which storyline they’d like to follow rather than making a decision and following it. But points for sledgehammering the title of the show into the episode.

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Servamp E.01

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Review: The Boy and the Beast

I’ve had this movie on my “to watch” list for a good while now. It wasn’t until after our previous episode of Super S that I finally decided to give a whirl. I should have just left it there.

In a nutshell, The Boy and the Beast is about two beasts duking it out to take over for the grandmaster of the beast world as he is retiring and going to reincarnate into a god. One of the beasts, Kumatetsu (the beast), is in search of a disciple and decides to pluck one from the human world. Kumatetsu bumps into Ren (the boy), a runaway, and decides to take him on as his disciple. The story goes from there.

The-Boy-and-the-Beast-PosterThe animation in this movie is top notch. Everything is absolutely stunning. Both the beast world and human world are fucking gorgeous. There’s just the right amount of CG that it’s not overbearing or annoying. There are times when the human world looks like it’s an actual photo of Tokyo. It’s that good. The characters are also unique, no one character looks like the next. This is helped by the fact that the story mostly takes place in the beast world.

Sadly, though, I was bored halfway through the movie. The first half was great and chock full of character development. It was nice to see how Ren and Kumatetsu needed each and are better beings because of it. It’s just that the story dragged. As it is, the movie is two hours long, longer than your typical animated movie. Even then, it didn’t get to the climax until the last 20 minutes.

There’s also an underlying message in this movie: don’t let the darkness in your heart turn you into a monster. Great message, but did the grandmaster really have to tell us this as if we couldn’t figure it out on our own? No. It was painfully obvious when the “villain” turns to a black figure with a wormhole near his heart. Speaking of villain and painfully obvious, how stupid is everyone? From the second he was introduced, I knew that he was... well, I won't tell you that part.

Of course the movie ends with a happy ending, but by then I really didn’t care and just wanted it to finish. I went into this movie wanting so much and was extremely let down. The animation is by far the star and the saving grace of the movie, which is a real shame.

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The Boy and the Beast
Writer/Director: Mamoru Hosoda

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Review: Masou Gakuen HxH – E.01

At this point it almost seems as if there needs to be one really heavy-handed fan service show per season. That said, Masou Gakuen HxH is that show this season. I mean I knew just from the promo image it would be, but I had no idea to the extent it would go. Hell, Crunchyroll even has it uncensored so you can see all the nipply goodness that the show has to offer. Because that’s all it has to offer.

The premise to Masou Gakuen would make The Testament of Sister New Devil blush if that gives you any indication. If you liked either season of Sister New Devil (poorly translated by the way) then you’ll be happy to know that Masou Gakuen is from the same studio!

The story is seriously just a combination of The Testament of Sister New Devil and Sky Wizards Academy. That is to say, there’s CG aliens attacking the last remains of humanity and only three women having their breasts, butts and hey nows can save the day. It’s also I guess similar to Hundred which I hated last season, but clearly had a lot of fan service because the show did quite well in the ratings.

HxH-PromoAs for the actual episode… whoever put this fucker together clearly only cared about maximizing breast exposure. We open in the “love room” which is like a fucking holodeck for this dude to rub the girls down. We have zero context, just that when he goes for the booty it fills her suit and she goes back to fighting shitty looking CG aliens. Then it’s the next girls turn.

And then we flash back to the dude as a kid being told he’s useless by his sister… or mom. I don’t know. I don’t care. That rolls us into the beginning of the actual fucking story as he’s of course showing up for his first day of school after being contacted by his sister. Which, I guess it’s his sister even though she’s at least a two decades older than him in the flashback and hasn’t aged at all in the present day. We see all our main characters just walking around and shit and then there’s an attack on the school. Dude for some reason just keeps chilling where he is and watches the silver hair chick fight. She of course gets injured and he saves her. His sister calls him and tells him to get to rubbing. Did I mention there was a battle going on? He rubs and rubs and wouldn’t you know it, after he basically eats her out… fully charged suit! Oh, because the suits are some representation of the heart and of course the heart only wants to bang.

The animation is great of course. With the exception of the CG. The CG is just terrible and I don’t get why any show ever would do both. No one, and I mean no one wants both. People that watch animation will enjoy one or the other, but never both. I can say that definitively because a certain personality type watches animation past childhood and none of us what to see three meshing with two. The fan service is well done. This is the best non-hentai, hentai you’ll see.

Now as a straight white dude, I know it seems questionable that I would complain about a show that is purely fan service. Maybe Prison School and High School DxD has corrupted me into believing that you can actually have a story and fan service. I somewhat enjoyed the first season of The Testament of Sister New Devil, but the second season found a way to spend time rubbing girls than moving the story along which really killed the story for me. I couldn’t finish the season because of it and I figured if I wanted to just see the fan service part I would just find one of the many sites dedicated to showing you it all in its glorious uncensored version. I have zero expectations for this show. If I watch another episode it will be to see how much more it can get away with because there is no story. There’s not even a glimmer of a chance of a story here. And that’s too bad because as I pointed out, you can have story and fan service, you just have to be a talented creator and clearly that’s not the case here.

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Masou Gakuen HxH – E.01

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Review: Kill Zone 2

I was more than surprised by this movie. After being disappointed by not one but five action flicks, Kill Zone 2 not only delivered on the story, but on the visuals as well. I don’t know if we have The Raid to thank for an increased awareness in Asian cinema when it comes to film/digital quality, but if so… thank you Raid.

Not to get all "back in my day," but when I first got into Asian cinema during college, the thing that I really liked was that the film quality was really good. Then there was a bit of a bust and every studio went back to cheap looking film. Clearly technology has gotten cheaper and so the quality of movies has gone up as well. I know this all seems unimportant to the review, but when you see Kill Zone 2 it looks like it was produced in Hollywood. In particular, there is one scene involving a phone falling into the water and the way it looks when it’s falling is actually quite beautiful and metaphoric.

The story is layered quite well. It spans from Hong Kong to Bangkok and gives each city’s actors their fair share of screen time. Though I will instantly tell you that that means that Tony Jaa never really “goes off” in the movie until the very end.

BD-2D-KZ2The story is basically two fold. There’s a human trafficking ring that the Hong Kong police are trying to shut down by sending in an undercover cop. He’s hooked on smack, but getting the job done. The kidnapping ring as they call it, is run by a rich sick dude in Hong Kong who funnels the people out to a prison run by one of his operatives in Bangkok. The sick dude needs a heart and decides that if his brother isn’t going to give him his, he’s going to take it by force. This is where the undercover cop comes into play as he’s invited to his first kidnapping.

Tony Jaa works at the prison, but he’s naïve to what really going on there. His daughter is sick and he’s basically just keeping his head down and trying to find her a bone marrow transplant that matches. Eventually, the undercover cop ends up in the prison after being exposed. Now he’s collateral for the rich dude to get his brother released to him.

As I said, the story is layered and there’s more layers that I won’t reveal to you. They are clever and while at times they feel conveniently added to the story, when you really look at them and look at the way they’re included you’ll find that it’s anything but convenient. You will spend some of the movie wondering when the other shoe will drop and the way that they reveal it was anything but typical. It was handled incredibly well and so there’s some major kudos to the writer of the movie.

For any martial arts film you need impressive bad guys. Obviously the sick rich dude isn’t going to throw down, but he surrounds himself with two awesome fighters that are both given great scenes to showcase their skills before their final battles. The setup is typical, but its executed so well. The Warden in particular had an awesome look. Seeing him fight in an expensive tailored suit was actually pretty incredible. As for the other fighter, I don’t want to spoil it. You’ll know him when you see him.

Really my one and only gripe is that Tony Jaa wasn’t given enough solo fight time. I mean he has a couple of moments when he goes off, but in large part it felt a bit like a Jackie Chan movie in which there’s only a handful of scenes in which he’s actually fighting. Which is actually good. I have to admit that it was a stronger movie and made Jaa come off as a stronger actor because of it. He’s leaps and bounds better than his first movies and is on his way to being an even bigger international name. That and if I really need to see more fighting from him I could go watch Ong Bak.

Wu Jing also does some great martial arts in the film. I really have no idea if he’s trained at all. He might have some training, but for the most part everyone he fights makes him look really good. They sell his moves for him so even if he isn’t trained in martial arts, he’s presented as knowing quite a bit. He also carries the other half of the movie for the most part and shows why he’s getting more and more roles. I actually became a bit of a fan of his after seeing this movie. Especially after a scene in the hospital that I won’t spoil for you because it’s really emotional.

Kill Zone 2 isn’t perfect. There’s a few spots that could have used another pass to really make it great, but it’s probably the best movie from the East that I’ve seen a couple of years. I enjoyed the story and the care that was used in layering it from beginning to end. The visuals were extremely impressive and the fighting was memorable and reinvigorated my desire to see more martial art films. And best of all, I have no clue if it had anything to do with Kill Zone 1 and didn’t need to know in order to enjoy this film.

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Kill Zone 2
Director: Soi Cheang
Distributor: Well Go USA
Price: $24.98
Format: Blu-Ray/DVD/Digital

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Review: Chronicles of the Ghostly Tribe

Last year I got back into Asian cinema after taking a pretty long break from it. Like most things that I nerd out about, they rotate in and out of my life catching my interest at different times. If I didn’t run a comic website,  this would have already happened a few times with comic books as well. I didn’t see anything that was really worth a damn last year and almost fell out of interest as quickly as I fell in.

Chronicles of the Ghostly Tribe was a step in the right direction for me. It reminded me of a lot of action intense films that I first watched when getting into Hong Kong cinema. Heavy on the CGI, interesting concept, but not a very deep story. One thing that Ghostly Tribe has going for it is the fact that it has a cast that can act.

The story is spread out across several years, but it starts in the 70s as a special expedition is exploring a cave that’s producing some interesting skeletons. After an explosion is triggered, an even smaller expedition is gathered to venture beyond the cave. They end up finding large animal prints and continuing their journey to follow it. Along the way they run into danger. Over and over until there’s only four of them left. Hu Bayi, Ping Yang, her father Professor Yang and another dude who is protecting Hu Bayi as much as he can. They find an alien created cave and shit gets weirder. Eventually only three make it out and they’re scattered to the wind until an event brings them back together.

BD-2D-ChroniclesOfTheGhostlyTribeWhat’s really actually interesting about the story is that it’s a big monster movie hidden behind history and aliens. The three play well together as writer/director Lu Chuan not only creates a very convincing secret history for China, but then sneaks in aliens and monsters. The pacing of the story is pretty typical of Hong Kong cinema. There’s a lot going on in the beginning, then it slows down in the middle and speeds up at the end. It’s not bad when you consider that Hong Kong/China cinema follows its own storytelling structure. There is a scene at the end that basically reveals why we saw everything at the beginning and it actually works. If most other movies did that you’d be upset that they waited to tell you the point of everything right at the end, but really the rest of the movie stands on its own and if it weren’t setting up a series of movies/stories then this scene wouldn’t even be needed.

The acting again is actually really good. I only had a problem with the type cast fat guys since one of them is nicknamed “Fatty” and it was just the most overplayed gag ever. He was still a good actor and he never went over the top with the “funny fat friend” role, but it was still kind of disappointing to see that they’re still writing that character after all these years. I mean Hollywood is still doing it so I shouldn’t be that surprised, but still disappointing none the less because his weight never needed to be brought up and he actually served as a well-balanced supporting character.

The cinematography and CGI were the strongest aspects of the film. The film looks great from start to finish, I couldn't get over how great it looked. I don’t know why, but even though it was obviously CGI, it matched the world and looked better than a lot of CGI I've seen in American films lately. And there was a ton of it. The monsters, the caves, hell there’s even a scene in which a library is recreated in CGI and in the moment it’s very convincing. There was a great deal of attention paid to the CGI, especially when the monsters were running amok. At one point, a monster claws several seats on a bus and the rips appear in CGI. It’s a small detail, but I can’t tell you how many movies I’ve seen where they missed stuff like that. It gave the impression that this movie was given the time it needed to be the best version of itself possible.

That’s not to say that the film is perfect. One problem I had was actually on the back of the box in which the synopsis incorrectly states the story ends up in Modern Day New York. I only caught this part since it’s bold and in large print so I kind of wondered when the movie was going to jump to the modern era. It never did. It spans several years, but the story intentionally stays in the past and it definitely doesn’t go to New York. Another gripe if you will, is that in the closing scenes of the movie it sets the story up for a strange sequel in which our main character must look for another character, one that I had zero interest in finding. It was a bit of a head-scratcher as to why another movie would be dedicated to finding this “B” list character, but hey, not my movie.

My last “issue” with the film isn’t really an issue because I don’t know enough about the director’s vision. It’s tough to say if he was trying to capture an era in Chinese history accurately or if he was simply encouraged to put the material in the film. That is to say there’s quite a few scenes that I can only describe as propaganda due to the hokey nature of the material and the fact that everyone takes it seriously and never questions it. Again, tough to say if it was just being historically accurate or if it was imposed on the movie in some way. Since I don’t know, I definitely don’t want to assume, but it’s worth noting.

At its core, Chronicles of the Ghostly Tribe is a popcorn flick. It’s not going to open our mind or make you feel a wide range of emotions. It delivers on the action and intensity and so I’ll be rating it on that. On being a really enjoyable and fun action movie that I might actually watch again and even more so watch the sequel too, even if I don’t care about the character they’re searching for.

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Chronicles of the Ghostly Tribe
Writer/Director: Lu Chuan
Distributor: Well Go USA
Price: $24.98
Format: DVD/Blu-Ray/Digital

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Review: Food Wars! The Second Plate E.01

Food Wars is back with it’s long awaited Season 2. Okay, so long awaited might be an overstatement. Could be worse, like all those losers (Dustin) waiting for Attack on Titan to return next year.

Within the first minute (literally), you're able to gather the story. The eight first year contestants that won the preliminaries are to duke it out in the main competition of the Autumn Elections. Soma’s up first in what I guess you would call the quarter-finals. His opponent is Alice Nakiri, the prodigious granddaughter to Academy Director. Their battle? Bento. For those of you that don’t know what Bento is, let me [attempt to] give it to you in layman’s terms: Japanese lunch with the presentation of a TV dinner.

Food-Wars-Second-PlateSoma is a character that I feel like everyone could get behind. Tough exterior, but deep down there's more to him. He's confident but not overly confident making him a prick. He knows how to cook but he also knows how to deliver what people want to feel while eating.  Soma's pretty nifty, too, thinking of a molecular gastronomy technique by simply reading the ingredients from a cheap candy product. Who the hell does that?

Food Wars never failed to deliver something beautiful to look at. The quality of the animation is by far the best out there. The food... oh, man. How often have you seen an anime where the food looks so damn good that you want to rip it out of the screen and stuff it in your mouth? The “foodgasms” also make their triumphant return and they are as colorful as ever. Nothing like seeing a bunch of grown ass men frolicking through a grassy plain.

The pacing was a little fast in this first episode but it was never much of an issue. I’m assuming it’s going to a constant theme throughout the season as it’s only slated to be 13 episodes. Episode 1 held back no punches and it was every bit as exciting and enjoyable as I thought (and hoped... fuck you, Berserk) it would be.

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Food Wars! The Second Plate E.01

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Review: ReLIFE E.01

If you were given the chance to partake in an experiment that would cover your costs of living for a year, would you do it? What if the experiment called for taking a pill that makes you look younger and you have to go back to high school? Would you still do it?

ReLIFE is just that. Kaizaki Arata is a 27 year old deadbeat who can’t land a full-time job and has to work part-time just to get by. After a night of drinking with his pals, Kaizaki is handed even more damning news: his family is not going to be giving him money for the next month. Kaizaki is then approached by a “spokesman” of ReLIFE and given this opportunity and jumps right on board. I mean, who wouldn’t? ME.

ReLIFEAfter finalizing the contract with ReLIFE the next morning, Kaizaki is ready for his first day back in high school. It’s at school that we found out that the spokesman, Yoake, is apparently a student as well. Of course Kaizaki is conflicted by this discovery. All of that gets put aside as he finds he has three tests to take. With luck never being on his side, he reaches into his backpack and what you do you know, no pencil box to be found. The teacher approaches him and requests to see the backpack. Disgusted with what she finds, she pulls out a pack of cigarettes and questions him. He casually replies with, “what of it?” It isn’t until after she repeats what he said that he realizes he is no longer 27 and freaks out. Hilarious.

After the end of school and on his way home, Kaizaki runs into Yoake. It is then when you learn that Yoake is in fact an adult as well. He is merely in his class to keep an eye on him as well as offer support. In order to train to be of adequate support, Yoake was a student the previous year as well. Yoake also reveals the true purpose of ReLIFE: a program to rehabilitate NEET’s.

The animation follows a lot of your typical anime tropes: over the top reactions, cloudy colorful backgrounds when a certain emotion is evoked, similar character designs, etc. It’s not bad, but it is something that has been played out for too long. Luckily, it doesn’t take away from the enjoyment. The only issues I had, however, was with Kaizaki. I could not tell the difference between him at 27 and him at 17. He looked exactly the same.

The premise is something interesting and not one that I’ve seen before. It makes me wonder, too, would someone really be willing to to take another stab at high school and aim for a better outcome? I’m curious to see how all of this plays out, so it looks like I’m on board for the long haul. Luckily for me, it’s available all at once.

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ReLIFE E.01

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Review: Berserk (2016) E.01

When I first heard the news of Berserk coming back and FINALLY getting its deserved sequel, all I could think was that animated gif of Ron Paul... IT’S HAPPENING!

It's HappeningIf this is your first time watching Berserk, you’re not going to be getting any back story. Really, I’m not even sure why you’re starting here. Go watch the movies. Anyway, all we can seem to gather from this uninformative first episode is that Guts, our protagonist, is a “mercenary” with a mechanical arm, can swing a huge sword like no one’s business, and attracts incubi (demons born from people that died). There’s also an obnoxious eunuch fairy named Puck that likes to pester Guts. That’s it.

The animation is all over the place and I fucking hate it. Some parts are CGI, some parts are traditional animation. There are even places where it’s Berserk-Posterboth at the same time. Even worse is when characters switch to a different style in the same scene. In one instance, CGI Puck is bothering CGI Guts as he’s eating. After Guts tells Puck to fuck off, Guts switches to traditional animation as he takes a bite out of his dinner. Little things like that make this difficult and extremely annoying to watch.

The unfortunate thing is that both animation styles are done poorly. The CGI, for the most part, is flat, lacking lots of detail and shadows. When it’s not CGI, the traditional is reminiscent of those Marvel anime, inferior and cheap looking. I’m not sure why both styles are even present. Is it cheaper to have both? Is it faster? Maybe I should watch more Shirobako to find out.

I’ll be honest with you: I’m a huge fan of the franchise, but this shit flat out sucks. From the second I saw that the animation was going to be CGI, I knew it was going to be a problem. Not only that, but they didn’t even bother to give the series another name. Unless you’re a fan and/or have read into the series, there’s no way of knowing this is a sequel. I really wish I had something positive to say but I don’t. I will only continue watching this because of my personal bias.

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Berserk (2016) E.01

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https://www.youtube.com/watch?time_continue=1&v=XQr7LvFZrlE

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Unboxing: Loot Anime x Crunchyroll - June 2016

We have another Loot Anime unboxing from Loot Crate. This is the June box in which they teamed up with Crunchyroll to curate the box if you will. Now that you've watched the video I'll give you my honest thoughts... it's an okay box. The thing is, I'm not into either anime that was featured so it's kind of meh. That and I don't need any more Nintendo items thank you very much Loot Crate. I get that Nintendo is easy to work with and they merchandise like crazy, but I've gotten something Nintendo related every month, sometimes twice since starting this experiment. I will likely never wear the shirt, but I will read the manga. That was the best thing provided in the box. Here's some pictures to round out my review.

Loot Crate Anime June 2016 (1)

Loot Crate Anime June 2016 (2)

Jeepers! It's a Daphne Cosplay

For too long we've been given "hot" Velma cosplay... well KristenKoul says no more... here's hot Daphne to shake things up. Great pictures by Paul Beard Photography too.

[su_custom_gallery source="media: 136579,136583,136584,136586,136582,136585,136578,136580,136577,136581" link="lightbox" width="230" height="340"]

Source

Titan Is Turning The Raid Into A Comic

I love Raid and Raid 2. They're great martial arts/action movies. They have a little bit of every action genre and that's what makes the great. They do not have great stories. The story is very simple and generic. There were massive improvements for the second film, but nothing that I would shit my pants to see in a comic book. I'm not excited about this. It will all depend on the art, but for the most part what makes Raid work is that it's a movie. I don't know why Titan is only going for licensed properties lately, but it's really not appealing to me anymore. From Titan Comics:

Titan Comics are thrilled to announce that The Raid is punching its way into comic books, in late 2016. Titan is working closely with the director Gareth Evans (The Raid, The Raid 2) and XYZ Films to develop all-new stories featuring characters from the series.

Premiering in 2011, Indonesian martial-arts movie The Raid (also known as The Raid: Redemption) sent pulses racing at the Toronto International Film Festival and secured unanimous critical praise, rocketing to cult film status across the world. 

Serbuan-maut-The-Raid-Redemption-Redada-asesinaThe movie captured audiences with its boundary-pushing, inventive choreography and piston-pumping narrative where a lone, isolated SWAT team are trapped by a ruthless mobster and his army of killers and thugs inside a tenement block, and they have to fight through to the top.

Directed by Gareth Evans and produced by PT. Merantau Films and XYZ Films, the high-octane franchise has garnered great success since its release. The first film had 10 nominations at the 2012 Maya Awards. It was followed, in 2014, by The Raid 2, which featured the character of Rama returning to battle against corruption in his own police force.

“At Titan we’re thrilled to be publishing The Raid comic books,” said editor Martin Eden. “Gareth is a visionary and a huge talent. It’s a pleasure to work with him on developing his characters for the comic book page. We promise to deliver the same thrilling, fifth-gear adrenaline that fans have come to expect from the franchise.”

Titan’s The Raid comics are set to debut soon. Look out for more announcements about the creative team shortly.

Unboxing: Loot Crate - June 2016

Welcome back to another ComicBastards.com Loot Crate unboxing video! This time we have June's Dystopian Future box along with the LvLUp addition. Finally the stars aligned and we were able to make just one video for you viewing pleasure. Watch before reading the rest or it won't make sense. I'll be straight up with you all, this month's box sucked. So did the LvLUp bag that I usually enjoy. There was one good pair of socks. The Star Trek ones turned out to be for women which is cool for them, but not for me and my big ass feet. The shirts were... not good. The Ghostbuster one sucked and is way too thick. The District 9 one is fine, but it really seems obscure like they were just looking for something and the Robocop one is cool, but I'm already getting annoying comments about it being from Loot Crate. Meaning I'm going to rarely wear it if ever.

Oh and the Matrix Puzzle... no one wanted that. Couldn't give it away unlike Loot Crate who did.

Here's some pictures as well.

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Video: Hero of the Month: Harley Quinn | Episode 205 | DC Super Hero Girls

Okay... we all know why I'm posting this. Its that image they used for the video. I'm not going to say it because it's a children's cartoon, but come on. Someone knew what the fuck they were doing when they picked that image. From DC Comics:

[su_quote]Harley Quinn stars in this week’s DC Super Hero Girls animated short as Super Hero High’s newest “Hero of the Month.” Debuting today on the DC Super Hero Girls website, the all-new episode unveils the most heroic (and wacky!) good deeds that earn the Crown Princess of Crime this prestigious honor.[/su_quote]

Review: Gintama

Do you have 126 hours to spare? GREAT! You’ll definitely want to check out this little number of an anime called Gintama. Not only is Gintama the one anime I recommend to everyone--yes, everyone. I even told my parents to watch it. Ok, not really..but it’s one of my favorite anime of all time, aside from One Piece, of course. [su_quote]Synopsis: Gintoki and his trusty “sidekicks” run an odd-jobs business. What could possibly go wrong? Anything and everything, that’s what.[/su_quote]

On the surface, and based on the lackluster synopsis, you would think that Gintama is a one trick pony. Well, dear readers, you’d be far from the truth. Not once have I ever stumbled upon an anime that not only supplies comedy so well, but action/adventure and even drama are delivered just as masterfully.

The series revolves around your four main characters: Gintoki, the ex-samurai; Kagura, the alien with superhuman strength; Shinpachi, the empty dojo running nerd; and Sadaharu, a freakishly large dog. An unlikely quartet, really, but that’s what makes it work. The dialogue amongst themselves and the shit they do to each other is amazing.

Vlcsnap-2015-03-22-17h50m31s135Gintama, for all intents and purposes, is an episodic comedy. Sure, there are the occasional “arcs,” but those are a dime a dozen. The comedy is where this anime shines. You know those silent issues of comics? Well, imagine the opposite of that and in anime form: all the dialogue taking place on a single frame. Within that one frame, the trio talks about how shitty their ratings are and for sure they’re not going to get picked up for another season, all the while bringing up how they need to save Sunrise money so they’ll be doing more episodes like this. They do get picked up for another season, obviously, but how often do you see an anime make fun of itself to that extent. Breaking the fourth wall is just the beginning. Gintama also exhibits a slew of other forms of comedy: slapstick, parody, gags, crude humor (not as bad as Prison School, though). Anything you can think of, Gintama will have it. To further shine the light, Gintoki is actually a play on words for silver balls. Yes, those kind of balls.

The animation is top-notch. For them saying that their ratings are so bad and they have to cut back on costs, they sure do know how to pump out something that is easy on the eye. That’s not to say that the scenery is realistic looking, but everything looks great overall. The action sequences are some of the best I’ve seen. Episode 180 is a prime example. Gintoki is fighting the enemy of an arc and during the battle the color shifts to some of the most beautiful black and white you’ll ever see. The lines, the shadows, the amount of detail, everything is just gorgeous.

If you listened to the latest episode of our podcast, Super S - Anime Podcast, you may have heard me mention how I want to rewatch it. Well, now that I’ve written this review, I REALLY want to rewatch it. This thing got me through plenty of hours at my old job. The least I can do is thank it by rewatching it.

Look, what it really boils down to is this one thing: watch the anime. You won’t regret it.

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Gintama
Seasons 1, 2 and 3 Streamable on Crunchyroll

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Review: Finding Dory

Finding Nemo has a special place in my heart. Not because it was my first Pixar movie. No, my first was the same as most people my age, Toy Story. It has a special place in my heart because it was the first Pixar movie I saw with my wife. We had just barely begun to hang out with each other then and so the title and vows were many years away, but it has remained a movie that is near and dear to both of our hearts. It got us hooked on seeing Pixar films together. Until last year when I stopped enjoying their films and she started seeing them early without me. Not the point. This past weekend we had the chance to see an early viewing of Finding Dory, the sequel to, of course, Finding Nemo. Some of you probably know it as “that movie Ellen is super excited about.” Right off the bat I didn’t feel that Nemo needed a sequel. I used to have respect for Pixar because they weren’t sequel machines and when they would make a sequel, it was usually really freaking good (except for Monsters University, that’s unwatchable).

Already I had my doubts going into the movie. It also didn’t help that every time I’ve seen an advanced showing in L.A., the crowd has always, always decided if they love the or hate the movie before the lights dim in the theater. It’s one of the most baffling things and I will never understand it. This crowd was anxious to love this film. Anxious. I mention that because the crowd you see a film with can very easily sway your opinion about a film if you let it. I had my doubts, but the crowd has nothing but love which balanced me out.

The film itself is unfortunately predictable. I called the film and the “message” of the film just from the trailer, which I had tried to avoid seeing until the days leading up to the screening. If you don’t already know, it’s about Dory finding her family and a little bit of “finding herself” as well. If you didn’t care for Dory’s character in the first film, then you’d do well to skip this film altogether.

There is the typical dramatic sadness that’s become commonplace with Pixar movies. It works every time though so it’s not a complaint that’s it’s there, more of a statement. There’s plenty of humor of course, but what was strange was that you could almost perfectly call when the humor would happen. It follows the Nemo formula that closely.

Finding Dory PosterThe voice acting in the film is fine. All the stars of the first film reprise their role and new additions are added. At this point Pixar has brought in new regulars to their films and so you’ll hear a few familiar voices. The only problem with this is that several of them had similar tones and so you can be fooled into thinking the same actors are doing voices over and over.

Idris Elba and Dominic West steal the show as two sea lions with their thick British accents. They’re so amusing that they find as many ways as possible to fit them into the story, to the point that it feels like forced humor.

I will say that Young Dory, voiced by Sloane Murray, will make you tearful. If you’re a new parent like I am, she and her parent’s interactions will likely make you blame the wind on more than one occasion. Ellen is good as Dory, but it felt like her memory loss was cranked just a little too much this time. It’s consistent throughout the film, but it reveals the overall problem with the character and film in general… too much of Dory isn’t a good thing. Sure, by the end her character has grown and developed more, but I honestly didn’t feel rewarded by that journey. It was more of a sense of relief that it was finally over.

The animation is incredible. The water effects are so much better this time around and really the textures that all of the animals have is leaps and bounds better. Granted that’s always a technology thing and since these films all have a two-year cycle, Finding Dory already looks better than Pixar’s films from last year. There really did seem to be a sense of love in handling this film though. A sense of love that was completely missing from Monsters University which didn’t wow with its story or graphics. It very much felt like we were taking another adventure into the ocean.

As for the movie and how it did as a sequel, it was good, but not great. Even with my fondness for Nemo aside, the overall story suffered from too much of the Pixar formula. A formula that has this desire to hit comedic beats at exact minutes in the film and to hit dramatic beats at exact minutes in the film. It felt too much like someone had cracked the math behind our emotions and wanted to prove the formula. At times it still worked, but other times it stood out as an attempt to make me feel something rather than genuinely making me feel something.

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Finding Dory
Director: Andrew Stanton, Angus MacLane (co)
Writer: Andrew Stanton
Story: Andrew Stanton, Victoria Strouse, Bob Peterson
Studio: Disney/Pixar
Run Time: 103 min
Release Date: 6/17/16

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Review: Outcast E.01 – “A Darkness Surrounds Him”

To start with I have never read Outcast. I know that’s probably weird given how much I read and the fact that I run a comic book site. The reason I passed on it was A) it was picked up as a TV show before the first issue hit stands and B) I wasn’t sent a review issue because the sales for it were too good. I figured, why bother reading it if the sales or so good it doesn’t need to be reviewed. I don’t regret this choice.

It's hard not to compare this to Preacher since they're both summer cable programs based on comic books turned into TV shows and that said Outcast seems to be better suited for the TV medium. Even if it’s just slightly better. Perhaps it’s due to the fact that Robert Kirkman has had a lot of hands on time with The Walking Dead or that Fox/Cinemax was there to guide it better or simply the fact that by selling the TV show before creating the comic allowed him to write the story out as a rough draft in comic form and then final draft for TV. Whatever the case it worked better as a TV show than Preacher. That doesn’t really have anything to do with the review, but this is really the only place for me to make a statement like that.

Outcast PosterTo recap the show there’s a kid possessed by a demon. A dude whose mom was possessed by a demon or possibly the same demon, living back at his childhood home because supposedly he did something to his daughter which broke up his marriage. Eventually their paths cross and dude discovers that basically demons have been trying to get at him his entire life. There’s a lot of flashbacks from his childhood showing his possessed mom’s abuse and then one flashback that reveals that he’s not as bad of a guy as the story has 100% led you to believe.

It’s built for TV minus all the flashbacks. The flashbacks are typically a comic book gimmick and while I don’t know how many issues of the comic this is combining, I kind of hope that it’s at least more than one because the episode was bogged down by them and hopefully they lighten up on them for future episodes.

The acting is a mix bag. There’s some good acting when it comes to horror, but it also all involves children which is not for the faint of heart. Hopefully it being demon’s will pacify anyone that would be like, “there’s a lot of kid beating going on here.” On second thought it’s on Cinemax so I don’t think people who say such things have Cinemax. At any rate, the lead actor Patrick Fugit does a fine job. He’s believable even if he looks like utter shit. They show him at one point looking all clean-cut and dapper and while his appearance is reflective of where he is in life, it’s just not a good look on the dude. I know that’s that a weird criticism, but it bothered me the entire show. The rest of the cast is seasoned. There’s a lot and I mean a lot of familiar faces. It’s too soon to say if they’re a good cast together or just a bunch of good actors working on the same show.

I will likely watch more of Outcast and here’s why… I haven’t read the comic. I think that if you haven’t read the comic its worth watching as well. If you have, it doesn’t matter. It never matters because even though Kirkman wrote the comic for TV, TV still changes everything. Looking at this as just another TV show, I’m interested and would continue to watch it. For a first episode it did a hell of a job of not feeling like a pilot and rather the start of a season. That’s a difficult feat for any TV show so it should be applauded for that. It’s not perfect, but it’s a good start. If we did half points this would get one, but as decent as it was it's still pretty average when you remove all the shock value.[su_box title="Score: 3/5" style="glass" box_color="#8955ab" radius="6"]

Outcast E.01 – “A Darkness Surrounds Him”
Friday’s on Cinemax

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Video: Quinn-tessential Harley | Episode 204 | DC Super Hero Girls

I've never sat down and watched one of these before. It's not bad. I doubt I would watch it on the regular, but for a kids cartoon basically just using the characters and introducing them to a new audience, well it does that. It's no different from any other cartoon other than the fact that there's a rabid adult fanbase for all of these characters. Also, just testing out the videos again so watch it or don't, I'm not here to live your life for you.

In this week's episode titled Quinn-tessential Harley, Harley Quinn becomes an overnight celebrity when her video blog goes viral. The Crown Princess of Crime must learn to balance being a Super Hero and her new found fame.

Video: Game of Thrones + Mario

I'll be completely honest, I haven't watched Game of Thrones. I know enough about from memes, the internet in general and just really annoying people saying "oh my god, you've goT to watch GOT!" If you didn't read that in a Valley girl accent (which doesn't exist anymore by the way) then you read that wrong. The real reason I posted this is because it's Mario and I wanted to test videos on the new theme. I'm wearing my superstar socks and so it felt right to post.

Review: Preacher E.01 - Pilot

I have not read all 75 issues of Preacher. I own and enjoyed the first volume, but as I read it I felt as if I was late to the party. In my personal opinion the comic is a bit dated. In the same way that Watchmen and The Dark Knight Returns have had their corpses picked so much that you’ve seen their influences throughout comics, so too has the ultraviolence of Preacher. Hell, I can point out five comics just at Marvel in which writer Garth Ennis picked his own corpse like Arseface and his Marvel brother Fuckface. My point being that I’m not an authority on Preacher nor am I really shocked by it. I get that for some it was their window into “comics can do that?”, but that wasn’t the case for me. That brings us to 2016. We’ve read the casting, we’ve see who’s producing and we’ve even gotten AMC aka “The Walking Dead channel”, all lined up for a Preacher TV show. But how? How can you have the ultraviolence and the politically incorrectness of the comic on TV? Surely it must be rated X?!? To answer that question… you do it exactly the way they’ve done it here.

Step one is to get producers that are passionate about it. Doesn’t matter if they read comics or not, its Hollywood and even Robert Kirkman doesn’t give a fuck about his comics when he adapts them for TV. The next step is to get hot talent. Get that guy that stunk up Misfits for two seasons because he looks and sounds the part and get those two Marvel TV actors that everyone loves right now. The next step is the network. You need a network that’s desperate for some kind of hit after losing all their top shows and can’t seem to recreate the magic of their first comic book TV show’s success. Once you’ve got AMC it pretty much means you’re golden to do whatever.

So what do you do?

Do you stay close to the comic or do you Walking Dead this thing and use the frame-work and create a new version? Well… you’re on AMC so the answer should be pretty obvious. If you’ve read all 75 issues of the comic series then do not and I repeat, do not compare this show to the comic book. In fact, we as comic fans should never do that. They’re different mediums and we’ve seen both ends of the adaptation spectrum. On one side you have Sin City, the most faithful adaptation ever and then on the other side, oh I don’t know pick anything from Fox or Sony. The point is, they’re never going to be like the comics because that would defeat the purpose of the comics.

Now after four paragraphs you’re probably wondering what happened on the episode? Not what is it about because you’re a comic fan or at the very least saw a shit ton of promotion for this show and already know about the characters and world.

Well it’s about Jesse coming back to his home town to make good on his promise to his father who was a Preacher as well and was shot in the head. This unfolds through a series of annoying flashbacks, each longer than the last, but still the same flashback. Tulip is on the run for stealing a map for the biggest score ever and she’s a woman scorn so she’s in town to bring Jesse back into the mix of her life. Cassidy is being hunted and gets ambushed on an airplane in which he’s working as a host. And the voice of God is searching for a host and making Preachers of all different faiths explode including Tom Cruise.

Hilarious.

The pacing for this first episode can best be described as a teenage boy blind folded searching for his first pair of boobies to grope only to feel a man’s chest because he’s being pranked by older teenagers and now his raging boner pitching a tent in his underwear (he’s in only his underwear by the way) is circulating social media along with him grabbing man-boobs with a smile... and then a frown. Basically it’s groping around in the dark and not finding what it’s wants to, but still really excited that it might get there. Or just bad. The pacing is bad.

It takes 36 minutes to have our main character introduced to us and it’s a cheap pop for the comic readers. It was written and executed as if it were going to be played to a large crowd at some point, say South by Southwest, so that one idiot could cheer-shit their pants and get the rest of the people watching hyped. If any other TV show waited until it was half over to tell you whose who, you would probably give up on the show. By waiting that long you give the audience a chance to give the character a name and you know what I called him? Even knowing the character’s name, I called him Howard Stark. Because you refused to tell me his name outside of calling him Preacher. Which is the name of the show.

The acting is good. That’s the sad part about the pacing is that these actors are doing a hell of a job, but you keep letting their performance down with all the breaks and the “here’s how we all meet” origin story. Joseph Gilgun is a bit hard to understand at times, just as he was on Misfits, but after a few episodes your ears will be trained and it won’t matter. Ruth Negga is hands down the best actor on the show, even if her accent seems unnecessary. Dominic Cooper is right behind her, both with acting and the accent. He’s good at it, but he loses the deepness in his voice that makes it so distinct. Everything he says is light and whispery and it might be intentional, but let's hope they're not being that lazy and not wanting to put a filter on him when he "god talks."

The action is the best part of the show. Which is good and bad. I wanted to be into the story more, but I wasn’t. Everything in-between the action seemed like a waste of time. Like go ahead and look at your phone and just look up at the action. Even though it was the best part, the choreography and the slow motion was not the best. There’s a really bad fight between townies and some “politically correct” mascot people, which is absolutely bad-looking. Like student film, first time with a camera bad-looking.

The show itself isn’t bad, but it’s not good. It doesn’t play to the strengths of the TV medium and I don’t know if that’s a director thing, producer thing or an AMC thing, but it’s something. It shows inexperience on many levels and perhaps too much trust from AMC. It’s as if they just said, hey you’ve made films and shit all your careers, clearly you understand pacing and how to hold a viewer’s attention for an hour with commercial breaks… go for it. And then they realized they didn’t know how to do that. It’s a pilot though so really the next three will show a true vision of what to expect from the show.

There’s still a couple of questions up in the air though. If you’re a fan of the comic and haven’t watched it should you? If you’re a fan of comics in general should you watch it? And lastly, if you’re just a fan of good TV drama should you watch it? No, no and maybe.

Preacher has a long road to go before it’s pulling in fans like The Walking Dead or Game of Thrones. It’s already got one mark against it due to the subject matter which is going to chop some viewers no matter what you think, but there’s nothing awe-inspiring about this adaptation. It’s perhaps a little too safe and catered to a TV audience in all the wrong places. But hey… you probably already watched it so who cares?

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Preacher E.01 Airs Sundays on AMC

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Review: Kiznaiver – E.02

This episode picks up right where the last one left off. The thing is… it’s not just a simple pick up and go let’s figure this thing out team. No, instead our crazy student council person decides that it’s time for them to play a game that will help them all get to know each other better or die. Kacchon finds himself strapped to a table and electrocuted whenever the team gives a wrong answer, which is a few times. The reason being is that the question is vague, “Introduce yourself”, but the answer is complicated. Eventually they figure out that it’s the secret about themselves that they have never shared and would never say out loud. For instance, that Mad Dog is actually afraid of dogs and has gone so far as to research where all the dogs are in town and what their schedule is so he never crosses paths with them. Or that the girl who believes in fairies doesn’t actually believe in fairies and just wanted to be eccentric so that people wouldn’t hate her for being rich and perfect.

kiznaiver_3I’m pointing those two out because it just goes to show what the Trigger team is doing with this story. By embracing the typical anime tropes they’re using them, but then improving on them so that by the end they’re so different that you have to wonder if they’re even technically using them. I’ve lost count of how many characters in anime that have been exactly like “Mad Dog” and yet they added depth to him. They showed this analytical side to him that comes about due to his overwhelming fear of dogs. They also showed that he can be terrified, which is a rarity. His character reminded me a lot of Ranta from last season’s Grimgar, but it didn’t take an entire season to build and develop the character… just two episodes.

That is the brilliance of the writing at Trigger. Unlike shows Mayoiga which rely on slowly and painfully building the story up and hitting every story beat associated with the genre, Trigger introduces familiar elements and pulls from the collective experience with those elements to condense the build up and move forward. If this had been any other team, we would have spent two to three episodes with the characters figuring out their connection and doing the secret reveals. Hell, that’s typically six episodes right there because we would have spent so much time with them proving that they’re this character type or the other. Instead, we’re on episode two and all of that is out-of-the-way. Even Kacchon’s character has changed and develop; I hate to say it again, but if it were a different series he would remain the same until damn near the end of the show to have his big growth moment.

The art is of course fantastic. There are five or six really, really good anime this season and this is one of them. I couldn’t rank them if I tried, but this would be near the top. The way the characters moved when they were running looked really good. They stumble, but not too much and at just the right moments. That and ridiculous goons dressed as cartoon characters are a nice touch to this overly serious world.

Frankly you’re probably already watching this show and waiting for the third episode to drop whenever it is that it drops. If you’re not watching it though then you’re missing out on one of the best series thus far. Sure we still have several episodes before I go handing out a crown, but it’s looking good so far.

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Kiznaiver – E.02

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