Review: Doctor Who 9.01 - The Magician’s Apprentice

Doctor Who is back! I can’t say I was that excited after a really lackluster eighth season, but there’s always a bit of excitement when the show returns. I know that there’s always a bit of a transition when a new Doctor is introduced, but in the past it’s always been used to kick off a major storyline for the new Doctor. I mean with the Tenth Doctor we had his entire endgame started in the first episode of his appearance. It was as if it was created at the same time so that there would be an exit strategy for when Tennant left the show… clearly that wasn’t done for Matt Smith whose storyline ended up being a lame duck ending and a lot of pieces that were being built up ended up being swept under the rug instead. I’ll admit that I wasn’t a fan of Peter Capaldi’s Doctor at first, but he grew on me as all new actors to the role often do. What became painful clear was that Jenna Coleman’s character of Clara had in fact worn out her welcome. Her storyline last season was boring and I was glad when her boyfriend died. I hated him instantly and I will never be able to enjoy that actor in anything he goes on to do. The eighth season came across as a trial and error season. Showrunner Steven Moffat came across as not really having a plan for the new Doctor because too much of what he was building was ruined by Matt Smith’s early exit. The first episode of the ninth season, The Magician’s Apprentice, felt a lot like the start of the Eleventh Doctor’s last season.

The episode begins on a planet in the midst of war. We see old school style bi-planes flying and shooting lasers at men with bows and arrows… that shoot lasers. One of the soldiers sees a boy running off on his own and wants to help him. The boy freezes in place and the two talk before the man helping him has his leg grabbed by a clay covered hand coming up from the ground. Creepy awesome Doctor Who is back I thought. The visuals are incredible on this scene and the man is sucked under. The boy screams for help after this and in typical Doctor fashion he arrives to help the boy. Things get interesting though when he asks the boy for his name and we learn that it’s… Davros. You either understand what that means or not, but to explain it would ruin it so I’ll move on.

Then we move to another scene in which a dude that is clearly a big ass snake named Colony Sarff is looking for the Doctor and turning up at all kinds of places that he’s not welcomed. Eventually he winds up at Karn looking for the Doctor and there’s a great line just before Sarff reveals why he’s looking for the Doctor and it involves Davros.

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The story then kicks over to Jenna who feels super cool and important when the government calls her when all the planes are frozen in time in the sky. Eventually Missy reveals herself and it’s all great with her. Missy is amazing and actress Michelle Gomez is phenomenal in the role. Together Missy and Clara track down the Doctor who seems to think he’s going to die tomorrow which is a very loose term for Time Lords.

The episode is pretty damn good until the Doctor returns. Actually I should say up until the point that the Doctor is discovered by Clara and Missy. The Doctor is apparently just fucking with time at this one given point and while it’s supposed to be fun and not worth too much thought… well we’re dealing with a series that thinks a lot about time travel and so that’s just injected into us as well. Basically it’s hard to ignore the rules when the show has engrained them into us.

The ending of the episode was B.S. and I can’t wait to see them pull their punches on the second episode. Oh and Missy and Clara are supposedly dead even though we know they have junk time travel devices on and that’s an escape route that’s been used too many times before… that and I kind of hope Clara is dead as I for one am really happy to see Jenna Coleman finally leaving the show for something boring which I’m sure will suit her better.

Doctor-Who-9.1-1

I liked the episode for the most part, but the well-worn devices that Moffat loves to use just weren’t working this time. How many times have we seen someone die while he’s the showrunner only to see them come back some way somehow? Frankly, comic book deaths hold more weight because the only time people die in Who is when they’re a supporting character or leaving the show.

I liked the reveals, but it was just the moving parts to get to them that still feel really weak. I’m beginning to think that Moffat isn’t the best showrunner and should pass the torch and go back to writing. He has some great episodes and you can always spot one of his lines like, “Right behind you and one step ahead”, but even that is becoming old hat. This could have been a great episode, but instead it was better than average and just barely. Even still it was better than anything the last season had to offer and hopefully this season will just erase that all from my memory.

Doctor Who is definitely back, but I’m missing that exciting feeling that’s usually attached to it. Hopefully Moffat and company can turn it around.

Score: 4/5

Doctor Who S9.E1 “The Magician’s Apprentice” Writer: Steven Moffat Director: Hettie MacDonald

Marvel Television Spotlights Blockbuster Lineup at New York Comic Con

Marvel Television and ReedPOP, producer of New York Comic Con (NYCC), are once again making NYCC the ultimate destination for exclusive Fan experiences with the announcement of an action-packed lineup at the show. As part of the Marvel Television roster, Fans will witness the first cast appearance of the upcoming Netflix Original Series, Marvel’s Jessica Jonesand catch the world-premiere of an all-new episode of Marvel’s Agents of S.H.I.E.L.D. Those in attendance will also get an inside glimpse at what's next for Marvel Animation with an exclusive look atMarvel’s Ultimate Spider-Man: Web-Warriors and new series, Marvel’s Guardians of the Galaxy. On Friday, October 9, Marvel Fans will get a taste of the future of Marvel live action and animation with the world premiere of an all-new episode from the action-packed third season of Marvel's Agents of S.H.I.E.L.D., before it debuts on ABC, in a panel moderated by Jeph Loeb, Marvel's Head of Television and series Executive Producer. On the same day, Marvel Animation will present an exclusive first look at new episodes and sneak peeks of its hit animated series Marvel’s Ultimate Spider-Man: Web-Warriors, and Marvel’s Guardians of the Galaxy.

On Saturday, October 10, the highly anticipated Marvel Television and Netflix panel will kick off on the Main Stage featuring the cast of the upcoming Netflix original series, Marvel’s Jessica Jones. Also moderated by Marvel’s Head of Television and series Executive Producer, Jeph Loeb, this exclusive panel will give fans a first look at this exciting new Netflix Original Series, which will be available streaming on Friday, Nov. 20. The panel will also look back at some fan-favorite moments with the cast from the critically acclaimed first season of Marvel’s Daredevil.

"With so much of Marvel’s history rooted in New York City, it is only right for us to save our biggest reveals and announcements for New York Comic Con," said Loeb. "Our Fans are in for an awesome experience and will get a glimpse of things that no one on the planet will be able to see anywhere else.”

"New York Comic Con has become the go-to event for Marvel Fans and enthusiasts to get advance looks at some of the most highly anticipated programming," said Lance Fensterman, Global Senior Vice President of ReedPOP. "We are very excited that Marvel has once again chosen NYCC as the place to debut their new content and can’t wait to see the Fans’ excitement as we welcome the cast of Marvel’sJessica Jones for their first group appearance.”

Below are specific details on Marvel Television's New York Comic Con events:

Marvel Animation Presents Friday, October 93:00 PM – 3:45 PM Jeph Loeb (Marvel’s Head of Television) brings you the biggest animation panel in this universe – or any other. Get an exclusive first look at new episodes from Marvel’s Ultimate Spider-Man: Web-Warriors as well as glimpses of exciting new Marvel series and seasons on Disney XD!

Marvel Television Presents: Agents of Primetime Friday, October 96:00 PM – 7:15 PM Jeph Loeb (Marvel’s Head of Television) returns with exciting news about your favorite Marvel agents on ABC! Be the first to see an all-new episode of Marvel’s Agents of S.H.I.E.L.D. before it airs on ABC and find out what’s ahead for Peggy and Jarvis in the upcoming season of Marvel’s Agent Carter!

The Netflix Original Series Marvel’s Jessica Jones and Marvel’s Daredevil Saturday, October 105:00 PM – 6:45 PM Join the cast of the new Netflix original series, Marvel’s Jessica Jones, in their first-ever appearance, as they answer questions and reveal secrets from the hotly-anticipated show debuting on Netflix later this year and celebrate some of the greatest moments from season 1 of Marvel’s Daredevil.  Moderated by Jeph Loeb (Marvel’s Head of Television), this panel promises to be one you won’t want to miss!

New York Comic Con, the crown jewel of New York Super Week, will take place on October 8-11 at the Javits Center in New York City, is the East Coast's biggest and most exciting popular culture convention with the latest and greatest in comics, graphic novels, anime, manga, video games, toys, movies and television. New York Comic Con's panels and autograph sessions give Fans a chance to interact with their favorite creators, while screening rooms feature sneak peeks at films and television shows months before they hit either big or small screens. New York Comic Con is the ultimate pop culture convention and the only one that takes place in the comic book, publishing, media and licensing capital of the world.  Marvel’s Ultimate Spider-Man: Web-Warriors, Marvel’s Guardians of the Galaxy,Marvel's Agents of S.H.I.E.L.D., Marvel’s Agent Carter, Marvel’s Daredevil and Marvel’s Jessica Jonesjoin additional film and television projects coming to New York Comic Con including Pretty Little Liars, Star Wars Rebels, Game of Thrones and more.

Star Trek's 50th Anniversary Convention To Be Held August 3-7, 2016 In Las Vegas

Creation Entertainment and CBS Consumer Products today announced that the Official Star Trek 50th Anniversary Convention will take place next summer on August 3-7, 2016 at The Rio Suites Hotel in Las Vegas. The non-stop five-day convention will host more than 100 Star Trek celebrities from TV and film and thousands of avid fans. “This event has always been uniquely innovative and in tune with what the Star Trek fan wants and expects. Every attendee, no matter what their ticket price, has a chance to see all the stars when they want to without fear of waiting or not getting in,” said Adam Malin, Co-CEO of Creation Entertainment. “It’s the ultimate space where like-minded folks can meet the franchise stars, argue trivia, look at the scientific and philosophical pop culture impact of the brand and of course make friendships that have lasted generations.”

The multi-day event will explore everything from Star Trek’s set designs to its game-changing foreshadowing of some of today’s top technological advancements. Along with numerous costumes, prop displays, and convention-only freebies. It will be a full-scale immersion for the ultimate Star Trek fan.

More information will soon be available online by visiting the show’s official page at http://www.creationent.com/ST50/index.html .

STARZ Releases ‘Kick-Ash’ New Key Art for the Highly Anticipated Series “Ash vs Evil Dead”

“Ash vs Evil Dead” is the long-awaited follow-up to the classic horror films The Evil Dead.  The 10-episode half-hour series is executive produced by Sam Raimi, Rob Tapert, and Bruce Campbell, the original filmmakers, and Craig DiGregorio who serves as executive producer and showrunner. EDS1_KeyArt_Vert_1200x1800_FinalCampbell reprises his role as Ash, the stock boy, aging lothario, and chainsaw-handed monster hunter who has spent the last 30 years avoiding responsibility, maturity and the terrors of the Evil Dead.  When a Deadite plague threatens to destroy all of mankind, Ash is finally forced to face his demons –personal and literal.  Destiny, it turns out, has no plans to release the unlikely hero from its “Evil” grip.

The cast is led by Bruce Campbell (Evil Dead, “Burn Notice”) in the role of Ash Williams, Lucy Lawless (“Salem,” “Spartacus,” “Xena”) as Ruby, a mysterious figure who believes Ash is the cause of the Evil outbreaks, Ray Santiago (“Touch,” Meet the Fockers) as Pablo Simon Bolivar, an idealistic immigrant who becomes Ash’s loyal sidekick, Dana DeLorenzo (A Very Harold & Kumar 3D Christmas) as Kelly Maxwell, a moody wild child trying to outrun her past, and Jill Marie Jones (“Sleepy Hollow”) as Amanda Fisher, a disgraced Michigan State Trooper set to find our anti-hero Ash and prove his responsibility in the grisly murder of her partner.

“Ash vs Evil Dead” premieres Saturday, October 31st at 9:00pm ET/PT exclusively on STARZ with a 10-episode season.

For more information visit our Facebook Page and follow @AshvsEvilDead on Twitter.

USA Network Picks Up IDW Entertainment's Brooklyn Animal Control

USA Network announced a pilot pick-up for BROOKLYN ANIMAL CONTROL.  The project is written and executive produced by JT Petty (“Splinter Cell”).  David S. Goyer (“Batman v Superman”), Circle of Confusion’s Rick Jacobs (“Spare Parts”) and David Alpert (“Walking Dead”), and IDW Entertainment’s David Ozer and Ted Adams (“30 Days of Night”), will also executive produce.  BROOKLYN ANIMAL CONTROL is based on the IDW Publishing comic book created by Petty and is a co-production with Universal Cable Productions and IDW Entertainment. DIG003647_21“Fans of the comic book know that BROOKLYN ANIMAL CONTROL is a thriller anchored inside the world of New York organized crime families,” said Jackie de Crinis, Executive Vice President Original Programming, “At its core, it is a family drama, albeit an unconventional one.”

BROOKLYN ANIMAL CONTROL follows the inner workings of a secret subdivision of the NYPD that functions as social services for some of the city’s most unique citizens -- werewolves.  Delving into the lives of both the Case Officers, and the secretive, highly insular Kveld-Ulf, a community of werewolves living deep in the borough, BROOKLYN ANIMAL CONTROL will examine city politics, immigrant communities, and families divided by ambition, secrecy, and tradition.

In addition, USA Network recently announced a pilot pick-up for POOR RICHARD’S ALMANACK, a co-production between Legendary Television and Universal Cable Productions, the project is from executive producer Jim Danger Gray (“Orange is the New Black”) and consulting producer Miguel Sapochnik (“Game of Thrones”).  Previously announced pick-ups also include the Universal Cable Production dramas FALLING WATER from executive producers Gale Anne Hurd (“The Walking Dead”) of Valhalla Entertainment, Blake Masters (“2 Guns”) and the late Emmy Award-winner Henry Bromell (“Homeland”), and PARADISE PICTURES from executive producer Aaron Korsh (SUITS) and Rick Muirragui (SUITS).

SDCC 15: Insane Jane Coming To TV

As more and more comic book properties make their way to the big and small screen, they are simply going to have to make room for one crazy heroine. “Insane Jane,” based off the cult comic book from Bluewater/StormFront Productions is currently in development and has Joss Whedon’s Dollhouse alum Miracle Laurie attached as the eponymous Jane. The story of a deluded, yet-well-meaning heroine who believes she has super powers is being developed as a television series produced by Bohemia Group Originals & Miracle Laurie. Screenwriter Tracy Morse (Creature) has also signed on for the project.

InsaneJanePoster“When Jane was introduced to me, I was floored!”said Laurie, “She is an actor’s dream, filled with complexity and laced with tremendous amounts of fun.  The moment I read the graphic novel, I felt connected to her.  I saw her vulnerable side; the girl that just wants to fit in, like we all do.  I saw the outrage she has at the injustice in this world.   And I saw the hope she has and the desire to do good, even if it means battling (and sometimes losing to) her own demons.”

The character made her debut in 2010 and added a unique take to the pantheon of superhero literature. She is described by original writer Zachary Hunchar: Take youthful energy. Add in some over-active imagination. Mix in some powdered donuts. Sprinkle it with delusional disorder and you get ... Insane Jane! She’s the kookiest action hero of the 21st century.

“Forget what you think you know about the super hero genre. What Miracle, Tracy and the folks at Bohemia Group are doing with Jane is simply off-the-charts cool,” said Darren Davis, President of Bluewater/ StormFront Productions. “I’m already setting my DVR to record some ‘must see TV!’”

Peter Paul Basler, Head of Production, Bohemia Group Originals added “We are poised to create something truly special with a live-action version of INSANE JANE!  We promise to create something that will leap off the pages of the graphic novel!  Look out!!"

The production has not yet secured a distribution deal, but anticipates several suitors given the original concept and the high quality of the content. The production is set to go before the camera later this year.

INSANEJANEPREVThe character is so dark, so damaged; yet magnetically endearing,” said screenwriter Tracy Morse. “She has no idea that often her ultimate nemesis is herself. Creating her world is like a tightrope suspended over a swimming pool filled with razor blades and marshmallows.”

According to the producers, one of the challenges is featuring a character with severe schizophrenia. There are great opportunities to provide commentary on how we treat and perceive people battling mental health issues. Even though the material is often done tongue in cheek or for comedic effect, the central principle is that Jane, despite her challenges, is not the joke.

StromFront Productions (formerly Bluewater Productions) also has film projects developing with Universal Studios and Paramount Picture and other studios for their titles "Nanny & Hank," "Legend of Isis," "10th Muse," and "Sinbad Rogue of Mars."

Insane Jane is in graphic novel form and can be purchased at comic book stores, bookstores and on Amazon. It is also available digitally on ComiXology Trajactory, Madefire, BitLit, ComiXology, DriveThru Comics, Google Play, My Digital Comics, Overdrive, Iverse, iTunes, Kindle, Biblioboard, ComicBin, Nook, Kobo and wherever eBooks are sold.

SDCC 15: Riverdale Moves From Fox To CW... Probably For The Best

Let's be honest, Fox would have cancelled this show after five episodes if that. CW will keep it on air for ten years or more... and is more in line with the demographic they're shooting for. From Archie Comics:

Just announced at Comic-Con International: San Diego 2015, Archie Comics released major details about the upcoming "Riverdale" live-action series.

Originally developed for FOX, “Riverdale”—a dark, twisty, one-hour drama based on the iconic “Archie” comic book characters, including Archie, Betty, and Veronica, as well as Josie and the Pussycats—is now set-up at The CW network, with the key players remaining the same: Warner Brothers is the studio, THE FLASH and ARROW chief Greg Berlanti is producing and Roberto Aguirre-Sacasa, Archie's Chief Creative Officer, is writing the pilot.

"The CW is a perfect for for the vibe and tone of the Riverdale series," said Archie Comics CEO/Publisher, Jon Goldwater. "We couldn't be in better hands. Working with WB, Greg Berlanti and having Roberto involved has made this a dream project come to life. This is a major, major thing for this company."

As fans know, Aguirre-Sacasa is also the mastermind behind Archie's two bestselling and acclaimed horror titles, AFTERLIFE WITH ARCHIE and CHILLING ADVENTURES OF SABRINA. He is also a consulting producer on the “Supergirl” series.

The "Riverdale" news comes hot on the heels of the hugely successful sellout Archie relaunch, kicked off by a stellar debut issue from the powerhouse creative team of writer Mark Waid and artist Fiona Staples, which has been the buzz of this year's Comic-Con.

iZombie: The Complete First Season Coming to DVD on September 29th

From executive producers Rob Thomas (Veronica Mars, 90210, Party Down) and Diane Ruggiero-Wright (Veronica Mars, The Ex List), Warner Bros. Home Entertainment and DC Entertainment brings iZOMBIE: The Complete First Season to DVD on September 29, 2015. iZOMBIE, the new hit series that nearly 3 million people are tuning in to weekly on The CW, stars Rose McIver (Once Upon a Time, Masters of Sex), Malcolm Goodwin (Breakout Kings), Rahul Kohli (Eastenders), Robert Buckley (One Tree Hill) and David Anders (Once Upon a Time, The Vampire Diaries).  The 3-disc DVD set includes all 13 episodes from the first season, plus deleted scenes and Comic-Con panel. iZOMBIE: The Complete First Season is priced to own at $39.98 SRP. iZOMBIE stars Rose McIver as Olivia “Liv” Moore, a medical resident on the fast track to a perfect life … until she’s turned into a zombie. Now stuck between half-alive and undead, Liv transfers to the city morgue to reluctantly access the only thing that allows her to maintain her humanity — human brains. But there are side effects to Liv’s new diet. With each brain she consumes, she experiences flashes of the corpse’s memories — including, at times, clues as to how they were killed. Her boss, a brilliant but eccentric conspiracy theorist, encourages her to embrace this gift and to work with an unproven homicide detective to help solve these murders … and quiet the voices in her head.

iZOMBIE is  based upon characters created by Chris Roberson and Michael Allred for DC Entertainment’s Vertigo imprint. The series was developed for television by Thomas & Ruggiero-Wright, who executive produce along with Danielle Stokdyk (Veronica Mars) and Dan Etheridge (Veronica Mars). iZOMBIE is produced by Bonanza Productions Inc. in association with Spondoolie Productions and Warner Bros. Television.

1000575783DVDLEF_432b16713 ONE-HOUR EPISODES

  1. Pilot
  2. Brother, Can You Spare a Brain?
  3. The Exterminator
  4. Live and Let Clive
  5. Flight of the Living Dead
  6. Virtual Reality Bites
  7. Maternity Liv
  8. Dead Air
  9. Patriot Brains
  10. Mr. Berserk
  11. Astroburger
  12. Dead Rat, Live Rat, Brown Rat, White Rat
  13. Blaine's World

DVD BONUS FEATURES

  • Deleted Scenes
  • iZombie: 2014 Comic-Con Panel

BASICS

3 DVD-9s $39.98 SRP Street Date: September 29, 2015 Languages:  English (5.1) Subtitles: ESDH, Latin Spanish, French Aspect Ratio:  Presented In 16x9 Widescreen Format Approx running time: Feature - 548 minutes, Enhanced Content - 30 minutes

The Flash: The Complete First Season -- On Blu-ray & DVD September 22, 2015

Just in time for its second season, catch up with the #1 show on The CW as Warner Bros. Home Entertainment and DC Entertainment release The Flash: The Complete First Season on Blu-rayTM and DVD on September 22, 2015. The Flash delivered the most-watched series premiere in The CW's history, and original episodes averaged 6 million viewers weekly throughout the season. Fans that purchase the set will be able to watch all 23 electrifying episodes, plus three hours of extra content, including episode commentaries, featurettes, deleted scenes and a gag reel. The Flash: The Complete First Season is priced to own at $59.98 SRP for the DVD and $60.10 SRP for the Blu-ray. Central City forensic investigator Barry Allen is, always charming and – as a result of a scientific experiment gone awry – now the fastest man alive! He’s The Flash, zigzagging through the action-packed new series from the creative team behind Arrow and based on the supersonic DC Comics character. With his life shadowed by his mother’s murder and his father wrongly convicted of the crime, Barry finds that his newfound power of super speed grants him the ability to move through Central City like an unseen guardian angel. Barry quickly discovers he’s not the only “metahuman” created by the explosive disaster – and not everyone is using their new powers for good. Now, to protect the innocent, Barry and his close friends who know his secret, race to combat evildoers in one astonishing adventure after another.

Flash S1 flatWith Blu-ray’s unsurpassed picture and sound, The Flash: The Complete First Season Blu-ray release will include 1080p Full HD Video with DTS-HD Master Audio for English 5.1. The 4-disc Blu-ray will feature a high-definition Blu-ray and a Digital HD copy of all 23 episodes from season one.

The Flash stars Grant Gustin (Arrow, Glee), Candice Patton (The Game), Rick Cosnett (The Vampire Diaries), Danielle Panabaker (Justified, Necessary Roughness), Carlos Valdes (Arrow), with Tom Cavanagh (Ed, The Following), and Jesse L. Martin (Law & Order). Based on the characters from DC Comics, The Flash is produced by Bonanza Productions Inc. in association with Berlanti Productions and Warner Bros. Television, with executive producers Greg Berlanti (Arrow, Brothers & Sisters, Everwood, The Mysteries of Laura), Andrew Kreisberg (Arrow, Fringe)Game of Thrones, The X-Files Sarah Schechter (Arrow, The Mysteries of Laura, Pan) and David Nutter (Game of Thrones, The X-Files). 

BLU-RAY & DVD FEATURES

  • The Fastest Man Alive!
  • Creating the Blur
  • The Chemistry of Emily and Grant Screen Test
  • Behind the Story: The Trickster Returns!
  • DC Comics Night at Comic-Con 2014 Presenting Gotham, The Flash, Constantine and Arrow
  • Audio Commentary
  • Deleted Scenes
  • Gag Reel

23 ONE-HOUR EPISODES

  1. Pilot For Air
  2. Fastest Man Alive
  3. Things Your Can't Outrun
  4. Going Rogue
  5. Plastique
  6. The Flash s Born
  7. Power Outage
  8. Flash vs. Arrow
  9. The Man In The Yellow Suit
  10. Revenge Of he Rogues
  11. The Sound And The Fury
  12. Crazy For You
  13. The Nuclear Man
  14. Fallout
  15. Out of Time
  16. Rogue Time
  17. Tricksters
  18. All Star Team Up
  19. Who is Harrison Wells?
  20. The Trap
  21. Grodd Lives
  22. Rogue Air
  23. Fast Enough

BASICS Street Date: September 22, 2015 BD and DVD Presented in 16x9 widescreen format Running Time: Feature: Approx 968 min Enhanced Content: Approx 180 min

DVD Price: $59.98 SRP 5 DVD-9s Audio – English (5.1) Subtitles – ESDH, Latin Spanish, French

BLU-RAY Price: $60.10 SRP 4-Disc Elite 4 BD-50s BD Audio –DTS-HD Master Audio 5.1 – English, Castilian Spanish 2.0 BD Subtitles – ESDH, Latin Spanish, French

Arrow: The Complete Third Season -- Pick Up The Blu-ray & DVD September 22, 2015

Just in time for Arrow’s fourth season on The CW, viewers can catch up with the action-packed series as Warner Bros. Home Entertainment and DC Entertainment release Arrow: The Complete Third Season on Blu-rayTM and DVD on September 22, 2015. Averaging 4.2 million viewers weekly for each original episode, Arrow is The CW’s #2 show among Total Viewers, behind only The Flash! The release contains all 23 thrilling episodes from the third season that will have you on the edge of your seat, plus almost three hours of extra content, including episode commentaries, featurettes, deleted scenes, and a gag reel. Arrow: The Complete Third Season is priced to own at $59.98 SRP for the DVD and $60.10 SRP for the Blu-ray. Oliver Queen’s Arrow has become a hero to the citizens of Starling City – but he will quickly discover that doesn’t mean he can lead a normal life in the spectacular third season of the hit series based on the DC Comics character. A new wave of diabolical masterminds – including the insidious and pervasive havoc wrought by the lethal and secretive League of Assassins – threatens all he holds dear. Team Arrow has grown into a powerful force, but the dangers and secrets that bind them together often put them at odds with each other, as the shadows cast by Malcolm Merlyn and the omnipotent Ra’s al Ghul trigger shifts in loyalties and alliances that test them to their core. For matchless heroism under fire, this action-packed 5-disc, 23-episode Season Three can’t be beaten!

Arrow S3 flatWith Blu-ray’s unsurpassed picture and sound, Arrow: The Complete Third Season Blu-ray release will include 1080p Full HD Video with DTS-HD Master Audio for English 5.1. The 4-disc Blu-ray will feature a high-definition Blu-ray and a Digital HD copy of all 23 episodes from Season Three.

Arrow stars Stephen Amell (Private Practice), Katie Cassidy (Gossip Girl, Melrose Place), David Ramsey (Blue Bloods, Dexter), Willa Holland (The O.C.), Emily Bett Rickards (Flicka: Country Pride), Colton Haynes (Teen Wolf, The Gates), with John Barrowman (Desperate Housewives, Doctor Who), and Paul Blackthorne (The River)Based on the characters from DC Comics, Arrow is produced by Bonanza Productions Inc. in association with Berlanti Productions and Warner Bros. Television, with executive producers Greg Berlanti (The Flash, Everwood, Brothers & Sisters), Marc Guggenheim (Eli Stone), Andrew Kreisberg (The Flash) and Sarah Schechter (The Flash). 

SPECIAL FEATURES

  • Second Skins: Creating The Uniforms of Arrow
  • Nanda Parbat: Constructing The Villain’s Lair
  • Two Arrow Audio Commentaries
  • Arrow at Comic-Con 2014
  • The Man Beneath the Suit – Atom’s First Flight
  • Gag Reel
  • Deleted Scenes

23 ONE-HOUR EPISODES

  1. The Calm
  2. Sara
  3. Corto Maltese
  4. The Magician
  5. The Secret Origin of Felicity Smoak
  6. Guilty
  7. Draw Back Your Bow
  8. The Brave and the Bold
  9. The Climb
  10. Left Behind
  11. Midnight City
  12. Uprising
  13. Canaries
  14. The Return
  15. Nanda Parbat
  16. The Offer
  17. Suicidal Tendencies
  18. Public Enemy
  19. Broken Arrow
  20. The Fallen
  21. Al Sah-him
  22. This is Your Sword
  23. My Name Is Oliver Queen

BASICS

Street Date: September 22, 2015 BD and DVD Presented in 16x9 widescreen format Running Time: Feature: Approx 976 min Enhanced Content: Approx 183 min

DVD Price: $59.98 SRP 5 DVD-9s Audio – English (5.1) Subtitles – ESDH, Latin Spanish, French

BLU-RAY Price: $60.10 SRP 4-Disc Elite BD Audio –DTS-HD Master Audio 5.1 – English,  Castilian Spanish 2.0 BD Subtitles – ESDH, Latin Spanish, French

Michael Moreci’s Supernatural Cop Drama ReincarNATE Being Developed for Television

ReincarNATE (@ReincarNATETV), Michael Moreci’s beloved comics about a down and out Private Eye Nate McCoy, has been optioned by Buck Productions (@buckproductions), a leading film and television production company. Currently in development, the project is executive produced by Sean Buckley, Owner, Buck Productions and Patrice Théroux, an industry veteran who has led film and television divisions at key players eOne and Alliance Atlantis. Up-and-comer James Cooper (@cooper_jim), who has directed Interview with a Time Traveler and Elijah the Prophet, developed the adaptation and wrote the pilot. Well known in the world of comics, Moreci (@MichaelMoreci) has penned ReincarNATE, Roche Limit, Dawn of the Planet of the Apes, as well as Hoax Hunters, which is currently being developed into a feature film. Based on the popularity of Moreci's outstanding body of work, Heavy Metal is set to re-release the full ReincarNATE comic series for fans in November with a new set of ReincarNATE issues confirmed for 2016.

ReincarNATE 2"ReincarNATE is one of my very first professional comic projects and still one of my favorites,” said Michael Moreci. “With a great team behind it in James, Sean, and Patrice at Buck, I see it going to some really great places. I couldn't be more excited about what's to come."

"I was taken by the graphic novel and Michael’s wild imagination. ReincarNATE is a perfect blend of a detective serial and the supernatural, but steeped in Michael’s great characters and a graphically rich world, thanks to Keith,” said Patrice Théroux. “There are so many layers to this story,” added Sean Buckley. “Both from a narrative perspective and a visual perceptive, which is why it is will be a privilege to bring Nate and his world to life on screen.”

ReincarNATE is a one hour crime drama focused on down-on-his-luck Private Eye Nate McCoy. After being shot in the head during an investigation, Nate gains the ability to interact with versions of himself from past lives; Jameson, a wild west lawman, and Alan, a contract killer from the 1960s. With their help, Nate takes on the dangerous underworld, crooked cops, and scumbags, including El Panda; a criminal heavyweight who may have been responsible for the murder of his father.

Michael Moreci and ReincarNATE are represented by Jason Yarn Literary Agency.

Trailer Time: Boring Ass Teaser For Ash vs. Evil Dead

Wow that was... boring. Don't get me wrong I'm hyped on this show. I have zero expectations for it which is the best possible thing for me, but that teaser was... boring. Are they trying to get my mom to watch it after Outlander or some shit? I'm still looking forward to the show, but I hope the marketing gets better or at the very least stays off my radar.

From Starz:

The STARZ Original series “Ash vs Evil Dead” is rolling out new teasers this week for the 10-episode first season of the half-hour series executive produced by Sam Raimi, Rob Tapert, Bruce Campbell, the original filmmakers of the franchise, and Craig DiGregorio who will serve as executive producer and showrunner.  “Ash vs Evil Dead,” which is currently in production in New Zealand, is the long-awaited follow-up to the classic horror film franchise The Evil Dead and is set to premiere on STARZ in Fall 2015.

Campbell will be reprising his role as Ash, the stock boy, aging lothario and chainsaw-handed monster hunter who has spent the last 30 years avoiding responsibility, maturity and the terrors of the Evil Dead.  When a Deadite plague threatens to destroy all of mankind, Ash is finally forced to face his demons –personal and literal.  Destiny, it turns out, has no plans to release the unlikely hero from its “Evil” grip.

The cast is led by Bruce Campbell (Evil Dead, “Burn Notice”) in the role of Ash Williams, Lucy Lawless (“Salem,” “Spartacus”) as Ruby a mysterious figure who believes Ash is the cause of the Evil outbreaks, Ray Santiago (“Touch,” Meet the Fockers)as Pablo Simon Bolivar, an idealistic immigrant who becomes Ash’s loyal sidekick, Dana DeLorenzo (A Very Harold & Kumar 3D Christmas) as Kelly Maxwell, a moody wild child trying to outrun her past and Jill Marie Jones (“Sleepy Hollow”) as Amanda Fisher, a disgraced Michigan State Trooper set to find our anti-hero Ash and prove his responsibility in the grisly murder of her partner.

Raimi is directing the first episode of “Ash vs Evil Dead” that he wrote with Ivan Raimi (Darkman, Army of Darkness, Drag Me to Hell), and Tom Spezialy (“Chuck,” “Reaper,” “Desperate Housewives”). Raimi will also serve as executive producer, with Rob Tapert (Evil Dead, “Spartacus,” Xena: Warrior Princess”) and Bruce Campbell (Evil Dead, “Burn Notice”) along with Craig DiGregorio (“Workaholics,” “Chuck”) who will serve as executive producer/showrunner. Ivan Raimi will co-executive produce and Aaron Lam (“Spartacus”) and Chloe Smith (“Spartacus”) will serve as producers.

Review: Arrow 3.23 - My Name Is Oliver Queen

The Arrow finale was, in a word, underwhelming. A lot gets resolved and settled, and it’s all well and good, but this episode wasn’t particularly exciting, especially as a season finale. Merlyn reveals to Team Arrow that he and Oliver have been planning this for a while, and that it had to look like Oliver betrayed them in order for Ra’s to trust him. This makes perfect sense and Team Arrow should probably have figured it out themselves, but they’re a bit too busy feeling actually betrayed. Elsewhere, Oliver reveals himself to Ra’s pretty immediately. Ra’s is heading to Starling to unleash the bioweapon- against which Team Arrow is already conveniently inoculated. He’s aiming not only for the city Oliver loves, but also for Damien Darhk, because another rushed subplot was exactly what this episode needed.

The final showdown between Ra’s and Oliver is also pretty underwhelming. They duel on a bridge while the SCPD looks on, a sniper waiting for a “clean shot.” The sniper’s kind enough to wait until Oliver and Ra’s hash it out; Ra’s gives Oliver his ring and his title, then dies. Oliver’s then shot by the sniper fellow and tumbles off the bridge, and it’s Felicity in the Atom suit who saves him. I’ll admit that bit was pretty sweet.

Arrow 3.23 My Name is Oliver Queen

This episode had a few other good points. Barry makes a very brief appearance. Lance shows up for the first time in a couple episodes- I think it’s been at least three since we’ve seen him. Thea works the Arsenal suit, and even gets Oliver’s blessing to become yet another Starling City Mask. I enjoyed the little exchange where she says she’s considering going by Red Arrow and Oliver replies that he’s already told everyone to call her Speedy.

In the end, Oliver’s vigilante days are behind him; it’s time for him to leave Starling, and Felicity’s going with him. I know many are excited and/or relieved that they’ve finally gotten together, and I’d include myself in that, though I’m kind of amused that he’s still technically married to Nyssa. And as per their “deal,” Oliver gives the Demon’s Head ring and title to Merlyn, which can’t possibly go wrong.

Overall, the finale did well wrapping up all the loose ends, but that’s about it. Despite packing so much into one episode, it really dragged and did little to hold my interest.


Score: 2/5


Arrow 3.23 – “My Name Is Oliver Queen” Watch Arrow on the CW, Wednesdays at 8/7c.

Not To Be Outdone By Supergirl, CW Reveals DC's Legends of Tomorrow Trailer

Well this happened... somehow it's worse than I imagined and I have a vivid imagination. I mean why the fuck is Arrow talking like he's the boss hog and revealing his identity to assholes he doesn't know? Why the fuck is the Flash talking like he has his shit in order when we see how far from the truth that is each and every week? Why the fuck are they standing on a rooftop waiting for Rip Hunter to make a flashy Doctor Who esc appearance? And have no doubt, his entire delivery (while still ten times better than everyone else's) was all Doctor Who inspired. And why the fuck is Brandon Routh reduced to bumbling idiot? He's a fucking billionaire genius right? This was beyond depressing and the fact that they're facing Vandal Savage and that Arrow and Flash will be on the show to some degree is just... even more depressing. It's like they took everything that was bad about Arrow and Flash and captured that magic in a bottle or a bag of shit.

The First Look of Supergirl on CBS Reminds Me Why She Sucks

First off, let me just say, hats off to CBS for not giving two shits about Supergirl. When I first saw the clip, I was shocked how execrable the experience was.  Then I remember that CBS didn't care about this show let alone "Supergirl". Then I was hit with a stale revaluation, not even DC cares about Supergirl. Have you ever read a Supergirl book, they're awful-- how about a fucked up origin that changes every time the book is relaunched, no direction or personality and no being a girl doesn't count, no quality rivals just hand me down Superman rogues. Basically she's nothing other than a D-list Superman that sits down when she pees. Look, ask anybody, I'm a fan of Supergirl but it's shame she's handled this way because she can tell stories that you can't tell with Superman. You'd figure with the push to get well written female centric protagonists in the forefront of comics, Kara would be towards the front of the pack, not hanging with Ambush Bug. CBS is pretty late to the comic book on television party and I'm pretty sure that they don't care. This first look was more than proof. I'm sure it will do okay numbers in the beginning because everyone has comic book show fever but in all reality, if Supergirl doesn't pull some procedural crime drama out of her ass she'll won't see a season 2. Because that network has 10 million CSI shows. Who am I kidding this thing is going to run for years.

Review: Arrow 3.22 - This Is Your Sword

Oliver is a big faker and I’m mad about it. Al Sah-him isn’t real and Oliver isn’t really gone. He and Merlyn have planned this since the beginning; Merlyn told Oliver what to expect with his transformation into the Heir, and Oliver used that information to trick Ra’s al Ghul, which is apparently a thing people are able to do. I personally was a bit disappointed by this. During the last episode I had the fleeting thought that Ollie was faking, but I dismissed it, thinking it was too easy. But I’ve been wrong before and I was wrong now. Merlyn’s got to convince Team Arrow that Oliver is still Oliver, and get them to stop Ra’s and Al Sah-him from unleashing the bioweapon. He enlists Tatsu’s help in convincing Team Arrow, which makes total sense, seeing as they have no idea who she is or what she means to Oliver. Merlyn, Felicity, Diggle, Laurel, Tatsu, and Ray make up an interesting but ineffective team; the episode ends with them imprisoned in Nanda Parbat and in capital t Trouble.

Arrow 3.22 This Is Your Sword

Thea goes to see Roy which is only worth mentioning because it looks like she’ll be taking on the Arsenal suit. So I guess this is goodbye to Roy for real? And maybe I’ll finally get that Thea action I’ve been waiting on for this entire season.

Al Sah-him and Nyssa get officially married and Oliver’s now Ibn al Ghul. I still have no idea what they’re aiming for here but I hope that when Oliver inevitably returns to Team Arrow, Nyssa goes with him. Another woman in the field would be great, plus she and Laurel supposedly have a strong friendship we’ve seen very little of, and she’d certainly bring a different perspective to the team. While we’re at it, I’m also cool with having Ray around a bit more. He brings some light-heartedness that the team could really use. I love Ollie but he can be a downer.

The season finale is next week and I’m looking forward to it, despite the messiness of the past couple of episodes. There’s a lot to be resolved and not all of it can be done in one episode. Diggle and Oliver’s friendship is shattered, and that won’t be easily mended. Felicity and Oliver have been will-they-won’t-they for far too long, and I can’t imagine the writers dragging that out any further than they already have, so hopefully that one will be resolved. And speaking of dragging things out, this episode was a prime example - I feel like I spent the entire episode waiting for it to start.


Score: 3/5


Arrow 3.22 – “This Is Your Sword” Watch Arrow on the CW, Wednesdays at 8/7c.

Group Review: Daredevil 1.13 – Daredevil

Well we were supposed to have this final review for Daredevil up a little bit ago, but things happen, schedules get busy and here we are. This is it, the final episode of Daredevil titled “Daredevil” so that things could be real confusing. Unlike our first episode review we only have a few reviewers that have had the time to blaze through the series so check out what they thought about the season one finale.


NINA: 5/5

The Daredevil finale involved a lot of yelling on my end. And the faux-wrapping things up with twenty minutes left on the episode- solid way to stress out your viewers. There was so much I loved about this episode, and I had a really hard time coming up with things I didn’t like. When Leland died I knew we were in for a great finale, but this exceed my expectations.

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The firefight on the bridge was the main source of my yelling uselessly at the screen. When Fisk started telling the Samaritan story I knew there’d be a rescue, but I didn’t expect it to be so bold or so blatant. Fisk managed to surprise me there.

I particularly loved that moment when Matt catches up to Fisk and it’s just Fisk darting away into the alley. Fisk was very much the cornered, wounded animal, and there was nothing intimidating about the way he ran. This big, hulking man looked a bit like a bug scurrying away. Fisk’s final, desperate attempts at beating Matt and getting out of there were reminiscent of Wesley’s “do you really think I’d put a loaded gun on the table.” They both got too cocky, they both underestimated the opponent, and they both put that loaded gun on the table within reach.

I don’t really have any negative comments about the episode. I got easily caught up in the action and drama of it, and I felt they wrapped up everything they needed to.

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NICK: 4/5

Marvel’s Daredevil certainly does go out with the bang that it’s been promising for the first twelve episodes. Villains are defeated, but at what cost to the heroes?

There’s a lot that happens in the finale, plot-wise, but thematically, there are only a few big sequences. Foggy, Matt and Karen finally mend fences (which feels a little too “Oh, look how easy that was, we’re all friends again” after a couple episodes of Foggy and Matt being super petty); Fisk finally finds out the traitor in his organization all along was actually the asshole with a snarky retort at every turn; and the Devil of Hell’s Kitchen gets a costume to become a symbol for the city.

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I don’t think I need to say anything about how amazing Fisk and Vanessa’s storyline was in the show. They decided to come at Fisk from a whole different direction than he’s usually treated to in the comics, and they made him not only surprisingly evil and brutal, but surprisingly innocent and damaged. There were so many opportunities for him to die from his injuries or commit suicide by cop (or, for a real shakeup, the devil in Matt Murdock could have won him over and he could have killed Fisk), but putting him in front of a white wall to think about how alone he is... amazing.

The suit was the most polarizing aspect of the series, it seems. I personally dig it, even if it is couched in a sort of lazy Dark Knight-ish back half of the finale. From the moment Fisk starts biblically monologuing, he becomes more Kingpin and less Fisk, while Matt finally becomes a superhero. It’s the moment where the “realistic” world of the show touches the membrane where it meets the comics, and it definitely worked for me. I’m not huge on biblical monologues from villains, but D’Onofrio kills it.

I don’t think anyone’s surprised that I am 1000% psyched for next season. Now if I can just wait a whole year for it.

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DUSTIN: 3/5

I wanted to like this episode more. There’s a lot going on in the episode and I think there’s a decent amount of payoff for the overall season, but some of it comes too easily. The way they finally snag Fisk is extremely convenient and it all leads to a ridiculous mafia movie style montage with classic music playing over the imagery.

There is one really, really, bright spot in the entire episode and it’s not the final fight between Fisk and Daredevil. In fact that fight was the least satisfying battle of the entire season. No it was the bridge scene and Fisk’s monologue about himself. It was a bit long winded and I wish that they hadn’t cut to the goofy fuckers riding in the truck with him, but otherwise it was fantastic and completed his character development and journey. Everything about that bridge scene was baller as fuck.

Daredevil-1.13-4My favorite thing had to be when Foggy completely moved on from Karen after saying one dickish thing and not attending a funeral because he was winning the fucking case against Fisk! It was kind of ridiculous that they even bothered building his interest in her just to throw it out the window the minute they could. Seriously they built it for ten episodes and killed it in two.

I did enjoy the last scene with Matt and Karen as it continued to give Karen’s character a lot of realism as she lived with her own actions. That was definitely one of the best things to come from the season. Oh and I hate the costume. It looked stupid and frankly the Ben Affleck suit looked way fucking better. In fact I’ve seen cosplay that looked better, but hey… I’m sure it’ll change by the next season.


Daredevil 1.13 “Daredevil” Director/Writer: Steven S. DeKnight Distributor: Netflix, ABC Films, Marvel Studios Runtime: 60 Minutes Exclusively on Netflix

Review: The Flash 1.21 – Grodd Lives

I knew I was in for a long episode when Iris was narrating. Slate that, I actually thought I was watching an episode of Grey’s Anatomy which isn’t much better. I knew Grodd (which thankfully you can’t hear me say wrong over and over) was going to be in this episode, I just didn’t know they were going to make it all about Iris at the same time. Here’s why… Iris is a terrible character.

I have yet to find anyone that disagrees with this. In fact my house hold which consists of me and two women all groaned at the sound of Iris’ voice and took turns telling Iris “fuck you” when she would say anything remotely selfish and stupid. Which is basically her throughout the entire episode.

I’m going to get the Grodd shit out of the way quick and hey spoilers if you care.

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If you know anything about Grodd then you know his power set which made this episode actually pretty fucking boring for me. I knew that he was mind controlling General Eiling the minute I saw the character and while I don’t remember why he needs gold, I wasn’t surprised that he was going for it either. Grodd fucks with Barry and the team has to overcome the fact that they don’t have Dr. Wells and figure out how to beat Grodd… which they don’t really do. The CG on Grodd is actually pretty fucking good for a TV show which is why they’ll basically only use him in very small doses and we’re likely to see the same animation over and over. Basically Grodd has been sent to distract them so Wells/Reverse Flash can finish his shit and talk to Eddie a lot about how he’s a fucking failure and what was all that about knowing too much of the future again?

Really the bulk of the episode is spent with Iris who has figured out on her own that Barry is the Flash… finally. Which means that all of the main characters on the show now know his identity. Four or five sub-characters know his identity. All the main characters on Arrow know his identity and basically all the villains locked in the prison know his identity… so good for her.

She tests Barry to see if he’ll break and tell her, but when he doesn’t she shows up to STAR labs which still just lets anyone in and finds Cisco, Caitlin and Barry talking about their first Grodd encounter with Barry in the suit. After that is a series of selfish conversations on her part in which she asks why they lied to her, why they haven’t gotten back her boyfriend, why everyone knew but her and blah, blah, blah.

Again… fuck you Iris.

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It really isn’t that she’s whinny, it’s that she sucks. The writers have butchered this character and actress Candice Patton really doesn’t do anything to spice up the role. She gives the same emotion the entire episode and it’s just very in-line with a lot of acting on the CW. And that sucks because other than Iris and Barry the rest of the cast can actually act… okay Eddie too, but I always forget to count that guy. I mean Caitlin definitely has a limited range, but when she’s in the range she does just fine. Iris has no range. She’s basically just fake happy or annoyingly stupid and selfish which the writer’s think means “upset.”

If you haven’t watched the episode yet pay close attention to how many times Iris walks into the main room at STAR labs and just finishes everyone’s sentence like she was listen to everything. One of the times she does this it’s impossible for her to even know what the fuck they’re talking about because she knows nothing about their operation which was extremely annoying.

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But hey… at least she’s not the damsel right? I’m mean her boyfriend and father are damsels and then she’s pissed at everyone for not doing more to get them back and save them. It’s funny because she disses on her father for throwing himself into danger and yet she doesn’t say shit about Barry doing it because he’s fast… what? Again, everything she says or does in this episode is about her and how she’s hurt or has been wronged. Even when she gets her dad back she reminds Barry that they still need to get Eddie… Fuck you Iris.

Overall I called every twist about this episode. The General being a puppet. Grodd not doing anything and Barry and the team not actually stopping him. And the worst one, the worst one that I called was that Wells was actually right underneath them… because why wouldn’t he be. I’m scoring this episode a little higher just due to the CG on that gorilla, but otherwise it was a terrible episode that made me lose all faith in the show, especially now that they’ve adapted the system of the triple ending and added Iris to the team instead of just letting her be the annoying sub-character she was before. Lastly… when is someone going to stop them from using STAR labs? I mean… Wells technically owns it so… huh…


Score: 2/5


The Flash 1.21 – "Grodd Lives" The Flash airs Tuesdays 8/7 C

Review: Arrow 3.21 - Al Sah-Him

Oliver is gone, Al Sah-him is in training, and Team Arrow is left reeling. Lyla gets some screentime, and Nyssa actually works with them this time. When Nyssa finds out Oliver’s gone to Nanda Parbat, she knows her time is up. We open with Al Sah-him’s training, and one of his first big tests. Diggle is brought before him and Al Sah-him must kill him, which he does easily. But it turns out it’s not Diggle, just some poor random guy; he’d seen Diggle because he’d been given a hallucinogen. This all makes perfect sense. Ra’s is such a character. Next up, Al Sah-him goes back to Starling to kill Nyssa, and Team Arrow is forced to accept that Oliver has truly been brainwashed. He is unrecognizable, and fairly terrifying.

After Al Sah-him’s first confrontation with Nyssa, he decides to “draw her out” by kidnapping Lyla. This is the point where Diggle knows Oliver is truly gone; they exchange Nyssa for Lyla, but they don’t go down without a fight. Before we find out whether Al Sah-him/Oliver was actually going to kill Diggle, he’s shot in the arm by Thea, of all people, and decides to quit while he’s ahead. The League has Nyssa, and that’s all they needed.

I haven’t talked much about the flashbacks because I think we’re all pretty sick of them, but they’re been building up to this episode. In the flashbacks we learn about the “alpha omega,” a bioweapon which can wreak havoc upon entire cities. Nyssa had it, Ra’s wanted it, and he got it. Now Al Sah-him’s next task is to unleash it on Starling City. There’s also the matter of Nyssa and Al Sah-him’s arranged marriage, meant to unite the families.

Arrow 3.21

This episode was kind of a mess, and while I enjoyed Al Sah-him (evil Stephen Amell) well enough, it was lacking. The transition from Oliver to Al Sah-him was abrupt and made it hard for viewers to jump on board. It wasn’t even a transition so much as a switch. There’s a quick montage, but again, abrupt. Similarly, Nyssa and Laurel’s relationship has changed, and it also feels abrupt to the viewer because we didn’t see it progress. We didn’t necessarily need to check in with them every episode, but we could have used something to make that transition. Laurel’s grown fiercely attached to Nyssa in a very short amount of time, and it seems out of place.

This was a good episode for Diggle, not only as he got good screentime, but he carried a lot of the emotional weight. He and Felicity hold Team Arrow together, and when Lyla is taken he’s forced to acknowledge that his friend is really gone. I also loved the moment when Nyssa called out Laurel on her need to keep secrets from people, specifically secrets pertaining to them. I’ve said it before, I can’t stand that plot device, and since Lance is still freezing Laurel out, you’d think she had learned her lesson.

I was excited to see Thea in the field (finally!) but now that she knows Roy is still alive, it looks like she’s going after him, so it seems she won’t be joining Team Arrow just yet. And as ridiculous as it is, I’m looking forward to seeing the arranged marriage play out.


Score: 3/5


Arrow 3.21 – “Al Sah-Him” Watch Arrow on the CW, Wednesdays at 8/7c.

Heroes Take Center Stage at Machinima's Digital Content NewFront Presentation

Machinima’s debut at the Digital Content Newfronts was nothing short of “heroic.” The first global many2many programming service focused on fandom and gamer culture, Machinima unveiled a programming slate designed to elevate and celebrate a global community of gamer, comic and hero fans through the most innovative content on the Internet. Partnerships with Blue Ribbon Content and DC Entertainment, Metro-Goldwyn-Mayer, Clive Barker, Roberto Orci and Bunim/Murray Productions, along with some of Machinima’s leading creator talent, showcase Machinima’s commitment to developing content across all genres, formats and platforms. “Fandom and gaming engenders so much passion and engagement; it’s a cultural shift uniquely connecting with the most valuable millennials,” said Chad Gutstein, Machinima’s CEO.  “It’s this deep connection to our audience that has made Machinima the ninth largest video entertainment platform in the United States, and the second most watched programmer on YouTube.  With our new slate, we are reminding our fans and our clients of one very important fact: Machinima is back!”

Machinima’s programming slate includes:

Justice League: Gods and Monsters Chronicles Season 2

From visionary producer and animator Bruce Timm (Batman: The Animated Series, Superman: The Animated Series), Justice League: Gods and Monsters Chronicles turns the DC Universe upside-down. In this dark, alternate world, telling the good guys from the bad guys is never easy: Superman is not the son of Jor-El, he’s the son of General Zod; Wonder Woman is not from peaceful Themyscira, but rather the warring nation of Ares; and Batman is more vampire-bat than man…and he’s not Bruce Wayne. It is unclear if our greatest heroes are here to protect us...or to rule us. With Season 1 set to launch in June, Machinima, Blue Ribbon Content and DC Entertainment have already begun development on Season 2, a 10-episode follow-up to the initial limited series.

DC’s Hero Project

Machinima, Blue Ribbon Content, and DC Entertainment are setting out to discover the next great creator for the world of DC Comics.  Eight contestants compete in elimination challenges todevelop a live-action short video based on their own interpretations of characters from DC Comics’ Starman comic book series. Well-known guest judges and celebrity special guests will join bestselling writer and DC Entertainment Chief Creative Officer Geoff Johns and a panel of esteemed judges to oversee the entire competition.

#4Hero

A modern adaptation of DC Comics’ cult-favorite classic “Dial H For Hero”, #4Hero is a live-action, VFX-heavy action-comedy about a young woman named Nellie Tribble who is quietly desperate to make her mark on the world, but wholly unprepared to do so. Nellie stumbles upon a life-altering smartphone app that allows her to instantly become a Super Hero for a short amount of time. The problem is her super powers are dictated by whatever is trending on social media at that moment, and they are always only semi-useful.

Clive Barker’s Creepy Pasta

For the first time, horror legend Clive Barker is stepping away from the creatures of his own imagination and entering into the world of Internet horror fan fiction, affectionately known as Creepy Pasta.  Starting with viral urban legends (e.g. Jeff the Killer, Slender Man and Ben Drowned), Clive Barker’s Creepy Pasta is an original series of live-action, blood-curdling short films.  These new tales will be curated and adapted by Barker from submissions obtained through the creepypasta community, and produced by Machinima to scare you to your core.

RoboCop

"Dead or alive, you're coming with me." OCP’s Security Concepts Division’s RoboCop program is back in an all-new, short-form limited web series, based on Metro-Goldwyn-Mayer’s 1987 classic action film. RoboCop returns to Delta City where viewers ride along with the now standard-issue RoboCop officers as they respond to calls from dispatch. Tapping into current themes of the surveillance state, the series is shot from the first person point of view of the RoboCop officers’ heads up display, along with security cameras, dash-cams, and drones.

Happy Wheels

"Choose your inadequately prepared racer, and ignore severe consequences in your desperate search for victory!” - Happy Wheels

Machinima will bring audiences an all-new original animated series based on Jim Bonacci’s hit online game Happy Wheels and produced by BMP Digital, the digital division of Bunim/Murray Productions ('The Real World', 'Keeping Up With The Kardashians’). This must-see 10-episode short form series, which will feature fan-favorites such as Wheelchair Guy, Irresponsible Dad and Lawnmower Man, will expand upon the game that has more than 8 million players a month and showcase its notorious dark humor and penchant for blood and gore. Additionally, with over 3.1 billion video views amassed, BMP Digital is looking to leverage the voiceover talents of YouTube influencers such as Toby Turner (15.2M YouTube Subscribers, Cartoon Network’sThe High Fructose Adventures of Annoying Orange) and others who have made this game so iconic.

Jerome ASF’s The Baka Chronicles

Adding to the gaming fervor, Machinima's iconic Minecrafter Jerome ASF (3.6M YouTube Subscribers), will be teaming with N00b Adventure creator Jim Schwerfeger for an all-new series -The Baka Chronicles. Featuring Jerome ASF's most beloved character, Baka, the series follows two unlikely server admins who problem-solve the hilarious antics of griefers, trolls, and kids who wreak havoc across their favorite multiplayer Minecraft server. Little do our heroes realize this job is a massive headache.

High School 51

Created and produced by Roberto Orci (Transformers, Amazing Spider-Man 2, Star Trek, Sleepy Hollow, Lost, Fringe) and Legion of Creatives, and starring Orlando Jones (Sleepy Hollow,Tainted Love, Drumline, MADtv), High School 51 is as out of this world as the name implies.

Hidden away in the heart of Area 51, Dream Lake High School is filled with mind-blowing technology, top-secret government programs and a student body that is cool, quirky, attractive, and…well, alien.  No one from the outside has ever been allowed into the school and no human has ever attended...until now.

For 16-year old Alex Valencia, the first and only human ever to attend Dream Lake, high school is going to be tough. Fitting in will be one thing but his biggest challenge just might be saving the human race!

Returning Series

Additionally, Machinima is announcing the return of some of its most popular shows including AFK, Chasing The Cup, Realm, Battlefield Friends, Sanity Not Included, Deck Wars, and ETC.