Review: Retcon #4
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Retcon #4

By Jonathan Edwards

Retcon is shit. It’s always been shit. There was zero chance this finale was going to be anything but shit. But, that makes it no less of an infuriating endeavor to read. Frankly, even with only four issues, this book has no business being a monthly series. Waiting until the third issue to start touching upon the marketed premise is entirely too long in any scenario, but here, where that also amounts to over half of the series, that’s unacceptable. They might’ve been able to get away with it if this had been published as an OGN, but that still wouldn’t fix the bigger, more foundational problems. Namely, Retcon doesn’t do anything with its eponymous concept. Yes, it’s about a repeating timeline, but unlike, say, Groundhog Day, Edge of Tomorrow, the “Mystery Spot” episode of Supernatural or pretty much any other story that also does that, we only get to see the events of a single repetition play out. As such, the already shallow characters get little to no genuine development, and we effectively can’t understand what makes the current repetition different, let alone the significance of that difference, if we don’t see at least some of the other repetitions as well. Sure, they kind of try to explain what’s changed, but there’s no satisfaction in that. Time loop narratives just don’t work when you don’t show the fucking time loops.

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Review: Justice League of America #20
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Justice League of America #20

By Jonathan Edwards

Based on the first half of this issue, I was going to rate it a two out of five. Heck, I was even going to say that this wasn’t the worst way for “Precision Strike” to end. And then, I got to the second half. Suddenly, Justice League of America #20 changed from the flawed ending of a weak story arc to a nigh incoherent attempt to justify and explain away its bullshit premise. “All Prometheus needed to divide us was a video camera and a list of questions.” Yes, Ryan, but only because everyone he “interviewed” was written without the ability to detect his entirely obvious attempts to manipulate them. And, maybe it could’ve worked, at least a little bit if any of the previous issues put character development first instead of dedicating so much fucking time on superficial plots with one-note villains.

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Review: Klaus and the Crisis in Xmasville #1
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Klaus and the Crisis in Xmasville #1

By Jonathan Edwards

On December 5th, 2016, I finally did what I’d spent the better part of the year thinking about doing; I applied to be a comic reviewer for ComicBastards.com. On December 12th, 2016, I received an email inviting me onto the team, and on December 21st, 2016, my reviews for Dept. H #9 and Klaus and the Witch of Winter were published on the site. And now, just barely a year after I sent in my application, here I am reviewing the next Klaus book, Klaus and the Crisis in Xmasville. And, maybe there would have been more ceremony in reviewing next week’s Dept. H #21. Especially since that was the actual first book I reviewed, and issue #21 comes out closer to the anniversary of when I actually reviewed issue #9. But, Klaus only comes one a year, so I think that makes it the more appropriate choice. Also, I could just do both, but I haven’t read an issue of Dept. H despite continuing to buy them with the intention of eventually sitting down and binging them. But until then, let’s focus on Grant Morrison’s superhero Santa Claus.

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Review: DC Holiday Special 2017 #1
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: DC Holiday Special 2017 #1

By Jonathan Edwards

It’s December, so that means ‘tis the season for holiday specials like this one, and ‘tis the season for starting reviews off with the phrase “’tis the season.” In the wake of Rebirth last year, I was looking forward to DC’s DC Rebirth Holiday Special #1. It seemed like a great way to celebrate the season and the overall success of the relaunch. Unfortunately, if my LCS had gotten any copies (I didn’t ask, but I’m sure they did), they’d sold out of them before I got there. This was also before I started reviewing for Comic Bastards (if only barely), so I didn’t have access to any review copies. Oh well, I told myself, and I figured it maybe wouldn’t have turned out to be that good of a read anyway. In retrospect, that seems like an unnecessarily sour attitude to take during the most wonderful time of the year. And, the best way I can think of to make up for that is to take an optimistic look at DC Holiday Special 2017 #1.

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Review: Mystik U #1
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Mystik U #1

By Jonathan Edwards

This book reminds me a lot of two other recent DC miniseries: Supergirl: Being Super and Deadman: Dark Mansion of Forbidden Love. At least in terms of tone and writing style. As far as premise goes, it’s much closer to the former. Because, at its core, Mystik U is just a retcon of Zatanna Zatara’s origin. But, it’s one that attempts to justify it by introducing the “Malevolence,” a super-powered threat that has ravaged the magical world. So much so that the only way to stop it is to turn back the clock and beat it before it becomes too big. However, it’s not clear how they’re meant to do so, when it appears that no one has any more of an idea about said Malevolence then, presumably, the first time this all happened. And, if that didn’t already sound like pretense, the rest of the issue makes sure you know it is.

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Review: Justice League of America Annual #1
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Justice League of America Annual #1

By Jonathan Edwards

As of the writing of this review, I have read and reviewed every single issue of DC’s post-Rebirth Justice League of America. This includes the five one-shots released the first issue of the main series, which I liked. Justice League of America #1 and #2 were disappointing after that, but it wasn’t until about the third issue that I started being entirely outspoken about why the book and why it continues to suck. And in my review for JLA #12, I explained that having such consistently heavy criticism for it is why I don’t drop it.

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Review: God Complex #2
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: God Complex #2

By Jonathan Edwards

For about the first half of God Complex #2, I was finally getting into the story and enjoying myself while it happened. And then, right around the time Seneca visited the Fates, I started losing interest. It’s still a fine issue overall, and the last couple pages do present us with a decent enough cliffhanger. It just doesn't end up being as entertaining as the beginning was. And, I think I know why. Seneca’s character by itself isn’t all that interesting. Neither is his investigation into the deaths of the three Church of the Trinity acolytes. Yet, both work a lot better whenever we see the Rulers getting directly involved. Because they provide great foils for Seneca and vice versa. His moody, neo-noir detective shtick if offset by his fear of getting on their bad side and/or letting them down. And, their sense of superiority, inside information, and larger than life power struggle is offset by the legitimate need for his help, as he can perceive things in a way they can’t. As such, we get an interesting dynamic where, rather than condescend, the Rulers actually attempt to pick Seneca’s brain and enable him, and his both compelled and reluctant to go further and further down the rabbit hole that is his investigation.

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Review: Justice League of America #19
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Justice League of America #19

By Jonathan Edwards

It’s ironic that a book as clumsy and heavy-handed as Justice League of America would title one of its story arcs “Precision Strike.” What’s more, I think Orlando himself might be realizing that and panicking. Because, in addition to more of Prometheus’s cliché “I planned for every possible scenario” speeches, we get two back to back panels where first the Atom and then Black Canary comment about the “precision” of the latter using her supersonic scream to overload the former’s bio-belt, defaulting it.

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Review: Hollow Fields vol. 1
Manga Reviews Jonathan Edwards Manga Reviews Jonathan Edwards

Review: Hollow Fields vol. 1

By Jonathan Edwards

As it turns out, Hollow Fields Vol. 1 was originally published in June of 2007 and black & white. Cut to roughly and a half years later, and Seven Seas Entertainment has opted to re-release this full-color version. I can’t say I’ve heard of that being a particularly common practice, at least in terms of the traditional manga publishing industry. However, Hollow Fields is not a part of the traditional industry. It’s an “original English-language” manga. And in this case, that means the writer and artist is Australian. I know some people have a huge issue with manga produced outside of Japan by people who aren’t Japanese, but I’m not really one of them. Sure, you’re inherently going to get some stylistic changes thanks to cultural differences, but if the general themes and tropes are congruent, then why should overseas works be excluded? Especially when there are people who dismiss any and all Japanese animation solely on the premise that they “don’t like anime.” This is despite the fact you might be trying to get them to watch Spirited Away, and all they’re familiar with is the likes of Bleach

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Review: Retcon #3
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Retcon #3

By Jonathan Edwards

God this book sucks. So hard. This issue finally touches on the “retcon” premise this book, and it makes something clear. You absolutely have to go into this book knowing the premise for it to make any semblance of sense. Otherwise, you’ll hit the third issue, and the resetting time concept will come completely out of left field (and, not in a good way). But despite all that, the premise also isn’t wholly accurate. Retcon isn’t so much the “reboot of a comic book miniseries that has never existed” as it is the events right before said reboot has always happened in the previous iterations of this universe. Of course, it’s possible that time is meant to always reset to the first panel of the first page of the first issue, but the exposition here suggests it goes back much further than that. And when I say exposition, I mean there’s a lot of it. In fact, Retcon #3 is practically nothing but exposition. Too bad none of it has any emotional impact since it’s trying to make a point of how “different it is this time,” but we never saw any of the previous attempts, so that doesn’t end up meaning much if anything.  

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Review: Monstro Mechanica #1
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Monstro Mechanica #1

By Jonathan Edwards

Leonardo da Vinci built a wooden robot. That’s pretty much all you need to hear about Monstro Mechanic #1 to know whether or not you’ll be at all interested in it. I actually saw a promo for this back in another AfterShock book (I can’t remember which one), but I only skimmed past it, so the title and the robot were the only things that stuck with me. I wasn’t even necessarily interested until I got three or four pages in and saw, yes, that was indeed Leonardo da Vinci. From there, I realized he must be the one who built the robot, settled in for a good read, and that is indeed what I got.

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Review: Coyotes #1
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Coyotes #1

By Jonathan Edwards

Though far from perfect, I got a fair amount of personal enjoyment out of Sean Lewis’s first book, Saints. His second, The Few, failed to hook me, and I stopped reading after the second issue. Now, he returns to contemporary fantasy with Coyotes, and its first issue falls somewhere in-between those of his previous two books. That is to say, it gets going a lot faster than The Few, but its premise still requires more elaborate exposition to set up than the likes of Saints. That being said, I could easily see Coyotes having the greatest overall appeal of Lewis’s books so far.    

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Review: Justice League of America #18
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Justice League of America #18

By Jonathan Edwards

Ugh. I realize that it was naïve for me to think that maybe, just maybe, since the last issue ended up being somewhat decent, this one would follow suit. Nope. Admittedly, the premise here isn’t an inherently awful one, but it’s one that requires some nuance and careful execution to work. And, therein lies the problem. Neither of those traits are among those that Orlando’s run on JLA exhibits, let alone excels at. What’s more, you can actually see the internal logic try to be established, start falling apart and eventually completely break down throughout the first few pages. So, by the time the “conflict” really starts, you’re already ahead of it and bored waiting for the story to catch up.

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Review: Coyotes #1
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Coyotes #1

By Jonathan Edwards

Though far from perfect, I got a fair amount of personal enjoyment out of Sean Lewis’s first book, Saints. His second, The Few, failed to hook me, and I stopped reading after the second issue. Now, he returns to contemporary fantasy with Coyotes, and its first issue falls somewhere in-between those of his previous two books. That is to say, it gets going a lot faster than The Few, but its premise still requires more elaborate exposition to set up than the likes of Saints. That being said, I could easily see Coyotes having the greatest overall appeal of Lewis’s books so far.    

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Review: The Jetsons #1
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: The Jetsons #1

By Jonathan Edwards 

I haven’t really been paying much mind to DC’s books like this. I read the first issue of Future Quest (it was fine), but that’s about it. Honestly, none of them have piqued my interest enough to override the sheer surreality of their existence. When I was a kid, Cartoon Network would routinely air reruns of many old Hanna-Barbara cartoons, so it’s just been kind of weird seeing them pop up, some more recognizable than others, in comic book form. However, The Flintstones was apparently well-received for most of its run. And since The Flintstones and The Jetsons have always been closely related, I figured that, despite my reservations, this book might have something to offer after all. And y’know, maybe it still does. But if so, you wouldn’t be able to tell that from this first issue.

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Review: Mr. Higgins Comes Home
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Mr. Higgins Comes Home

By Jonathan Edwards

Mr. Higgins Comes Home surprised me in a couple of ways. First and foremost, by just how short it is for an OGN. The story itself is only forty-nine pages long, just barely over double the length of a normal-sized issue. What’s more, I’ve seen a handful of single issues come out that match or even exceed that page length. I mean, Sacred Creatures #1 boasted a whopping sixty-six pages, so it’s honestly more surprising that Mignola and Johnson-Cadwell gave this one the full hardcover treatment rather than a mere one-shot. The second big surprise is the plot. See, the book’s vampiric premise may be a tried and true one, but it’s the execution that really sets this one apart. Mignola is well-enough aware of the expectations for where this type of story is going to go that he is able to lean into it somewhat during the setup before several curveballs in a row once it really gets going. And, he does it with such economic storytelling that there’s not a single wasted nor excessive moment, something that really goes to show the breadth of his skill as a writer and creator.

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Review: Justice League of America #17
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Justice League of America #17

By Jonathan Edwards

“Panic in the Microverse” is finally over and thank god. I addition to the regular problems with this book, this particular arc has really dragged. And, it’s no mystery why. Injecting two full issue-length flashbacks right in the middle of your story, and before the cliffhanger you previously ended on, does no favors for pacing. That’s especially true when neither of said flashbacks provide any useful or necessary information and plot progression. But, that’s the past. How is Justice League of America #17 here in the present? Well, to be honest, it’s not bad. There are still a few hiccups along the way, but the core premise of how to stop the Microverse from being destroyed is sound, and we actually get a good chunk of time dedicated to developing Ryan’s character. Not counting any of the JLA Rebirth one-shots, this might be the best issue of this series to date.

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Review: Justice League of America #17
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Justice League of America #17

By Jonathan Edwards

“Panic in the Microverse” is finally over and thank god. I addition to the regular problems with this book, this particular arc has dragged. And, it’s no mystery why. Injecting two full issue-length flashbacks right in the middle of your story, and before the cliffhanger you previously ended on, does no favors for pacing. That’s especially true when neither of said flashbacks provide any useful or necessary information and plot progression. But, that’s the past. How is Justice League of America #17 here in the present? Well, to be honest, it’s not bad. There are still a few hiccups along the way, but the core premise of how to stop the Microverse from being destroyed is sound, and we actually get a good chunk of time dedicated to developing Ryan’s character. Not counting any of the JLA Rebirth one-shots, this might be the best issue of this series to date.

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Review: Rugrats #1
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Rugrats #1

By Jonathan Edwards

This book. This fucking book. I completely missed the announcement for it, so I was surprised to see it pop up as one of this week’s releases. I also just didn’t really know how or why anyone could do a Rugrats comic in 2017. Yeah, it was a popular show (I watched it myself back in the day), but I can’t say I’ve heard anyone clamoring for a revival, let alone as a comic book. I don’t know, I could be wrong. Either way, curiosity still got the better of me, so I decided to give it a look. And boy, was it a painful experience. Rugrats #1 does not invite us back to the wholesome children’s cartoon world of yesteryear. Oh no. Instead, it evokes those rose-tinted memories and nostalgia only to stomp all over them with the unceremonious cynicism of shitty and superficial social commentary.

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Review: Mighty Mouse #5
Comic Reviews Jonathan Edwards Comic Reviews Jonathan Edwards

Review: Mighty Mouse #5

By Jonathan Edwards 

Well what do you know, this is the last issue of this crappy little series. I was honestly expecting it to go to at least to a sixth installment, but thank God that’s not happening. Mighty Mouse has been a consistently subpar book, and it’s only gotten worse over the last few issues, including this one. No joke, it takes all of one panel for it to dive headfirst into shoddy plot convenience masquerading as metahumor. “You can only shoot a cartoon cannon twice if it’s funny!” Joey declares. Now, the sentiment there is clear, but if you actually stop to think about it for, I don’t know, a second, it becomes clear how much of an oversimplification of old school cartoon slapstick humor that is. Furthermore, the story’s internal logic isn’t even consistent enough to take that at face value if you wanted to. Later on, Joey creates a black hole by drawing it (more on that later, trust me) and says it will “suck up everything from the cartoon universe that doesn’t belong in our world.” Someone offpanel notes that’s not how black holes work and Joey simply replies, “mine does.” So, Joey, if you can ascribe characteristics to the shit you draw, then why can’t YOUR cartoon cannon shoot more than once without any prerequisites?

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