Review: Son of Hitler
Son of Hitler is an original graphic novel. The copy I read is an advanced uncorrected proof. Therefore, I can’t say much for pages 116-183 as far as artwork goes as it is unfinished compared to the rest. I can tell what is happening, it just doesn't have the same nice finish as the rest of the book. From the rest of the story though, I’d bet that once published, it will look pretty damn good.
Review: Heavy Vinyl
Heavy Vinyl takes girl power, sets it in the 90's and makes a record store into a kind of vigilante headquarters. While it is not incredible at presenting a complete story by the end of the collected four issues, it excels at being cute and having a diverse cast. The diversity in the almost all girl cast pretty much just means a handful of girls with their own personalities and individual lifestyles. It is fun, but it won’t work your brain or make you believe the story can stand on its own at this point.
Review: Justice League of America #29
By Jonathan Edwards
As singer and songwriter Adele once wrote and sang, “this is the end.” In this case, it’s the end of a long, at times bleak, trek of a comic titled Justice League of America. I remember being really excited when first hearing about the book, its interesting cast of characters, and all of the possibilities that came with them. And, the first four Rebirth one-shots, focusing on The Atom, Vixen, The Ray, and Killer Frost, respectively, were all promising prequel tie-ins that each built up more and more hype for the main book. Then, Justice League of America: Rebirth #1 came out, and it was different. Everything suddenly felt less thought-out and put together and more superficial and contrived. However, this wasn’t an isolated incident. Justice League of America issues #1 through #4 followed the trend with a weak and irritating first story arc, and things only went further downhill as the series continued. Slightly over a year later and here we are with Justice League of America #29. And, long story short, the conclusion to “Dawn of Time” sucks, but the series finale afterward is marginally better.
Review: The Flash #45
By Hunter T. Patrick
Perfect Storm is over. The last several issues which all seemed to tie up several elements of Williamson’s story has ended. We all know it is leading up to the epic Flash War. This issue is all about lead up, nothing epic about it. Flash War still has yet to start, and Perfect Storm ended so now we are dealing with the aftermath as we catch up with a few characters. One character, in particular, is mainly there just to lead into yet another title (for more information, instead of getting the review promised here, go see Teen Titans Special #1 in June). This is comics, and there are several lead-ins to various other lead-ins. That’s fine, but this is all this issue is. If it was a chessboard, it is just moving pawns up a spot or two. Luckily the later the issue goes we see a tiny bit more stuff happen, inevitable stuff, but still really glad for it too.
Review: Redneck #12
By Hunter T. Patrick
Yet another damn good time with the family. After the climatic end of the first arc, we now get to see the creative team try to one-up themselves. The last several issues felt like things moved very slowly as the main focal point were flashbacks for those issues. Issue 12 gains all the momentum that the last few issues lacked (great stuff learned in those flashbacks so no loss there). Redneck’s second story arc seemed very concerned about going bigger than the last, and this issue caps that off. After so much build up and things got so big it is to wonder if the next story arc will also keep trying to get bigger.
Review: Kill or Be Killed #18
By Ben Snyder
Kill or Be Killed #18 is unfortunately somewhat of a letdown. Most of Kill or Be Killed’s success has been based off of Ed Brubaker’s characterization of Dylan, Brubaker’s toying with the supernatural/mental illness, and/or Sean Phillips’s predictably stellar art. But issue #18 is missing on most of these qualities. It’s still a solid entry in the series, especially as it is rapidly approaching its endgame. However, Kill or Be Killed #18 mostly feels like a catch-up issue, whose only purpose is to sort out details rather than make them feel purposeful.
Review: Rugrats #7
By Hunter T. Patrick
As a big Rugrats fan when I was a child I was really looking forward to this. I have not read the other issues yet, so I am reviewing this as the first issue I read, which it required no background knowledge I noticed of the other issues so that was good. With that in mind, the question is if I enjoyed the comic and if it did give me the nostalgia I was looking forward to. The answer is disappointingly no. The story did not feel like a whole story, it felt way too short. There were several panels without dialogue, which I am a fan of, but they just contributed to making the issue feel like a waste. The story would have worked much better if it was half the comic and they had another mini story for the other half, but sadly that story was it. There could be an argument that it is supposed to be like that as it is a comic about babies, but the show did take things up a notch. The ending was predictable, but there was one little twist to it that was fun to see and where the writer went with it.
Review: Batgirl #22
By Cat Wyatt
Batgirl issue 22 is the start of a whole new plot, this one titled ‘Strange Loop.’ Between that and the cover, I’m pretty curious about what is going on. The cover shows Batgirl trapped in a maze, but with a twist! The maze appears to be inside her own mind. Or at least that’s what the cover is implying. We’ll have to read on to see how accurate that is.
Review: Days of Hate #4
By Ben Snyder
Days of Hate #4 continues the series’ hot streak. Writer Aleš Kot and artists Danijel Žeželj and Jordie Bellaire continue to pump out one of the more harrowing and thought-provoking stories this year. Kot has made it stupidly obvious how politically driven this entire tale is as it preys on the fear many United States citizens had after the most recent presidential election. However, this series has succeeded more so due to Kot’s characterization of its core protagonists/antagonists and Žeželj’s art style that makes everything seems not quite right.
Review: Batman Beyond #19
By Cat Wyatt
The last few issues of Batman Beyond have been pretty anxiety-inducing. Batman and Ten are in Payback’s clutches, Bruce can’t do anything to help (even if he wanted to – his back is too injured to allow him even to stand, let alone fight), and Matt is on the way as a backup. Needless to say, the situation is not good.
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