Review: Shin Godzilla
By Dustin Cabeal
Take a journey with me. Back in 1998, the American film industry launched its first attempt at Godzilla. The producers of such blockbusters as Independence Day were behind the production and a soundtrack that remains as one of the best, was produced to support the film. The film was going to be huge, and I’m sure they meant every pun they said when promoting it. The film released, and it was terrible. Godzilla looked like a dickhead, he couldn’t catch a cab, and everyone overlooked the fact that the French were A) running secret operation in New York City and that B) the French were the ones to be following Godzilla’s birth? It was just a piss poor way to explain Jean Reno’s thick French accent and “military” training.
Super S with Cherry Blossom Girl, Hikikomori & The Heir to the Dojo – E.13
By Dustin Cabeal
We're on to our #4's of our Top Five list. In case you forgot, we're doing a top five list one episode at a time. That doesn't stop us from talking about a lot of new anime as the fall season has started. Find out what we're talking about by reading below!
Monster & Wine: Episode 99 - Chris Cornell Is Not A Cowboy
By Jason Beckham
At least, I don't think he is. Anyway, this episode has a lot to do with television. In case you haven't heard, there's a lot of good shows out there right now. Designated Survivor, Gotham, Supergirl, American Horror Story, Westworld and Empire are discussed and believe you me, not all of the talk is positive. Monster gives a review for the DC film, "Suicide Squad," and the duo discuss the Resident Evil film franchise, as well as Rogue One: A Star Wars Story.
Review: Luke Cage E.04 – “Step in the Arena”
By Patrick Larose
Luke Cage’s history of a comic book character was born from the popularization of the Blaxploitation film genre during the 1970s. A bunch of white dudes caught on by how popular these action movies made by black people and starring black people were getting that they saw a new market to, well, exploit.
Review: Black Lotus Empire #1
By Dustin Cabeal
We as comic book readers have a general understand and acceptance that not every first issue is going to be a polished diamond. Some are going to be rough around the edges and actually that’s not a bad thing. I have read too many great first issues only to be disappointed by everything that followed. I’ll take a rough diamond any day. That said, Black Lotus Empire isn’t perfect, but it’s very enjoyable.
Review: Fune wo Amu E.01
By Shanel Kamara
Okay, so the artwork is not what drew me in at first, what did it for me was the novel and compelling storyline. There have been several types of anime under various genres, such as slice of life, comedy, shonen, etc. that have mainly dealt with professions including the police, detective agencies, espionage, manga and anime production, but never till now has there been one about publishing or more specifically about the editing and publishing of dictionaries. To be honest, the first thing that comes to mind when I think of editing is the editing of news, magazines, books, films, and shows. I have never once considered the intricate procedure involved in editing dictionaries.
Review: Drifters E.01
By Robert Ramos
It’s October and you know what that means: fall season of anime is upon us. With that comes something that I’ve read a couple chapters of and wanted to check out after hearing it was being animated. I’m talking about none other than Drifters. It’s from the creator of Hellsing so how bad could it possibly be? Well...
Review: Yuri!! On Ice E.02
By Shanel Kamara
I definitely intend on seeing this show through to the end. The prospect of watching characters develop, grow, and transform completely is not only exciting but also inspiring. The third episode airs next week and I already feel, as though the primary message that this anime is conveying is that change is only possible for those who strive for it.
Review: Luke Cage E.03 - "Who's Gonna Take the Weight"
By Patrick Larose
If the first two episodes of Luke Cage were like watching superhero Shakespeare, then "Who’s Gonna Take the Weight” is all about becoming an emotional catharsis to answer our pent-up frustration with tragedy. When people talk about Shakespeare or when they call something Shakespearean, they’re usually talking about dudes in puffy shirts, star-crossed characters, and big speeches. You won't catch me doing that, though. I'd offer up , rather, that at the core of every Shakespeare play are characters who are driven by complex needs and forced to navigate their complex social and political hierarchies. They’re a realm of emotional politicking and that description is what the first two episodes of Luke Cage felt like.
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By Dustin Cabeal
Growing up as a fan of the character Cyclops I would always get excited when he would have a solo series or something outside of the core X-Men titles. Cyclops outside of an ensemble cast, means more Cyclops right? Rarely does that prove to be true, real ones already know. This newest solo series introduces some interesting back story, some interesting retro lore only to rely on old characters presented with muddled art. At the end of this comic, it’s less a Cyclops story and more of a reinventing of an old villain.