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Beasts of Burden Gets Paperback Edition

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Fresh off a double Eisner-Award win at San Diego Comic-Con 2017, Dark Horse is thrilled (and chilled) to offer the first volume of the award-winning series that effortlessly combines fantasy and humor to bring us the adventures of paranormal pets investigating the horrors of their suburban community in a trade paperback.

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UDON Entertainment’s Original Graphic Novel “Casa Nostra” Hits Stores

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Pop Culture power house publisher UDON Entertainment has a rare treat for comic fans this holiday season as they release their new full color hardcover graphic novel, Casa Nostra. What happens when a safe house and those that care for Chicago criminals are compromised? There's only one solution -- revenge. Writer Chris Sarracini (Street Fighter, Transformers) and artist Nick Kilislian (X-men, G.I. Joe) have ensured that the action and stunning visuals UDON is known for are brought to the table so old and new fans of the publisher will not be disappointed.

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Oni Press Triples The Summer Reading Fun With Three New 2018 Volume Collections

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Why double up when you can triple up on your summer reading? Portland’s premier independent publisher, Oni Press, is proud to announce three new volume collections: Letter 44 Hardcover Book 1, Junior Braves of the Apocalypse Volume 2: Out of the Woods, and BroBots Vol. 3: BroBots and the Shoujo Shenanigans!, to add to your library:

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Valiant Announces Official Partnership with Key Collector Comics App

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Valiant Entertainment is proud to announce that it has joined forces with Key Collector Comics – currently available for iOS and Android – for their first official publisher partnership! The free-to-download mobile app aims to make collecting the most seminal single issues from across the renowned publisher’s 25-year history easier than ever before with a complete list of Valiant's biggest and most sought-after milestones!

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The Occultist Gets An Omnibus

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Rob Bailey is acquiring another magical book with The Occultist Omnibus! In 2010, writer Tim Seeley (Hack/Slash) brought his rare mix of humor, horror, and heroes to Dark Horse’s own Mike Richardson’s magical creation in a popular one-shot, which soon transformed into a popular ten issue, two volume series! Artists Victor Drujiniu (The Waking), Mike Norton (Battle Pug), and Jason Gorder (Darkchylde) brought Rob Bailey’s adventure to life while colorists Andrew Dalhouse (Irredeemable) and Allen Passalaqua (Trinity) provide their supernaturally gorgeous coloring skills to the series. The Occultist Omnibuscover is by artist Steve Morris (Buffy the Vampire Slayer).

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Review: Jughead: The Hunger #2

By Dustin Cabeal

There’s so much potential in this story. As a comic fan, I wish that most companies were willing to do alternative world comics like this. Archie, plus werewolves is a great idea. What isn’t so great about this, is that it’s like reading a fan script for Supernatural starring Riverdale’s cast.

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Review: Judas #1

By Dustin Cabeal

I’m sure there will be a lot of dumb controversy around this book, but it won’t come from me. I only care about the comic itself and what the story and art are doing to tell that story. That said, I found this first issue of Judas to be gorgeous looking, but also an absolute bore.

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Review: Giants #1

By Dustin Cabeal

The most prominent selling point for Giants is the artwork. It’s not the story is a slouch, but that artwork… damn. It’s been a while since someone made a splash on the comic scene and that’s precisely what the Valderrama Bros. are doing with Giants.

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Review: Justice League of America #20

By Jonathan Edwards

Based on the first half of this issue, I was going to rate it a two out of five. Heck, I was even going to say that this wasn’t the worst way for “Precision Strike” to end. And then, I got to the second half. Suddenly, Justice League of America #20 changed from the flawed ending of a weak story arc to a nigh incoherent attempt to justify and explain away its bullshit premise. “All Prometheus needed to divide us was a video camera and a list of questions.” Yes, Ryan, but only because everyone he “interviewed” was written without the ability to detect his entirely obvious attempts to manipulate them. And, maybe it could’ve worked, at least a little bit if any of the previous issues put character development first instead of dedicating so much fucking time on superficial plots with one-note villains.

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