Review: Chew #40

Reading comics are for enjoyment for most of us that's why they are out there. This one has my attention again. I read it twice, that’s right twice, to get the full experience and so I didn’t miss anything. I enjoyed every minute of it. After eating a psychedelic plant cooked in a psychedelic sauce, you don’t want to know what it’s made from; Tony meets up with Toni on planet Atlilis-738. After explaining that she would observe this planet from her post in the Amazon, one of the other posts assigned to observe as well, saw something strange. There was a fiery red script across the atmosphere that then disappeared. There was another sighting later on, but BOOM the planet was gone.

Before we could find out more John interrupts wondering why Tony was not answering his phone. John takes one look at Tony and asks if he’s stoned, Tony say he is super fucking stoned but that Toni says' he's okay to help him. As they bolt out the door John takes a bite of the concoction and they are on their way. They are off to a bust. The bust involves Branston Armitage IV who made a pickle so sour that it’s deadly and now they have to shut him down. All he was doing was trying to improve his great-grandfather's recipe. Tony and John reach their destination and after their case file attacks them they go in for the capture. They fight through the lunar security squad, the sheep brigade and the pillow platoon. They find out they are in the wrong place, but something is still going on here as a chicken feather is found.

chew40-coverThis story is just great and weird and fun at the same time. It progresses well from the last issue and gets you right into the heart of the action. The creativity behind the whole story and the characters is just amazing and really what’s not to love? Death by a pickle that is so sour and delicious what a great idea.

What really brings the story alive is the art. Aside from seeing Guillory draw an alien planet, he shows everything Tony is going thru while trippin’ and the colors are vibrant and alive. It also adds to the humor that goes with the story. I wish I could describe it but I can’t do it justice.

Pick up this book; sure it’s at the end of the story arc but you’ll get on the train and ready for the next one. If anything you can at least enjoy the humor, art and fun of this issue. Its pure entertainment and isn’t that why we read comics anyway.

Score: 4/5

Writer/Letter: John Layman Artist/Colorist: Rob Guillory Publisher: Image Comics Price: $3.50 Release Date: 2/26/14

Review: Captain Midnight #8

I have really been into Dark Horse Comics' commitment to superheroes that they have done with Project Black Sky. It has been quite good. And as they add more titles to it, this world continues to expand, making it all the better.  Of course, their first submission to this commitment is still the best. In Captain Midnight, a classic hero from the 1940s has been literally brought back from the past to deal with threats of the present. The first seven issues and Free Comic Book Day offerings of this title  have been filled with masterful storytelling, excellent art that adds a boldness to the characters, and a continuum that gains momentum with each passing issue. Issue eight continues in this vein and adds additional meaning to the title as the reunion with Jim Albright's past love finally occurs. What starts as general chit-chat however, quickly becomes the story of what happened to Chuck, Captain Midnight's sidekick and best friend. Details are provided with an answer given that the Captain just cannot accept. It affects his psyche and gives us the readers some insight on how Albright views his friends, adding another piece to the puzzle related to why things are the way they are. After this issue, Captain Midnight is ready to throw caution to the wind and take the battle to Fury Shark herself. Consequences be damned.

Captain Midnight #8 CoverJoshua Williamson has been writing some top-notch scripts with this title that resemble the flow of an old serial action story. That would've been entertaining enough, but an additional step is taken that really fleshes out the characters and their motivations nicely. Williamson is a top writer and it is fully displayed within these pages.

Frenando Dagnino has taken the artwork of Captain Midnight and he has managed to display an old war movie feeling of stoicism while adding present day super looks to the characters making for a sensational read. With this particular issue, Dagnino's renderings really brought out the story, and I believe it is helping to prepare us for the next installments that Project Black Sky has to offer in the coming months.

If you are not following Captain Midnight or Project Black Sky, now is a perfect time to climb on board. Things are preparing to get active and you won't want to miss any of the action or excitement that promises to be delivered in coming issues.

Score: 4/5

Writer: Joshua Williamson Artist: Fernando Dagnino Publisher: Dark Horse Comics Price: $3.99 Release Date: 2/26/14

Group Review: Deadly Class #2

Each of the participating writers/reviews of Comic Bastards will give the issue a score of: Buy, Borrow or Pass along with a short reason for the score. Here’s a blurb about the issue from Image Comics before we begin: It's Marcus's first day at the Kings Dominion High School for the Deadly Arts. A locker full of death threats, a schedule full of brutality, and whispers in the hallway about his mysterious past...which is fast catching up to cut out his freshly broken heart.

Nick: BUY

This is the most dialogue-heavy Rick Remender script I’ve seen in a long time, and it is all the better for it. After last month’s whizzbang action sequences and fragmented time jumps strung together with narrative captions, I loved watching these characters finally start to interact in a meaningful way.

The introduction of classes in fragments feels like some weird combination of a Wes Anderson montage and the first few chapters of Harry Potter, with a soundtrack by Richard Hell and the Voidoids, with a dash of a John Hughes movie. You’ve got your poisoning class taught in a dungeon, then martial arts, and after that the dweeby kid will get beat up in the shower. It’s exactly like high school. Remender’s making this a really enjoyable statement on how fucking miserable high school is for everyone.

Wes Craig is killing it (yuk yuk) as well with this series. I love the sort of Donnie Darko sensibility to the student uniforms. The gangs have all taken the basic outfits and turned them into their outfits, which is impressive in terms of design. Lee Loughridge’s colors can’t help but make me think of David Aja’s work in Hawkeye which is literally the highest praise I can dish out right now. I can’t wait to see next month’s issue.

Samantha: PASS

I had such high hopes for this comic. I am genuinely disappointed in the ways things turned out. That is how comics work though. Deadly Class just got weird. Plain weird. But before it got weird, it got real typical.

Marcus joins this school where he will soon train to be a deadly assassin. The school is typical; it has clicks and guess what, Marcus doesn’t fit in anywhere. Everyone is gossiping about this boy which leads to a rejection from all the other groups. He doesn’t care though, because he is too cool for that. Sounds like “Mean Girls 3” to me. Anyway, I feel like I have read this story a thousand times. It just always a different place, but same story. .

Then the ending of this comic is so sick it didn’t matter what I thought about it before, my mind was made up. Maybe some people can get past that sort of thing, but now every time I see this comic I think of bestiality first thing.

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Steve: PASS

Deadly Class is the latest in a series of several books that I’ve pulled complete 180s on recently. I thoroughly enjoyed the first issue as an entertaining way to wash the bitter taste out of my mouth from last year’s pitiful Five Weapons, which shares a similar premise, but now I’m not so sure this is much better.

Cracks in this story are already beginning to show; for example, this school is populated by the kids of wealthy crime syndicate heads/gang leaders, right? And yet, its principal waxes philosophical about giving a voice to the downtrodden? That seems at best disingenuous and at worst, poorly-conceived. Meanwhile, we get annoyingly hollow introductions to the clichéd characters who populate the school, including a rundown of its different gangs, which is all WAY too similar to Five Weapons. Oh yeah, and there’s a scene where an Arab teaches “beheading.” Fucking seriously!?

There are exactly two interesting things about this issue, which haven’t been - if you’ll pardon the pun - “done to death” elsewhere: the identity of Marcus’ target and the story in the last five pages, which introduces a very fucked-up and pretty terrifying person who is on the hunt for Marcus. Otherwise, I found this issue to be trite, boring and relying far too heavily on dangerous cultural stereotypes.

Finally, and as opposed to last issue, which showed a great bit of dynamic experimentation in terms of art and page layouts, the look of this book was so banal it hurt. Altogether, this was not a good showing. I’ll check out one more issue, but if it doesn’t shape up fast, I’m dropping this thing faster than third-period beheadings.

Dustin: BORROW

This would be a “pass” for several reasons, but ultimately I think that if you enjoyed the first issue you should read this second issue so that you can see for yourself why it’s not nearly as good. There are several standout things that annoyed me in this issue and I’m going to list them all. Usually we try to keep these group reviews shorter so that you’re not bored, but fuck it… this is likely to be the last group review for this series so let’s do it.

The comic opens to a kid masturbating to a dog show… and this becomes a theme in the issue. While I no longer blame Marcus for blowing up his boys home I really wasn’t on board with what drove him there. If this was one of the life stories plucked from Remender’s personal life then I feel for him… but I don’t know if this was the right place to get that off his chest.

The school instantly dissolves into Five Weapons and it pretty much proves that you can’t do a school for assassins without it being really fucking stupid. Marcus is branded as some killer bad-ass and everyone is either afraid of him or wants to prove he’s full of it. We’re still not given the details of what exactly happened at the boys home with the exception of…

…The masturbating to animals kid is back scarred up and raping a cow. Yeah. I couldn’t pretend to care, but once again it managed to disgust me. I get that maybe I was just supposed to be uncomfortable, but that was blown out of the water when you went back to the bestiality well.

The other really annoying thing was that Marcus breaks down the school like any high school and if you read the back of issue one it’s exactly the way that Remender broke down his life. It’s not word for word, but it wasn’t very moving or powerful and felt overly dramatic for something we all knew would be kids smoking outside. The audience that you’re selling this to relates… stop trying so hard.

Probably the biggest whatever is the reveal of who Marcus’ target is. He wants to kill one person who he blames for the way his life turned out and you can probably call it if you paid attention to the first issue. I found it to be hokey.

I knew there could be trouble when they brought Marcus to an underground school for assassins that was actually underground. Why it couldn’t have been a small group of kid assassins is beyond me since it would have been far more interesting, but instead we got a weak ass Breakfast Club for assassins and even a mention of John Hughes to boot.

The last thing I found to be out-of-place in this story was the fact that on their “kill a bum” homework assignment they’re supposed to take pictures. Let me remind you that this is taking place in the 80s and they’re not supplied cameras at least from what we can see. Sure cameras were readily available in the 80s but I doubt a gang bangers son and a homeless kid from Nicaragua have one.

The sad part is I still mostly liked the dialogue and I really liked the art. Wes Craig and Lee Loughridge are fantastic together, but I doubt I’ll be checking them out any further with this series.

Score: 2 Passes, 1 Borrow and a Buy

Writer: Rick Remender Artist: Wes Craig Colorist: Lee Loughridge Publisher: Image Comics Price: $3.50 Release Date: 2/26/14

Dual Review: Black Science #4

In this dual review two writers (in this case James and Steve) will take a look at the issue and give a score of: Buy, Borrow or Pass. Before we begin here’s what the issue is about from Image Comics: Grant McKay and his team of Dimensionauts are given a short reprieve when the Pillar drops them not into a hellish warzone or an alien swampland but a…hotel? Just don’t trust the room service; there’s more to this place than meets the eye.

James: BUY

Okay, so I gave Issue #3 a "Borrow" after two months of "Buys". I enjoyed the first two issues, but things seemed to begin to stall downward on issue #3. It was ok, but not awesome. I am now beginning to realize that #3 was starting something that was brought to the surface by #4. That something was character development.

Rick Remender has kicked it up a notch and he has added some chill time to go with the breakneck action that has been associated with the first three issues, we actually can collect our thoughts and begin to get a real feel for the characters now. They aren't just fodder for the slaughter as has been demonstrated throughout, but they are actually living breathing people who have some backstory that eventually, it would seem, are to become front stories in the future. I think that I enjoyed this issue as good as any that I have read in the series so far. There is starting to become a method behind the action, action, action, flow that has associated itself boldly throughout.

Don't get me wrong. The action is still there. This Issue starts as the dimension leaping Pillar is about to open as head honcho Grant of the Anarchists League of Scientists is about to bleed out while a battle rages. An attempt to bring a shaman from a group of technologically advanced Indians is being made by the crew as a bombardment of many explosives is occurring all around by a group of German World War I styled soldiers who are fighting the techie Indians. Yeah, it's bizarre, but this one actually worked in a way that had the smash-up action, but it also had some down time to allow you a catch of the breath. This catch allows you begin to study the characters a little more closely, understanding who they are and why they feel and act the way they do.

Matteo Scalera's artwork is super and I think I actually am beginning to see the script of Remender catching up to the art. We are beginning to have a story develop that has pulled me back in, where I was beginning to be drawn away. I am back in camp though after Issue #4. And I am hopeful that this is just the turn needed to put this storyline into the realms of excellence.

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Steve: BUY

Rick Remender is proving to be a master of at very least one thing: mind games. I’m a big fan of his work on the regular, but just like another of his books this week, which has jumped between eliciting praise and disappointment from me, his Image series Black Science has been hit or miss. I am happy to report, however, that issue four is a definite hit.

The first half of this book, which sees an inter-dimensionally-challenged group of family and friends trying to escape an imperialistic army of high-tech Native Americans, is all action, with security chief Ward taking both narrator and lead badass roles. And hot damn is it exciting!

I mean, part of the dialogue here sees Ward gruffly demanding that someone “Grab that laser hatchet” before facing down a platoon of Natives by himself ... so you can probably see why I immediately thought this was pretty excellent. At the same time, Remender does an equally excellent job playing more subtly with the dynamics he has set up in this team at almost every level, and is suitably jostling them to the point of palpable trauma.

The rest of the issue sees a pretty important (and beautifully earned) death, a defining and cowardly moment of treason and finally a break in all the running ... though for how long, we can’t be certain. Because of all this, and thanks to the as-ever gorgeous art of Matteo Scalera, which here benefits from the same ferocious, blood-mottled pacing of the writing, I am honestly looking forward to continuing this series again.

Score: Buy-Buy

Writer: Rick Remender Artist: Matteo Scalera Publisher: Image Comics Price: $3.50 Release Date: 2/26/14

Group Review: TMNT #31

Each of the participating writers/reviews of Comic Bastards will give the issue a score of: Buy, Borrow or Pass along with a short reason for the score. Here’s a blurb about the issue from IDW Publishing before we begin: While strategically secluded in Northampton, the Turtles are hit by new revelations involving enemies’ shifting loyalties, miracle cures, and ghosts from the past. And in the present, grave danger is about to strike! What new Foot Clan menace is hunting the Turtles?

James: BUY

I thought that this would be the one. The one where mere mediocrity would hit this amazing story run that has been going on with the Turtles. All those mediocre elements are there.  The guys are away from the city healing wounds and trying to patch up. Leo is still in some zone of half’s where he is having a hard time in working is way out and finding a whole. Casey and Donnie are fixing a bike and having a healthy debate in regard to science vs real life. April gets a makeover. These should be small mundane things that slow things way down, but I am finding a level of deepness that corresponds with where the guys are that make what could look mundane, actually be complex, spiritual, and strong in its presentation.

Eastman, Waltz and Campbell are putting some serious complexity into this comic making it still one of the best titles in the market today.  I get all excited to see a new issue coming out every single month. There just aren't a lot of titles that do that for me, but this one does, and it continues to deliver.

And, for those of you looking for some action in this story driven issue, well, you might just get your wish too. The writing and the art work perfectly together all around to depict the Turtles in some of their most vulnerable positions that I have ever seen. There are several images where the guys are not wearing their masks and what we see is what they are. They are kids, innocent kids, fighting in a war of adults and trying to make the most of it. It is deep and I think as the series progresses, we are going to see them not only come of age, but increase in all levels, mental, physical, and spiritual. The dudes are growing up and they may be the only hope for New York City once all is said and done.

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Steve: BUY

I was a bit lukewarm in my response to TMNT #30, citing it as a particularly loquacious drag to an otherwise well-paced run, and while issue 31 also does its fair share of aftermath-mending, more feels like it’s being accomplished this time. The only noticeable lull is in Casey and April’s Stockgen conversation. It feels in one sense like it’s running in place, but with its new “reveal,” is at the same time pretty transparent. Don’t be surprised if someone in the cast is soon [SPOILER] “mortally wounded.”

Leo’s relationship with Splinter and his brothers, and Raphael’s opinion of Alopex (and vice-versa) both get some good screen time and dissection here in the lead-up to the first tantalizing tasters of an ongoing donnybrook featuring some new Foot Clan bad-assery. The fight scenes alone in this book, thanks to Campbell’s title-defining art, are just amazing.

Speaking of the art, I fucking love April’s redesign, even though it makes her look a bit too on-the-nose like Leah Dunham from Girls. While I hate what that show quickly became (in season 2), I have a great deal of respect for her as a public figure, and I think using someone like Dunham as a template not only makes April feel more realistic and true to the core of the character, if even visually, but also a much healthier physical specimen for readers to admire.

The look of this thing in general continues to be phenomenal, mixing a sort of anime fluidity with simple yet timeless designs for the turtles. Finally, if that last page doesn’t get you eight different shades of pumped for what’s coming next, you should probably just turn in your nerd card now and be done with it.

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Neil: BUY

I have recently come around to the turtles and I have been reading their series consistently and I must say TMNT is a great ongoing series.  After reading issue 30, I didn’t know how Waltz could top himself with such a great issue. In issue 31 he doesn’t top the previous issue, but he does a great job of continuing the story.

The issue is more of a development issue.  Alopex and Raph are airing out their difference, I liked how Waltz explains how Apolex joined the Foot, and just like Leonardo he was tricked by The Shredder. This gives Raph a better picture into Alopex past and he feels bad for her.  One of my favorite scenes in this issue was seeing Raph, and Alopex set aside their difference and just mess around with each other just to give a sense of belonging to Alopex into the group it was a great moment in the issue.

Also, the ongoing struggles of Leonardo were expanded even further in the issue.  Having Splinter show up and talk to his son about his struggles and how in his eyes Leonard is not a failure, and that he is not going to give up on him was also a cool moment in this book, the father son relationship that Splinter has with his sons is something I find very touching.  Although I have been reading this series for a short time, there is something very different about these Turtles from the ones I remember watching in my youth. The amount of time you spent on the turtles relationships is something I find to be great and it gives a variety of layers to the Turtles and it shows that they are just as normal as any other human.   Another great issue with tons of development and the payoff at the end of the issue was well worth it in my opinion.

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Samantha: BUY

Ever since our boys, and April, have been in Northampton, the comic has taken such a scenic route. The art is just so soothing, and the words are just as graceful. TMNT has definitely taken a poetic turn. I can honestly say that I have enjoyed this turn for the time being. The Turtles always did have some good morals behind all that ooze. The soft-spoken issue just brings me in once again where I ride along with every word uttered out of Splinter’s mouth. But we do get a battle in this issue… not that it needed it. But it was cool seeing the guys back at work. They haven’t put on those masks in quite some time. Obviously, we about to jump onto a new twist in the story, but just as every other reader, I am wondering when this will happen. The guys need some serious down time, but mostly a rebuilding time in order to get Leo back.

My favorite part of this issue is the building of another relationship between Alopex and Raphael. I love these two. I have said before that Alopex held a special place for me and now seeing her buddy up to Raph makes it well worth it. I love these two, and I really hope her intentions can stay good, and that she doesn’t leave the group. We need more girls in this crew.

Dustin: BUY

The last issue is hard to top, but there was plenty to like and enjoy in this issue. Now let’s talk about what I didn’t like. I hated April’s haircut. Sure I’m glad to see that her character can change hair styles, but her hair has honestly changed with each new artist on the series. Her hair started off pretty short in the beginning and then around “City Fall” it was super long. I liked the way Campbell was drawing her hair previously, but at the same time I think they don’t want to fall into any pitfalls with her character’s design. That wouldn’t be a problem if the hair had been consistent up until this point, but it wasn’t.

The other thing I didn’t like was the Raph and Alopex outcome. I called it if you listened to our last podcast, but I still didn’t like it. Especially after the awesome scene they had in this issue.

Don’t get me wrong I still really liked this issue and there were several great scenes, but I’m worried that Donnie and Mikey are falling to the background in favor of everyone else. That’s a dangerous move and while you can’t force the audience to care about them more or less you can focus on giving them a story worth telling and being a part of. Right now they’re just “the other two Turtles.”

Campbell’s art is the shit. The dude has won me over as a fan and I really hope that he has plans to stay on the series for a while. I doubt it will happen since everyone tends to get shuffled on and off of this series to keep up with the schedule, but I hope that the fan response to Campbell will keep him coming back.

Score: Buy It Dudes!

Writer: Tom Waltz and Kevin Eastman Artist: Ross Campbell Publisher: IDW Publishing Price: $3.99 Release Date: 2/26/14

Dual Review: Rat Queens #5

In this dual review two writers (in this case Steve and James) will take a look at the issue and give a score of: Buy, Borrow or Pass. Before we begin here’s what the issue is about from Image Comics: Well, Palisade has seen better days. It stinks like orc blood. There are bits of troll all over the place. Worst of all, the famous booze ship, Drowned Sorrows, sank to the bottom of the harbor in the attack. This era of Palisade will forever be known as THE DRY SPELL.

Neil: BUY

This issue of Rat Queens was one of the better issues on the run.  It had it all: action, deaths and a big reveal were we learn who was behind the hits.  The fight scenes in this issue were great and the introduction of the four Daves was awesome.  Although I am noticing a trend with the Queens when it comes to their deaths.  SPOILER - It shocked me initially when I saw that Violet takes an arrow through the throat, thinking that she was done.  Only to be rescued by the combine healing magic of the Dee and Orc Dave. I hope that it doesn’t become a trend in the book where one of them gets brutally hurt or is mortally wounded and they will always solve it with their healing magic.

Aside from that the book does deliver with its dark humor, the girls just being girls and enjoying themselves after a huge battle.  The art in this issue as in all the other issue is fantastic, the level of details on each panel is just what you would expect from this book.  One of my favorite panels where you can appreciate the artwork is the one where one of the other elves are getting high with Hannah as she concocts here pure arcane energy  weed, the detail in that panel is impressive.  I am still all in with this series as the level of humor, story and art is still going strong in this book.

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Dustin: BUY

I’m going to have to disagree with Neil about this being one of the better issues on the run. While it’s a good and solid issue, I think it wasn’t as moving or powerful as the previous issues. It was a strong ending to the first arc and sets up some great things to come for the series. In that regard I really liked it.

Personally I felt like the action was over too quickly. The last issue made it seem like a massive battle was underway; and while I wasn’t looking for it to be drawn out DBZ style, I was looking forward to most of the issue being ass-kickery.

Even still it was a fun damn issue with plenty of the humor and action I’ve come to expect. Upchurch is seriously one of my favorite artists in all of comics right now and his work on this series is fantastic. I don’t know if it’s something about working with Wiebe, but his style seems to be growing and developing with each issue and that’s awesome.

If you haven’t read the previous four issues then you should do so, but if not then you can at least jump on next issue and join the party; it’s worth it.

Score: BUY IT, if not for us then Betty.

Writer: Kurtis J. Wiebe Artist: Roc Upchurch Publisher: Image/Shadowline Comics Price: $3.50 Release Date: 2/26/14

Review: The Lone Ranger #22

One of the comic genres I wish they'd make more stories is in the western era.  Growing up I loved watching the spaghetti westerns on TV with my grandparents; the stories were just great, and it took place in a time where the west was still expanding and it was also a place where anything goes.  I saw that this week The Lone Ranger was up and I decided to give this series a shot since I don’t get a lot of this genre. Issue 22 was a one shot title called "Rainmaker", where a small rural town in Oklahoma an old Indian woman was trying to sell the townsfolk on her abilities to make rain and save all of the farmers crop since the drought was very bad and they hadn’t received much rain during the season.  The old Indian Lady sells her story as that she had been very successful in the last couple of towns she had been in.  The townsfolk are convinced that this woman can save their crops that they give her money in hopes that the rain comes.

LRv2-22-cov-FrancavillaEight days pass and the people in town are upset because no rain has fallen since they gave the money to the old woman. The town led by one of its citizen finds the old woman and are about to lynch her; the sheriff is trying to convince the townsfolk that they shouldn't do this.  In the mist of the discussion out of the blue the Lone Ranger with Tonto arrive and they talk to the towns lynch leader and he tells them no to lynch her, but to wait for her day to be tried before they take justice into their own hands.  It’s a race against time to keep this old woman safe before the mob changes their mind.

Lone Ranger #22 was an okay issue for a one shot. The pacing of the book was fine, it read quickly, but it was the actual story that got to me a bit; primarily how the Lone Ranger was introduced to the situation, it felt forced and out of the blue. How and when did the Lone Ranger arrived to that town?  What was the Lone Ranger's business? It just doesn't lend itself to show why he was there in the first place.  As for the art, the art in the book was probably the weakest part of it all, it looked muddy, with not a lot of use of the colors to pop out the characters, and the art in the faces didn't look good either. I had a hard time determine who was who in the comic. Overall, for a one shot it covered the bases, it gave you a quick story that resolved itself in one issue, but the art was less than desirable.

Score: 3/5

Writer: Ande Parks Artist: Esteve Polls Colorist: Marc Rueda Publisher: Dynamite Comics Price: $3.99 Release: 2/26/14

Review: Super Dinosaur #22

This issue opens with the cliffhanger that ended 21: the Dino-Men breach the Floor Door and threaten to invade the Dynamo Dome.  A great deal is at stake since Derek and SD retrieved the isotope to save his mother. SD turns back the invasion, but only for the moment.  Whew, that’s a lot of alliteration. From that point on, the action doesn’t stop.

So many things work well with this comic.  First, Image understands that the book is marketed for a younger audience, so it drops the price a dollar.  Second, the villains in the book have some of the best lines of dialogue.  Third, the balance of power shifts.  There are times during this issue when the Dino-Men get the upper hand, and audiences are left to wonder of Derek and SD will make it out unscathed.

SuperDinosaur22-CoverThere are also some plot points to which I will not directly address because doing so would reveal too much.  I will, however, say that for the second issue in a row the cliffhanger has been expertly crafted to instill true curiosity.  I really want to read the next issue right now.

For a comic book written for a younger audience, Super Dinosaur has me, a middle-aged man, very excited and entertained.  Really, though, how could you not love a comic about a T-Rex wearing armor fighting other dinosaur mutants?

Score: 4/5

Writer: Robert Kirkman Artist: Jason Howard Publisher: Image Comics Price: $2.99 Release Date: 2/26/14

Superhero Joose... A Short Film About Joose

The proper name for this short is actually "Super Hero Juice" and it's basically about Gatorade giving normal dudes mutant powers that change with each gulp and run out when it hit your lower intestine. The acting is basic, but the visuals are pretty good. I think there's more "outtakes" than actual story so just tap out when you reach that part. https://www.youtube.com/watch?v=ScFUEi_96JY

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Here's A Bunny PVC Figure Of Rias Gremory from 'High School DxD'

High School DxD is a guilty pleasure to watch. It's a pervert Harlem comedy, but I really like the world of demons, angels and fallen angels that the story takes place in. Add in the two warring Dragons and suddenly you've got my interest for a reason other than boobies. That said I don't get the bunny suit craze that Japan has for their PVC figures. I would totally dig Rias figure in normal clothes, but I guess this $200 dollars (roughly) bunny fig will have to do... wait $200? Never mind. Just enjoy the pics. a1008c744d2bbaa22040c492457051d9-375x500

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Trailer Time: Tony Jaa's 'The Protector 2' With RZA!

If you don't know who Tony Jaa is then I guess you're not a fan of Martial Art films. This movie looks fucking incredible. RZA comes across a little stiff, but when the stunts start flying that's all that matters. I wish I had some news about its release date or if it'll make it to North America. Mostly like it'll make it here, but probably as a home release. https://www.youtube.com/watch?v=SbrFY8XKsr4

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Animation: Batman Versus The Terminator

Who wants to see an original animation that puts Batman in the future... the future time line of Terminator that is! The original concept for the animation comes from Tony Guerrero, but the animation/sound editing is from Mitchell Hammond; with original music from Noir Deco. It's pretty awesome, but if you don't believe me then read the description and watch the video yourself.

30 years have passed since Bruce Wayne survived Skynet's nuclear blasts in August of '97. Iron demons now roam the planet, and without the requirement to defend the innocent against crime and injustice, Wayne has seeked refuge in the bomb shelter that saved his life; the Batcave.

Having scavenged the wasteland for resources, he discovers the radio of a dead soldier. There is static over a frequency. Flesh and blood is rising up to the west. With The Stinger; a riot control vehicular unit built before the apocalypse along with a refitted bomb blast vest, Batman makes his way across what remains of the United States to join forces with the man determined to neutralize the electronic menace - John Conner.

https://www.youtube.com/watch?v=gDYyAAdtDfk

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Interview: Chopping Down 'LumberJanes' With Noelle Stevenson

Noelle Stevenson is a comic artist based in L.A. and working on her first comic, Nimona, which will be published by HarperCollins. She has done quite a bit of work with Boom including a new comic, LumberJanes, that she co-wrote! We got a chance to ask Noelle some questions about her upcoming projects. KIMBERLY GIBSON: To begin, can you tell us a little about yourself and what got you into comics?

NOELLE STEVENSON: I loved superheroes and I loved comics as a kid, but not necessarily the two together, and at some point I internalized the message that the comics world wasn't for me. I was into "boy stuff" but I still thought of it as "boy stuff" and I knew I wasn't a boy. Like a lot of other kids I was really into stuff like Cartoon Network's "Teen Titans" and the "Spider-Man" movies and "Smallville," and then you're like, "Ooh, there are comics, too, maybe I can..." and then you see them and you're like, "Haha nope not doing THAT." And it wasn't just superhero comics, I remember talking to someone who ended up being a really good friend of mine, and we were talking about comics and I mentioned I had been reading the Sandman comics because a friend had lent them to me, and he said something like, "Ugh, EVERYONE reads those." And I just shut down, I was like, okay, whatever, I thought they were cool but what do I know.

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Then I ended up in a comics class kind of by accident and I really, really liked it. And I started getting more into webcomics, where there were a bunch more female creators and protagonists, and different styles of art, and they were doing cool, different things. And I started actually learning about different comics, and comics history. And for the first time I thought that maybe I COULD be a part of this. Then I interned for BOOM! Studios and then started freelancing for them and I started my own webcomic and I started going to conventions, and I had female mentors and role models and peers, and it felt like exactly the place I belonged.

KG: I've been a big fan of your fandom illustrations for a while now, especially The Broship of the Ring. What was your inspiration for LumberJanes?

NS: LUMBERJANES was Grace [Ellis] and Shannon [Wheeler's] brainchild! Shannon brought me into it first to do the character designs, and then asked if I'd be interested in co-writing it, and I was like, "HECK YEAH." When writing it I draw a lot of inspiration from "Scooby-Doo" and "X-Files."

KG: How did you and Grace Ellis get together and bring this concept into being?

NS: Like I said, it was Grace's concept to begin with, but we have a lot of Skype story meetings, since Grace lives in Ohio. It's really great, just really chill and fun. We throw out a bunch of goofy ideas and go off on weird tangents all the time. It usually goes something like, "I just had an idea but it's waaaay too ridiculous" and then the other person is like, "Actually, I kind of like it" and then the first person is like, "I do, too" and then we end up writing that.

KG: I know you currently have Nimona online, do you have any other projects in store for us?

NS: NIMONA will be wrapping up soon, early this summer, most likely. After that I'll have another comic project with HarperCollins! It hasn't been officially announced yet but it's in the works. It will probably be a webcomic before it's published?? I'm not sure yet. There are a few other things forming, but those haven't been announced either so they're still under wraps.

KG: I will always be a loyal Tumblr follower to gingerhaze, is Tumblr the best way for fans to reach out to you?

NS: Probably? I'm not the easiest person to get in touch with, granted. Nowadays I use Twitter pretty frequently to rant and ramble and interact with anyone who's around, so I'd suggest trying there. That or at conventions, I am always down to meet and hang out at conventions!

KG: Do you have that one special comic that you will always have a soft spot for?

NS: Wow, yes, too many to list, really. Maybe Calvin and Hobbes or The Far Side, since those were my first comics. Or Delilah Dirk and the Turkish Lieutenant by Tony Cliff or Hark! A Vagrant by Kate Beaton, both of which are webcomics that influenced me a lot when I was just starting out. Anything by Emily Carroll. Craig Thompson's Blankets, Persepolis by Marjane Satrapi, and Anya's Ghost by Vera Brosgol. Adventure Time with Fionna and Cake, since that was the first thing I was published in. Anything with Mystique or a teen girl sidekick. I know for sure I'm forgetting something but I've already listed too many, probably. -- A big thank you to Noelle for taking time to answer some of our questions. Don't forget to check out LumberJanes this spring. You can follow Noelle on her tumblr or twitter for new updates: Tumblr & Twitter

Do Want: Any Ryuko Matoi Action Figure, But I'll Start With This One!

If there was one anime of last year that you should still be watching it was Kill la Kill. I honestly found last fall's anime line up to be disappointing, but Kill la Kill was anything but. This figure of the main character Ryuko Matoi it pretty cool. I think it could be cooler, but it's a good start considering the show has basically finished it's first story arc. Now here's the fucked up disappointing part... it won't be out until November and it's $190 bucks (roughly). Ouch. Enjoy it from afar I say.

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Kotobukiya Reveals Bishoujo Starfire Statue

It goes without saying that a Kotobukiya statue is going to be great, but damn this one is sexy. That's basically what the Bishoujo line is, sexy women, but this one pushes that envelope. There's no price or a date, but considering they've been revealing statues for the fall I wouldn't guess that it's coming any time soon.

Dude, 15 Minutes Will Save You From Ryu Beating The Shit Out Of Your Car!

https://www.youtube.com/watch?v=TC-5RT3TGzQ#t=14 This is for a Turkish insurance company. I have no fucking clue if it's on the up and up and I highly doubt it regardless of what the youtube comments say. Putting Capcom's copyright image at the end doesn't mean they're cool with you using their shit, but hey don't pick fights with idiots right? They'll bring you down to their level and beat you with experience. Anyway, the video is funny and that's all that matters right?

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