Review: Master Keaton vol. 10
By Dustin Cabeal
Master Keaton is a difficult series to review. Not because it’s bad and not because it’s complex, but because it would be a bit like reviewing every episode of a procedural show that’s solving a different case every episode. In many ways, that’s exactly what Master Keaton is doing, solving cases every episode.
Review: ēlDLIVE E.01
By Shanel Kamara
I had no idea that elDLIVE was by the same creator of Katekyo Hitman Reborn; Katekyo Hitman Reborn is a personal favorite of mine, and it’s definitely in my top three shonen series after Hunter x Hunter 2011 simply because of its great combination of humor and artwork. The show aired in 2006, and admittedly, this is the fourth of fifth time I have re-watched the entire series. Therefore, I just had to check elDLIVE out. Akira Amano was not only responsible for the production of Katekyo Hitman Reborn, but she also did the original character design of Psycho-Pass; I was unaware of this fact until recently.
Titan Reveals "The Lost Fleet: Corsair #1"
Set after the end of a century-old war between two space empires, the Alliance and the Syndics, Corsair centers on the story of Captain Michael Geary, missing in action after the Syndic ambush that almost destroyed the spacefleet John “Black Jack” Geary had to get home, against all odds!
Kill The Minotaur From Skybound/Image
Famed video game and film writers Chris Pasetto (Sanitarium, co-writer of feature film Air) and Christian Cantamessa (Red Dead Redemption, co-writer and director of Air) team up with comics artist Lukas Ketner (WITCH DOCTOR) for the all-new series KILL THE MINOTAUR, coming this June from Image Comics and Skybound Entertainment.
DC's Getting Dark In Dark Days
By Dustin Cabeal
Hmm, did DC just recover from going too dark with the New 52? I mean, unlike Marvel, they have great villains when used properly, so they never need to go that dark. That's what always made them stand out from Marvel. Marvel had to go dark with their title because all their villains sucked. We'll see if this pays off, but given who's in charge of it and who's illustrating it, it just seems like a typical event book that will find itself on a "why did they do this list" in five years.
IDW Publishing To Release Lynn Johnston’s ‘For Better or For Worse’ in Complete Library Editions
Welcome back, Elly, John, and the entire Patterson family as IDW Publishing and the Library of American Comics proudly announce For Better or For Worse: The Complete Library by Lynn Johnston. These definitive hardcover editions will collect the entire series in nine volumes, three books per decade of the strip.
Super S - Anime Podcast E.021
By Dustin Cabeal
E.021 - This week on the show we welcome back our lost third member of the team. What has he been watching? Find out. Aside from our usual reviews and recommendations, we continue with our genre picks, this time its Comedy!
Review: Death Be Damned #2
By Laramie Martinez
After reading the first issue I thought I knew what kind of story Death be Damned was going to be. And despite a warning from Andrew Miller over on Twitter, I went into issue two thinking that I was going to get more of the same. And while there was plenty of zombies and shootouts, there are some key revelations which take this series to another level of uncanny.
Review: Paper Crown
By Ben Boruff
Deep below the colorful lithosphere of indie comics lies a core of melancholy, aphoristic, and often minimalistic comics that explore the more nuanced elements of loneliness, solitude, and longing. Occasionally, these comics bubble to the surface of the indie comic zeitgeist, but more often they remain hidden, churning below the consciousness of casual fans. I call this subgenre of indie comics "epigrammatic gloom," and it is oddly refreshing. Comics of the "epigrammatic gloom" genre eschew the usual dressings of intricate plot, and they favor the power of artwork over the power of dialogue. Like the beginning of Up and the end of 2001: A Space Odyssey, an "epigrammatic gloom" comic allows visuals to lift the weight of the story's emotional elements, and this tactic is almost always effective. Without the burden of dialogue, panels are able to burn with color, and background artwork—often vast and simple to enhance the protagonist's isolation—is not obstructed by overbearing bubbles and squares. Claire Connelly’s clever comics contain copious amounts of this molten melancholy, and Paper Crown is among the best of Connelly’s impressive work.
Preview: Godshaper #1 and More Covers
By Dustin Cabeal
I couldn't care less about the covers, but I'm enjoying getting a look inside the comic. I wonder who is coloring it as it looks a lot like the color on Daniel Bayliss' art for BOOM! Even without the lettering I'm digging what the story is presenting and can't wait to check this one out.
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