DC's Rebirth #1 Spoiled on Reddit (Spoiler Free)

I'm sorry but this is too funny. DC sent out advanced issues of DC Universe #1, you know, the big ass issue written by Geoff "I'm Doing Movies Now" Johns, that reboots or rebirths the entire DC universe into some new amalgamation of Pre-52, New 52 and Post-52 Universes. It's funny because clearly they were very selective with who they fucking sent these too and yet someone said, "fuck it" and was so pissed off by the issue that they posted spoilers on the internet. Now I said no spoilers and I won't spoil it in the article because that should be your choice and any time you click on an article that gives you a spoiler cut off, let's be honest you end up reading on. So no, no spoilers here.

To be vague though I will say that it's both clever and overly complicated. Also... I think everyone is going to hate it. Yet sadly, I think I might just end up loving it. It's a very desperate, all or nothing, reboot. Sure they don't want to hear the words "reboot", but fucking hell... this is a reboot and an interesting one at that. Interesting enough that I'll probably go at midnight and buy the fucking thing. If you want to talk spoilers do so in the comments, but start with SPOILER since it's auto tweeted.

dc_universe_rebirth_1

Unboxing: Loot Crate - May 2016

It's another unboxing video! I know... I'm posting a ton of these. As long as they keep sending them I'll keep filming them. This month I have to say that it's the first time I've liked everything in the box, minus the pin. The pin was disappointing, but I still put it on my bag. No pictures this time since I didn't have a chance, but I think I captured everything pretty damn well this go round. Thanks for watching! And if you're finally interested in Loot Crate (go here: https://www.lootcrate.com/) and no we don't get a kickback or anything like that.

Read More

Monster & Wine: Episode 82 - The Adult Section

Wouldn't you know it, both M&W have experience working with porn. Albeit, at a magazine store and a video store respectively, but still. The duo recount that magical time in their lives before the internet had a choke-hold on the xxx industry. Monster brings his oh-so-thrilling dental saga to a close. It's that time of year where...

Read More

Review: Wynonna Earp #4

Wynonna Earp is not a great series. Let me get that out of the way. I’ve read every issue since it began and the level of writing and artwork are both pretty average. That being said I still have found it enjoyable. It has some corny elements and a campy humor with over the top violence. These are the things that have continued to entertain me in this latest issue. Wynonna and her team of agents from Black Badge Division of the U.S. Marshall’s are tackling a new supernatural threat. This time it’s zombies. Not the most creative monster of the week but I’ve come to expect it from this series. The action takes place in a Scottsdale, Arizona mall where virus infected humans have been barricaded along with their leader Dr. Phil...Winfrey. He actually looks like the real life southern self-help guru. Remember that corny humor I was talking about? As far as pop culture Dr. Phil is kind of a dated reference but it could’ve worked if his dialogue wasn’t so cliché. Another wasted opportunity to do something creative. WynonnaEarp_04-CVRWynonna and company cut through the zombies while she and her newest partner Valdez do a decent amount of bickering. It’s interesting to see a tough female character challenged by another tough female character. This makes their bickering a little bit more interesting as they plot to stop the zombie virus from spreading and gut the threats they come against.

The problem here is when the series tries to inject some moral lesson for the reader. Wynonna decides not to kill zombified kids because she believes that they deserve hope and a future. This sentiment is repeated during the last pages in a kind of syrupy sweet exchange. I have nothing against positivity but the way the dialogue is written in the midst of such brutal action makes it impossible to take seriously. I’ve appreciated Wynonna Earp for knowing what genre it is and what its limits are. This is a Syfy channel show tie-in. It works way better when it doesn’t reach for depth that isn’t there.

[su_box title="Score: 3/5" style="glass" box_color="#8955ab" radius="6"]

Wynonna Earp #4 Writer: Beau Smith Artist: Lora Innes Publisher: IDW Publishing Price: $3.99 Release Date: 5/18/16 Format: Ongoing; Print/Digital

[/su_box]

Review: Goldie Vance #2

I was so impressed by Goldie Vance #1 that I didn’t know what to expect with the second issue. I’m happy to say this issue is just as well written as issue one. Goldie is hot on the trail of a missing guest of the Crossed Palms Resort. She gets to showcase her detective skills to lead her closer to the elusive Mr. Ludwig. Overall it’s a pretty entertaining mystery and we see Goldie trying to enjoy normal things like lunch with friends and family time with her parents. Everything leads up to a cliff-hanger and sets up her new nemesis. GoldieVance_002_A_MainWhile the first issue provided a story that can be enjoyed as a whole a lot of this one depends on information established previously. If you didn’t pick up issue one it will be pretty confusing. That is my only gripe about this issue. Otherwise the characters are still fun to read and the artwork is still beautiful and playful. It is a mini-series so the fact that it doesn’t stand alone is more of an incentive to get the whole collection. It’s an interesting approach and it may not have worked if the book was not so good.

It’s worth noting that another reason I think this series is so good for kids is because of the ethnic diversity. In this issue Goldie is revealed to be biracial, her father being African-American and her mother being white. The issue also touches on the fact that Goldie’s parents are divorced. I think these are themes that are handled well in this book. It’s more about visibility than it is teaching some moral lesson. This is the reality that a lot of kids have.  If you’re introducing children to comics or even if you’re new to them this series provides high quality writing that any age can enjoy.

[su_box title="Score: 4/5" style="glass" box_color="#8955ab" radius="6"]

Goldie Vance #2
Writer: Hope Larson
Artist: Brittney Williams
Colorist: Sarah Stern
Publisher: BOOM!/BOOM Box
Price: $3.99
Release Date: 5/18/16
Format: Mini-Series; Print/Digital

[/su_box]

Visionbooks Expands Its Library With Additional Comics In Multiple Languages

Visionbooks has widen its collaboration with several comic publishers such as Valiant Entertainment, Aspen Comics, Top Cow Productions and Arcana Comics among others, and will be presenting additional titles in a static format and multiple languages such as Spanish, Portuguese, French and Japanese.Archer & Armstrong, Harbinger, Shadowman, Jirni, Lola XOXO, Cyberforce, IX Generation and Howard Lovecraft are just few of the series that will be released on the Visionbooks platform.

The two co-founders of Visionbooks, Francesco Scrufari and Simone Offredo are very pleased with this new opportunity:

“It is important for us to widen our library as well as to present our content in several languages.  We have received many requests in this regard and we look forward to give the opportunity to comics aficionados all over the world to read digital comics in their native languages” says Francesco.

“Our animation technology will remain at the core of our offering, but at the same time we want to expand our library.  I am glad our publisher partners shared our vision and gave us this opportunity” adds Simone.

Visionbooks revolutionizes comic book reading by transforming two-dimensional comic books into a 3D digital animation experience. By combining traditional comics with cutting-edge technology, Visionbooks creates a reading experience with special effects enhancements you would normally expect from blockbuster movies.

"The Dynamite Art of the Shadow" Book Announced

Who knows what evil lurks in the hearts of men? Dynamite knows! Since 2012, The Shadow has been an integral part of Dynamite Entertainment's publishing line, a relentless force of justice haunting the shelves of comic shops each and every month. Over the years, dozens of highly skilled artists have drawn and painted the crime-fighter, as well as his signature cloak, slouched hat, and twin .45 semi-automatic pistols. The Dynamite Art of The Shadow celebrates the timelessness of a pulp fiction icon, as captured by the comic industry's most acclaimed talents: Alex Ross, Howard Chaykin, Matt Wagner, John Cassaday, Francesco Francavilla, Tim Bradstreet, Wilfredo Torres, Chris Samnee, Jason Shawn Alexander, and many more

DynamiteArtOfTheShadowMichael Uslan, the bestselling author of The Boy Who Loved Batman and Archie Marries, provides the foreword to the compendium. From his foreword, he writes, "If you go with the radio version, he was invisible and had the power to cloud men's minds. If you prefer the pulp version, he mastered the art of stealth in the shadows. Either way, what a challenge to artists to attempt to bring this character to life in a visual medium like comic books! But without a Shadow of a doubt, the deed was done and the coup was pulled off by generation after generation of artists from the 1930's to today, building a legend of contemporary mythology in the process and making The Shadow one of the most widely-known characters in pop culture history.

"With a line-up of interior Shadow stories by top, cutting-edge graphic storytellers, Dynamite was able to hit home run after home run with its choice of cover artists, ranging from the top painters to top traditional comic book artists to top cartoonists," adds Uslan. "The Shadow is mysterious. His artists are brilliant. And the Shadow art is... Dynamite!"

"It has been an honor for Dynamite to add to the publishing legacy of one of the most iconic characters of all time," says Dynamite CEO and Publisher, Nick Barrucci. "We have been very fortunate to work with some of the best artists and writers working in comics today to tell all-new tales of this legendary pulp hero. We wanted to give fans a chance to own all of our Dynamite covers to date in a premium format, and couldn't more excited at the result."

The Dynamite Art of The Shadow hardcover features over 320 gorgeously illustrated pages from some of the biggest names in the industry, and will be available wherever fine comics are sold on August 31st! Check out the June cover-dated issue of Diamond Previews catalog for more information!

Changeling Studios Announces Beast Wagon #4 Pre-Order and Summer Tour

We're thrilled to announce Beast Wagon Chapter Four is now available for pre-order through the Changeling Studios website!  Click here to pre-order your copy! 

Beast Wagon #4

Orders will ship the week of July 25, 2016. All original Kickstarter backers will receive priority delivery.

Here's some details about the issue: Chapter Four - Gluttire Capacities are reached. Captivities are breached. The pen-ultimate issue of the critically acclaimed British Comic Award nominated series by Owen Michael Johnson & John Pearson, with letters by Colin Bell

Suggested for mature readers

New to the series? Beast Wagon #1-4 bundle


The 'False Prophet' tour is a bi-continental celebration marking the launch of Beast Wagon Chapter Four over the Summer, with dates in the following cities of the UK and US:

 

JUNE 25 - Austin Books 7 Comics, Austin, Texas USA JUNE 30 - Forbidden Planet, Glasgow, UK JULY 2-3 - Glasgow Comic Con, Glasgow, UK JULY 9 - Raygun East London, UK JULY 13 - Mission Comics and Art, San Francisco USA JULY 16 - Meltdown Comics, Los Angeles USA JULY 16 - Forbidden Planet Megastore, London UK JULY 23 - Raygun Comics, Richmond UK

If you are based near these fine establishments, it would be great to see some of you in attendance!

All-New New Battlestar Galactica Coming In August

I racked my brain sitting here trying to think of something positive to say for once... I got nothing. I hope that Bunn can pull of what others with this franchise at this publisher haven't been able to do before... hold my interest. From Dynamite:

Eisner Award-nominated writer Cullen Bunn's star continues to rise, as critics rally around new projects like Harrow County, Blood Feud, and The Sixth Gun, as well as bestselling titles including Marvel's Uncanny X-Men and IDW's Micronauts. Now, as he returns to Dynamite for the latest chapter in the fan-favorite franchise, Battlestar Galactica, Bunn welcomes the talented Alex Sanchez (Mad Max: Ride30 Days of Night: Spreading the DiseaseKatana) to the artist's first Dynamite project.

In the upcoming August release of Battlestar Galactica #1, humanity's search for sanctuary takes our heroes beyond the limits of known reality and into a cosmic mystery where the hunters become the hunted, ruin and despair dot the skies, and Adama goes where friend and family can't follow. Cullen Bunn and Alex Sanchez invite you on a journey unlike any in the annals of Battlestar Galactica!

"Battlestar Galactica is a franchise that meant a lot to me in my formative years, and now I have the opportunity to build on the cosmic mythology that was left behind when the television series ended," says Cullen Bunn. "I've been given the chance to write characters that I love (and a few characters that I love to hate) within the universe (and following the rules) of the classic series. At the same time, I'm going to be doing something a little different, taking the story in a new direction that will provide fresh stories but will also honor everything that came before. I'm using some of the most mind-blowing aspects of the TV show to fuel a new story that I think old and new fans alike will enjoy."

"The thing that most excites me about working on Battlestar Galactica is the chance to draw the characters, ships, and concepts that Ralph McQuarrie created for the original series. He's one of my art heroes," says Alex Sanchez. "I hope to do the material justice and give it a late 70's, early 80's feel, and hope that fans will react positively and enjoy the story and my art. With the creative team assembled, I know that they will!"

"We are lucky to count both Cullen Bunn and Battlestar Galactica as significant parts of the Dynamite family, and excited to see the excellent skills of Alex Sanchez devoted to a project here at Dynamite," says CEO and Publisher, Nick Barrucci. "What was that old advertisement? ‘Great tastes that go great together?' That's exactly what we have here. A superstar writer, an accomplished illustrator, and one of the greatest science fiction franchises of all time! We couldn't be more excited for this new series!"

The all-new Battlestar Galactica series by Bunn and Sanchez will ship with four covers: Cover A by series artist Sanchez himself, Cover B by Butch Guice, Cover C by Juan Doe, and a special "Action Figure" Cover D Subscription Edition by Michael Adams. Look for this new series solicited in the June cover-dated issue of Diamond Previews, with the first issue hitting comic shops on August 3rd!

Titan Announces Doctor Who: The Third Doctor With Writer Paul Cornell

BBC Worldwide North America and Titan Comics are excited to announce the return of the Third Doctor this August, in comics! This brand-new five-part comic series, written by fan-favorite Doctor Who scribe Paul Cornell (Wolverine, Action Comics, The Severed Streets), stars the Third Doctor, as played by Jon Pertwee, alongside companions Jo Grant (Katy Manning) and the Brigadier (Nicholas Courtney) in classic Doctor Who action. Hitting stores and digital platforms on August 31st, Doctor Who: The Third Doctor expands Titan Comics’ hugely popular and critically acclaimed Doctor Who comics, which already include adventures from the Fourth, Eighth, Ninth, Tenth, Eleventh, and Twelfth Doctors.

Civ5jOfWkAUqYPHFresh off last year’s epic smash-hit, Four Doctors, Paul Cornell teams up with artist Christopher Jones (Young Justice, Marvel’s Avengers) to bring unexpected twists and turns to the lives of the Third Doctor and his companions in an all-new story, “The Heralds Of Destruction.”

Actor Jon Pertwee starred as the Third Doctor in 128 episodes from 1970 to 1974. Pertwee's portrayal of the Doctor was a suave, dapper, and technologically oriented man of action, who spent his time stranded on Earth, working with the international military group UNIT.

When something enormous and extraterrestrial crashes into Bedfordshire, the Doctor, Jo Grant, and the forces of UNIT under Brigadier Lethbridge-Stewart mobilize immediately to investigate – and find themselves in the middle of a pitched battle against a terrifying invader! But the shocking face that awaits their return to base may tip their whole world off its axis.

The debut issue comes with five variant covers to collect: three art covers by artists Josh Burns, Simon Myers, and Paul McCaffrey, a photo cover, and a blank sketch cover.

Retailers can order issue #1 of Doctor Who: The Third Doctor from the June edition of Diamond PREVIEWS. This all-new storyline in the world of an old classic will delight longtime fans and freshly converted Whovians alike. Fans can find their nearest comic store at ComicShopLocator.com.

Remember Red Sonja and Dejah Thoris' Old Costumes? They're Back... As Statues

Their iconic look may not be good enough for the comics anymore, but they're good enough as a $189.99 statue. I wonder how that reboot is doing? From Dynamite:

The heroines Red Sonja and Dejah Thoris (of the Warlord of Mars franchise) have long been cornerstones of the Dynamite brand, and hold iconic status in the realms of fantasy and science fiction. Now, Dynamite Entertainment proudly honors their impact on pop culture with gorgeous, timeless statues, adding them to the brand-new Women of Dynamite line.

 

WoD-RedSonja-Statue

First up, comes Red Sonja, the She-Devil with a Sword, poised on a snow-covered battlefield, never having looked so majestic! Based on the original design of comics sensation J. Scott Campbell and sculpted by the talented Jason Smith, Hyrkania's most lethal warrior stands approximately 11.5" in height upon a decorative 5.5" wide base. Hand-painted on cold-cast porcelain with ABS details, this highly-detailed statue comes individually numbered as part of a limited edition run, and is packaged in a four-color box with a hand-numbered Certificate of Authenticity.

DejahStatueOnWhite2x3x300

For the Dejah Thoris statue, Jason Smith and the team at the Brewing Factory poured over the very finest creator illustrations to find just the right inspiration, resulting in this gorgeous statue based on Frank Cho artwork, measuring 12" high (to the tip of her sword) and 4.5" deep, with a 6" base. Hand-painted on cold-cast porcelain with ABS details, each statue is individually numbered as part of a Limited Edition run, and comes packaged in a four-color box with a hand-numbered Certificate of Authenticity. Let the original heroine of science fiction grace your collection with her exotic beauty!

"Dynamite Entertainment has published so many great characters over the years, and Red Sonja and Dejah Thoris are easily two of our most well known," says Dynamite CEO/Publisher, Nick Barrucci. "The previous Red Sonja statues have sold out so quickly, and we've never had a Dejah Thoris statue, so as we continue to grow our line of collectibles, these two are an obvious choice for new 3D renditions."

Each statue was painstakingly rendered in incredible detail by Jason Smith, and will be released in August and September respectively, carrying a price tag of $189.99 each.

Take a Wild Ride With David Petersen Through A New Limited-Edition Illustrated Wind In the Willows

David Petersen at IDW... well I hope that doesn't affect Mouse Guard any. From IDW:

Experience the timeless story of Toad, Rat, Mole, and Badger in a beautiful new hardcover designed and illustrated by New York Times Bestselling author and Eisner Award-winning creator David Petersen (Mouse Guard). Painstakingly illustrated over three years, this special edition features both color and pen and ink illustrations throughout and Petersen will be hand-signing each copy of the 1st printing.

wind-in-willowsSince its first publication in 1908, generations of adults and children have cherished Kenneth Grahame’s classic, The Wind in the Willows. For in this entrancing, lyrical world of gurgling rivers and whispering reeds live four of the wisest, wittiest, noblest, and most lovable creatures in all literature—Rat, Mole, Badger, and Toad of Toad Hall. Like true adventurers, they glory in life’s simplest pleasures and natural wonders. But it is Toad, cocky and irrepressible in his goggles and overcoat, whose passion for motorcars represents the free and fearless spirit in all of us; just as it’s Toad’s downfall that inspires the others to test Grahame’s most precious theme—the miracle of loyalty and friendship.

"The Wind in the Willows has long been a favorite of mine. I love talking animal stories and I don't know that they get better than Kenneth Grahame's," says David Petersen. "This is also a bucket list project for me, something I had to illustrate before I passed on. It's been tremendously difficult to illustrate as I'm trying to live up to the spirit of the original text while living in the shadows of illustrators like E. H. Shepard, Arthur Rackham, Inga Moore, and Robert Ingpen (among many others) who have visualized this tale in ways impossible not to be influenced by. The challenge of doing this story right has lead me to push my work further than I ever have, and I think my artwork will be forever changed by it for the better."

The Wind In The Willows sets the standard for animal-themed novels and is the inspiration for Redwall,  Watership Down, and David Petersen's marquee series, Mouse Guard.

Dynamite Reminds You Its An Election Year With "Ash for President" One-Shot

Election season is upon us, and many Americans are searching for the right candidate to get behind this fall. Thankfully, Dynamite Entertainment arrives just before the end of the primaries to announce the entry of our own Independent candidate, Ashley J. Williams, in the all-new one-shot special, Army of Darkness: Ash for President! He's faced off against demons in Hell. He's battled the dead in the future. He's even combated the armies of darkness in space. But Ash Williams has never gone up against evil in an arena like this: the political arena! From Elliott Serrano, the writer who brought you Ash Saves Obama, comes the off-beat adventure that answers the question: "What if Ash Williams ran for President of the United States?" When the Necronomicon Ex Mortis gives him a cryptic message, Ash Williams enlists the help of a beautiful psychic to help him track down the agent of The Great Darkness, an evil so great that it threatens both humankind and the demon realm. But what happens when the search for truth takes Ash on a trail that he never expected... the campaign trail? Army of Darkness: Ash for President is the one-shot Election Special that America deserves, illustrated with star-spangled flair by artist Diego Galindo.

AODAsh4Prez-Cov-Fernandez"The Army of Darkness: Ash for President is a thematic sequel of sorts to my Ash Saves Obama mini-series," says writer Elliott Serrano. "With Ash Saves Obama, I was poking fun at all the ridiculous merchandising that surrounded Obama's first term as President. With the new election special, I get to have fun in the political realm and with the wacky things that politicians will often say. No matter what side of the aisle you're on, both sides have said their fair share of things that are just begging to get poked at."

"In 2004, we launched our company with the candidate we believed in the most, and that candidate was, of course, Ash Williams," says Dynamite CEO and Publisher, Nick Barrucci. "Over ten years later, I'd say it paid off well for us. This year's presidential race has been one of the most talked-about in decades, and casting your vote for Ash this August is sure to pay off for comics readers from both political parties."

Army of Darkness: Ash for President is 48 pages of fun priced at $5.99, by Elliott Serrano, Diego Galindo, and cover artist Elliot Fernandez! Look for it in the June cover-dated issue of Diamond's Previews catalog, arriving on shelves on August 3rd!

Explore New Creator Visions With IDW This August

IDW is set to introduce readers to five brand-new original tales each week of the month this August! The Creator Visions event is a showcase of new series alongside the return of some fan-favorite titles that celebrate a breadth of unique and diverse comics. From the all-ages, action-packed adventures of Atomic Robo to an adaptation of a classic work of haunting literature, August has exceptional new material for every fan! Kicking off the weekly event is the return of the fantasy epic, The Adventures of Augusta Wind by creators J.M. DeMatteis and Vassilis Gogtzilas. This new 5-issue series, The Adventures of Augusta Wind: The Last Story, will conclude the magical tale that began in 2012, filled with weird worlds, bizarre creatures, and terrible dangers!

Week two welcomes the return of the explosively fun series, Atomic Robo! This time around, take a trip back to 1938 with Robo as he investigates a deadly weapon alongside some unlikely allies in the five-issue Atomic Robo and The Temple of Od.

Jackboot & Ironheel arrives in the third week from 2000 AD’s Sinister Dexter co-creator and longtimeJudge Dredd artist Max Millgate, following the grim turn of events for an English football star turned R.A.F. tail-gunner in the heat of World War II!

The charmingly profane and hilarious Superf*ckers, stars of a beloved Top Shelf graphic novel and corresponding YouTube series, make their monthly comic book debut from IDW in Superf*ckersForever! Creator James Kochalka is bringing along some friends for this series with alternate covers and backups by some of indie comics’ biggest talents. August’s issue 1 sees a variant cover fromInvincible artist Ryan Ottley and a back-up tale from cartoonist Jake Lawrence.

Finally, closing out the event is the first issue of Jim Thompson’s The Killer Inside Me, adapted byDevin Faraci, and artist Vic Malhotra. Predating the most infamous serial killers of our time, Thompson’s classic pulp novel, deemed “chilling” by Stanley Kubrick, peeled back the curtain in terrifying detail on Lou Ford, the deputy of a small Texas town who just can’t keep his sickness to himself any longer…

 

“This five-week release schedule really showcases the width and breadth of creativity of our schedule,” said Chris Ryall, IDW’s Chief Creative Officer. “From very indie titles to all-ages fantasy and adventure to a vivid adaptation of one of the best American crime novels of the past century, these titles really offer something for everyone and showcase the types of diverse creativity on display every month at IDW.”

IDW’s long history to creator-driven material goes back to its first monthly comic book 30 Days of Night, and has since grown to produce award-winning titles like Locke & Key, and Little Nemo: Return to Slumberland. That tradition remains a strong foundation at IDW with newer classics like Wild Blue Yonder, The Infinite Loop, and D4VE.

Look for all of the new creator visions, this August at your local comic shop and online!

Review: Clandestino #3

Before I begin… those are some 90s inspired Rob Liefeld teeth on that cover. I mean they don’t even line up which hey that’s real and all, but this is a comic and I really shouldn’t have to inject so much goddamn realism when looking at teeth. As for the comic, well did you read my last review? Because I have the same gripe with this issue… the tone is all over the place. I get that the story is supposed to be over the top action. That our hero can survive ridiculous events and that things like broken ribs only matter when there’s some down time in the story. I get that, I really do. But the emotional tone of this story is still a complete mess.

Clandestino #3This issue starts off two years prior to the events so that a forgotten character can be introduced. Already I was sighing because if you can’t see exactly where this is going then you haven’t read enough comics or watched enough films. The trope is the “betrayed friend left for dead that didn’t die and is now back for revenge.” It’s a trope that makes zero fucking sense because if you sacrifice your life so that someone else can live through a fubar situation then you don’t get to be mad that they didn’t come back for you. That’s why you had to do what you did, so that at least one of you could get out. If they came back what’s the fucking point? It’s a terrible and shitty trope.

Which brings me to my next point… this series has gone for every basic plot device it can. Nothing is surprising because it’s all something you’ve seen or experienced in some form or another. Even the cliffhanger which yes I’m going to spoil because it’s straight out of the hero’s journey in which our hero that’s been unstoppable must fall and prove he’s human only this time he’s assumed dead when our “friend turned bad guy” lays a bunch of dynamite on him. Conveniently he puts dynamite into our dead female character’s mouth so we know she’s a goner for sure, but for Clandestino… “ah, I’ll just lay a few sticks on him.” Talk about fucking up the bad guy basics of making sure someone’s dead. Why don’t you just leave him his guns outside the door “because he won’t need them anymore.”

The story intentionally has the characters, specifically the underdeveloped antagonists, make bad decisions to further the story. For instance, Vilcun the dead friend, shoots Leena in the head, but Clandestino in the chest. Granted in the real world both are pretty fatal, but this is a comic book and if you show that someone is capable of a kill shot in one panel and not the other it basically makes them an idiot.

This is it for me. I gave this series three honest chances and while there was a glimmer of hope with the second issue, all of that has been flushed away in the third issue. The tone is the major thing that’s killing it as it will never decide if it’s serious or wacky and over the top. The plot points and lack of character development is hindering the rest of the story making it unenjoyable. There might only be one more issue left of this series, but I’m so uninterested that I’m not even going to bother finishing it.

[su_box title="Score: 2/5" style="glass" box_color="#8955ab" radius="6"]

Clandestino #3 Creator: Amancay Nahuelpan Publisher: Black Mask Studios Price: $3.99 Release Date: 5/18/16 Format: Mini-Series; Print

[/su_box]

Review: Manifest Destiny #19

The latest arc of Manifest Destiny opens up with a brand new cast of characters. Despite some striking similarities to Lewis and Clark’s crew, this is a military expedition that took place three years prior. Writer Matt Dingess leaves us with more questions than answers in this excellent return of the best weird historical fiction comic out right now. Plagued by relentless monster attacks and a harsh winter descending upon them, the crew lead by Major Flewelling decides to pack it in for the winter. This memoir, penned by Captain Helm recounts a horrific tale. Helm is our Lewis in this issue, who appears to have been collecting samples until their ship was destroyed and they were forced inland. Each entry in his journal is worse than the last, retelling tales of lost men and brutal monsters and as winter passes things only worsen. When one of the soldiers commits suicide, the Major decides to take drastic actions - cannibalism. The camp is immediately divided between those who indulge and those who refuse. Meanwhile Captain Helm has been hearing voices and when he retreats to the forest to presumably take his own life, a vision of a Spanish Conquistador emerges before him.

Manifest Destiny #19Flash forward to 1804 and we are finally reunited with familiar faces. It’s good to see Lewis and Clark again, until you remember that in the last issue they committed a brutal genocide on a somewhat peaceful race of creatures. Up until that point it was easy to forget that their orders were to eliminate any threats to American Westward Expansion. The expedition comes across an opening and the ruins of the cabin that the 1801 crew had built for their winter stay. Lewis and Clark enter the cabin and in the fire place find a humanoid skull with one horn and one eye socket. This is the same type of skull that Jefferson himself had in his office back in the beginning of this comic. Clark looks at Lewis and says, “This is the spot”.

Ok, so what is going on? Dingess and Roberts don’t waste any time, and immediately the story has picked back up just as fast as it left off. It’s obvious that the 1801 expedition was the predecessor to Lewis and Clark, but they failed. All of the challenges that they failed to overcome, we see Lewis and Clark’s crew successfully achieving. Could it be that they were just the prototype and Lewis and Clark weren’t the first explorers chosen by Jefferson to complete this journey? Thomas Jefferson is beginning to be painted in a pretty dark light, but then again so are Lewis and Clark. We’ve seen glimpses of their past before as well, with both of them doing unspeakable things during the French and Indian War, things that still haunt them. Hopefully Dingess gives them a chance to redeem themselves, because the slaughtering of the Fezron left me with a bad taste in my mouth. It always hurts when you see the dark side of your heroes, but this journey was never going to be fun or easy, and that was just a reminder of that.

Dingess is still writing an incredibly entertaining yarn. This arc starts off strong, and despite being called “Sasquatch”, the slow build up of why it’s called that is perfect. The premise of this book has always intrigued me, and continues to do so. The “secret history” aspect of it is so fun, especially the idea that Jefferson had sent explorers out before Lewis and Clark but they failed so history forgot them, it’s brilliant. Do Lewis and Clark know that they weren’t the first? Are they being kept in the dark? There are so many questions that need answered! When winter falls upon the Discovery Corps how will they react, or will they too succumb to the fate that claimed their predecessors?

 

[su_box title="Score: 4/5" style="glass" box_color="#8955ab" radius="6"]

Manifest Destiny #19 Writer: Chris Dingess Artist: Matt Roberts Publisher: Image/Skybound Entertainment Price: Print: $3.99 Release Date: 5/18/16 Format: Ongoing; Print/Digital

[/su_box]

Review: Paknadel & Trakhanov’s Turncoat #3

What does civilization look like post-alien occupation? Many countries could offer up an answer, but in Turncoat, the entire world was occupied by a hostile force. Writer Alex Paknadel cleverly leaves the finer details about the aliens (called The Management by humanity) out and leaves us with the aftermath of a revolution. Turncoat doesn’t linger on the politics of its world, but we feel the ripples of them throughout the story. The characters in this book are all worn down, tired, and looking for a way out, and Earth’s infrastructure is crumbling without the support of alien leadership after being occupied for hundreds of years. These are all details that revolve around the main plot, adding a deeper layer to the world in which we explore. Paknadel does an amazing job at blending these slight references, giving this version of Earth more personality than many other “alien invasion” stories. Anyways, shit gets real in this issue, so let’s talk about it. Paknadel & Trakhanov’s Turncoat #3Detective Marta Gonzalez continues the hunt for the missing alien hybrid children, who she discovers are being held somewhere and their blood is being used to create a highly potent opiate. This drug can only be created using alien blood, and now that The Management are all gone, only the hybrids remain. In classic noir fashion, this case goes all the way to the top, and Gonzalez soon learns that the mayor is the one that was keeping the children all this time. Since then someone else has them, and she is determined to get to the bottom of it all. Keeping with its name, Turncoat is full of betrayal and lies, and when Matt (Marta’s ex-partner) turns out to the be the ringleader of the entire operation, we can only shake our heads. In a confrontation between them, Marta is shot and ultimately ends up in an underground hospital, but Matt and his gang catch up. The pieces are all falling into place and the mystery is almost unraveled, leaving us all set for one hell of a final issue.

For a middle issue Turncoat #3 does pretty well for itself. A little bogged down by too much story, there is a lot going on. Between the mayor’s plotline, Gonzalez, the introduction of the lack of city resource plot, and the main plotline of finding the missing hybrid children, it’s obvious that Turncoat could have benefitted from a longer run. But alas, Paknadel still does a great job getting everything in place for issue #4. Despite the extra baggage of too much exposition, this issue is still jam-packed with classic noir vibe, as well as action and mystery. It’s still a very satisfying read, especially with Artyom Trakhanov’s art filling every page with oozy alien tech and rotting skyscrapers. And  Jason Wordie’s colors adding so much mood to this comic that you can just feel how gross it is to live in this city. I said it last month, and I’ll say it again, read this comic! If you like noir combined with alien weirdness, written, drawn, and colored by some of the best up and coming talent, look no further.

[su_box title="Score: 4/5" style="glass" box_color="#8955ab" radius="6"]

Paknadel & Trakhanov’s Turncoat #3 Writer: Alex Paknadel Artist: Artyom Trakhanov Publisher: BOOM! Studios Price: $3.99 Release Date: 5/18/16 Format: Print/Digital

[/su_box]

Review: Lobster Johnson: Metal Monsters of Midtown #1

Giant machines are inexplicably and unstoppably wreaking havoc in New York. The Lobster and his friends take on an almost Wile E. Coyote approach to opposing the titular metal monsters, throwing ideas around and falling victim to slapstick. There’s a great economy of dialog, showing off both John Arcudi's gift for tone and Tonci Zonjic's flair for dynamism. The upshot is that this story pushes forward with ease and excitement. While many of the characters are trope-y and stock, the book is crafted with enough confidence that the material doesn't feel precious. At no point does Arcudi let reverence for the story's period replace actual modern storytelling. As the Lobster is so 27172detached and focused, the supporting cast has to fill in the emotional void he leaves. And, like the plot delivery, Arcudi allows the art to convey what a clutter of text would struggle to get across. The Hellboy universe sometimes proves to be more an idealized reflection of our world than an alternate history. With a brief, less-than-subtle reminder of 1930s America's racial tension, the book reminds us that this fantasy world still kind of sucks in very familiar ways. But this is a book about a man shooting grenades at giant robots, so there's nothing too heavy in terms of social commentary.

I enjoy the lack of personality or animal mimicry in the robot designs. They are brutal instruments, not granted much in the way of recognizable anatomy. Their motives are as obscure as their bodies are utilitarian. Toni Zonjic illustrates the machines as tools, objects that must be under some kind of human command; even the Lobster finds himself momentarily confounded by exactly what he’s trying to combat. Because of the alien nature of the threat, Metal Monsters of Midtown starts with an effective mystery. I’m hoping the mini will maintain its quality.


Score: 4/5


Lobster Johnson: Metal Monsters of Midtown #1 (of 3) Writer: John Arcudi and Mike Mignola Artist: Tonci Zonjic Colorist: Dave Stewart Publisher: Dark Horse Comics Price: $3.50 Release Date: 5/25/2016 Format: Mini-Series; Print/Digital

Review: Judge Dredd #5

Dredd accompanied by Lolo and a Judge helmet wearing pug is on route to ger her sisters back from the Yes Men, the men who won’t take no for an answer… He’s realizing how exhausted he truly is, after being tossed around from one place to another, and even more, his tiredness is mixing with reflection of why he’s there and what he remembers from the Angela Davis block.

It’s a strange book that’s finally revealed some of its hidden secrets. Somehow it managed to keep shrouded in mystery for four whole issues before giving enough of it away to make me come back for the next issue. Waiting four issues for a major revelation is not easy to pull off. Most comic book readers expect a big JudgeDredd_05-CVRshakeup in the storytelling by at least the third issue. Where Judge Dredd succeeds is keeping the action moving and the pace of the comic alive, Joe would get tossed from one strange situation to another before even realizing how long he’s gone without sleep. The flow of the action, combined with the banter, the revelations of strange philosophies by several characters and the seeming randomness of it all makes for a strange tale with Judge Dredd in the middle of it all, trying to punch some sense into this new world. I can say this much, listening to Monster Magnet’s album Dopes To Infinity made for a great soundtrack to this story.

Dan McDaid and Ryan Hill are able to give great contrast to the then Mega-City One and what it’s turned into now. Expressions on the characters continue to enhance the story and give the emphasis needed to their dialogue. Which isn’t an easy task when drawing a room full of Judges talking about the law and ways to improve it. Then there is something as simply delightful as having a small Pug walking around a endless green field happily wearing a Judge helmet, which also puts Dredd’s new situation into perspective.

Judge Dredd #5 is worth the read as the bigger picture is brought back into focus. The big, strange philosophies take a step back for now without leaving a trace throughout the whole series so far.

[su_box title="Score: 4/5" style="glass" box_color="#8955ab" radius="6"]

Judge Dredd #5 Writers: Ulises Farinas & Erick Freitas Artist: Dan McDaid Colorist: Ryan Hill Publisher: IDW Publishing Price: $3.99 Release Date: 5/18/16 Format: Ongoing; Print/Digital

[/su_box]